Hardbopjazz Posted October 16, 2012 Report Posted October 16, 2012 Today I was listening to a number of Duke Ellington CDs. I noticed Irving Mills has several writing credits on a number Ellington tunes. I highly doubt Mills had a hand in writing these pieces; after all he was Duke's manager and publisher. Is this just another case, similar to a band leader putting his name on a tune someone in the band wrote, or something else? With Ellington such a major force in the music business, why did he allow it? He could have gone to almost any other publisher, or even started his own publishing company. Anyone have some insight to this? Quote
marcello Posted October 16, 2012 Report Posted October 16, 2012 Mills, brought much recognition to Duke and promoted him as a sophisticated performer and composer. What Duke had to give up for that promotion, was his business. Read this book, for some honest insight to their relationship: Quote
JSngry Posted October 16, 2012 Report Posted October 16, 2012 The Barry Ulanov bio says something about how at some point, Duke walked in, asked to see the books, had a look, walked out, and that was that. Quote
Chuck Nessa Posted October 16, 2012 Report Posted October 16, 2012 It is really easy to paint operators like Mills and Lester Melrose as bad guys. The reality is much more complex. These cd collections are worth searching for: Quote
medjuck Posted October 16, 2012 Report Posted October 16, 2012 Mills is also credited as composer of "St.James Infirmary" !!. Probably because he managed Cab Calloway but Cab wasn't the first to record it and the earlier recording lists a different composer. It's apparently a true folk song. Quote
AllenLowe Posted October 16, 2012 Report Posted October 16, 2012 Gambler's Lament is the original title; there's even a Jimmie Rodgers version. Quote
danasgoodstuff Posted October 17, 2012 Report Posted October 17, 2012 Mills is also credited as composer of "St.James Infirmary" !!. Probably because he managed Cab Calloway but Cab wasn't the first to record it and the earlier recording lists a different composer. It's apparently a true folk song. Yes it is, and like most folk songs it has a lot of varients, some of which are collected here: the unfortunate rake (to say nothing of the hoe) Quote
Hardbopjazz Posted October 17, 2012 Author Report Posted October 17, 2012 Mills, brought much recognition to Duke and promoted him as a sophisticated performer and composer. What Duke had to give up for that promotion, was his business. Read this book, for some honest insight to their relationship: Thanks Tom, I found a copy of this book on Amazon and ordered it today. Quote
johnlitweiler Posted October 18, 2012 Report Posted October 18, 2012 It is really easy to paint operators like Mills and Lester Melrose as bad guys. The reality is much more complex. Chuck, I'd like to read something nice about Lester Melrose. Where should I look? Quote
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