Dmitry Posted June 6, 2023 Report Share Posted June 6, 2023 (edited) 8 hours ago, JSngry said: About halfway through, Threadgill's just back from Viet Nam and picking back up on his composition studies. To 5his point, this is one of the better (and better written) ",jazz books" I've ever read. A compelling story compellingly told. Any mention of someone named Frank in the book? Edited June 6, 2023 by Dmitry Quote Link to comment Share on other sites More sharing options...
JSngry Posted June 6, 2023 Author Report Share Posted June 6, 2023 Frank who? Quote Link to comment Share on other sites More sharing options...
rostasi Posted June 6, 2023 Report Share Posted June 6, 2023 Frank Talk. That’s what I’m reading! Quote Link to comment Share on other sites More sharing options...
mjazzg Posted June 21, 2023 Report Share Posted June 21, 2023 60 pages in and I'm finding this a frustrating read. Whilst the content is interesting enough, the seeming cut 'n' paste of some paragraghs/stories lead to some jarring non-sequitirs. I don't need a strictly chronological approach at all but the jump cuts appear clumsy to me and are derailing my reading a bit. this may well reflect how Threadgill chose to tell the story to Hayes Edwards. Hopefully I'll get used to the chosen style as I read on. Whatever happens, I'm not crossing great grandaddy. Quote Link to comment Share on other sites More sharing options...
JSngry Posted June 21, 2023 Author Report Share Posted June 21, 2023 After finishing, my opinion is that this book will come to be regarded as a classic of the genre. Quote Link to comment Share on other sites More sharing options...
mjazzg Posted June 21, 2023 Report Share Posted June 21, 2023 I'll look forward to continuing in that case Quote Link to comment Share on other sites More sharing options...
JSngry Posted June 21, 2023 Author Report Share Posted June 21, 2023 The anecdotes-then-musings pattern doesn't stop. To me that makes for a most effective storytelling, but YMMV. of course. Quote Link to comment Share on other sites More sharing options...
mjazzg Posted June 21, 2023 Report Share Posted June 21, 2023 (edited) Another 50 or so pages on and it's settled down a bit, it was the early years that seem just a bit too disjointed. Maybe that's actually a good way of representing how we remember decades ago, not in a straight line I do like the anecdote/musing combination which is really effective in the Vietnam section which is where I am now. Also, did I want to hear those preachers? Absolutely Edited June 21, 2023 by mjazzg Quote Link to comment Share on other sites More sharing options...
mjazzg Posted July 3, 2023 Report Share Posted July 3, 2023 Just finished this. I either warmed to the style or it became a little less jumpcut as the narrative progressed. Either way it's a really interesting read and a great companion to anyone's Threadgill listening. Quote Link to comment Share on other sites More sharing options...
romualdo Posted August 8, 2023 Report Share Posted August 8, 2023 Am enjoying this immensely (3/4 way through now) & the book structure (roughly chronological but random topics, not at all heavy on music theory). His vignettes are fascinating, favourites are time in Vietnam plus meeting Coltrane & Ellington. The Hubkaphone discussions mention (p 210) a live LP recorded in 2003 at Engine 27, NYC where Henry prerecords his hubkaphone (at the venue) then plays it back (at varying octaves) during his Zooid's performance. I'd never heard of this release - Pop Start The Tape, StoP on the Hardedge label release #1 in 2005 in edition of 1000. I found the Hardedge website via Discogs & you wouldn't believe it, there are still copies left in 2023 - scored one & am listening now - the Hubkphone features prominently. The website has glitches for purchasing so you have to order via email (contact Velibor) details on website https://www.hardedge.net/catalog https://www.discogs.com/release/4162996-Henry-Threadgills-Zooid-Pop-Start-The-Tape-Stop Quote Link to comment Share on other sites More sharing options...
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