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Posted (edited)

Just finished listening to a fascinating CD of relatively obscure Copland music written for: (1) a puppet show at the 1939 NY World's Fair ("From Sorcery to Science); (2) a documentary film shown at the 1939 NY World's Fair ("The City (Suite)"); (3) a WWII documentary about the resettlement of refugees in the US ("The Cummington Story (Suite, Arr. Sheffer)"); and (4) a WWII Hollywood film about Ukrainians fighting Nazi invaders ("The North Star (Suite)"), which seems relevant right now.

Copland, Celluloid Copland--World Premiere Film Music

Jonathan Sheffer, Eos Orchestra (Telarc)

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Edited by Ron S
Posted (edited)

Mozart, Posthorn Serenade / Marches in D, K. 335 No. 1 and No. 2

Sandor Vegh, Camerata Acaedemica des Mozarteums Salzburg (Philips)

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Edited by Ron S
Posted

Now playing:

Canteloube-Songsofthe-Auv-Davrath.png

As far as I'm concerned, Netania Davrath "owns" Canteloube's Songs of the Auvergne

It's a perfect pairing.  No other singer even comes close. 

 

Earlier:

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Posted
5 hours ago, HutchFan said:

As far as I'm concerned, Netania Davrath "owns" Canteloube's Songs of the Auvergne

It's a perfect pairing.  No other singer even comes close. 

She had a beautiful voice.  I have pieces sung by her on the following Bach Guild (Vanguard) releases: Big Beethoven Box, Big Baroque Box Volume 4, Big Schubert Box, Big Haydn Box, and Big Jewish Music Box.

Posted
30 minutes ago, mjzee said:

She had a beautiful voice.

Yes!!!  I think her voice is very distinctive too.  It's unstudied (in the best sense) and natural.  Not at all "operatic."

Have you heard Davrath's rendition of Mahler's Fourth -- with Abravanel & the Utah SO?  It's amazing, another perfect pairing of artist and repertoire.

 

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