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By clifford_thornton · Posted
Jack is also on Corea’s The Sun, which is a little more concise. Is feels more like a search down various tributaries, which is interesting even if not all of those tributaries bear obvious fruit. -
By ep1str0phy · Posted
The Miroslav Vitous version comes to mind. There's some aggressively angular playing from John McLaughlin partway through. It's definitely in a post-Miles vein, but it threads the needle between fusion and modal/quasi-free jazz quite nicely: And then there's this version by the Ethnic Heritage Ensemble, which is squarely free funk territory. I love the surrealist solos superimposed over the (very insistent) groove: -
By ep1str0phy · Posted
Yeah, Jacknife is the one I go to after the Moncur/Hutcherson groups. It's very early for DeJohnette, but his playing animates what might have otherwise been a routine session. I like the "Is" Sessions double CD, too. The music seems to occupy a midway point between the Lost Quintet and Circle. The energy is off the charts, even if the improvisations can feel a little incoherent at times. IMO the real knock on the recording is that the music lacks a guiding voice - there's no Miles to editorialize the rambling or a Cecil or Braxton to give the freedom explicit direction. It's a transitional moment for virtually everyone involved. -
By Guy Berger · Posted
I have been listening to the original version of Eddie Harris’s “Freedom Jazz Dance” (from The In Sound) and am struck by how much its popularity in more avant-garde circles was already baked in to the original. Yes the beat is very “soul jazz”, but the melody is pretty angular and syncopated, not your stereotypical populist pitch. I think of the Davis version and its offspring as just taking what’s implied in the original and taking it to its obvious conclusion. Did anybody ever record a version that combines an avant-garde vibe with the soul jazz (or even funk/rock) rhythmic approach? -
I put together a simplified mini-discography of Stitt's recordings with organ—both leader and sideman dates, studio and live. Here's what I came up with. Please post corrections/additions. (1961-1971 is a guidepost. There might be sessions outside this decade.) Thanks! Sonny Stitt Organ Dates 1961-1971 1. At The DJ Lounge 6/--/61 Argo 2. ‘Nuther Fu’ther 2/16/62 Prestige 3. Boss Tenors In Orbit! 2/18/62 Verve 4. Soul Summit 2/19/62 Prestige 5. Low Flame 4/4/62 Jazzland 6. Feelin’s 4/--/62 Roost 7. My Mother’s Eyes 5/--/63 Pacific Jazz 8. Move On Over 6/17/63 Argo 9. Soul Shack 9/17/63 Prestige 10. My Main Man 3/10/64 Argo 11. Shangri-La 3/19/64 Prestige 12. Soul People 8/25/64 Prestige 13. Night Crawler 9/21/65 Prestige 14. Made For Each Other 7/13/68 Delmark 15. The Boss Men 12/28/65 Prestige 16. Soul In The Night 4/15/66 Cadet 17. Deuces Wild 9/11/66 Atlantic 18. What’s New!!! 1966 Roulette 19. Parallel-A-Stitt 1967 Roulette 20. Soul Electricity! 9/23/68 Prestige 21. Funk You! 9/24/68 Prestige 22. Donny Brook 9/15/69 Prestige 23. Brothers-4 9/15/69 Prestige 24. Night Letter 10/27/69 Prestige 25. It’s Magic 1969 Delmark 26. Turn It On! 1/4/71 Prestige 27. You Talk That Talk! 2/8/71 Prestige 28. Just The Way It Was 3/21/71 Label M 29. Black Vibrations 7/9/71 Prestige 'Nuther Fu'ther was originally titled Stitt Meets Brother Jack. I left out Patterson's People because (if I'm not mistaken) the two tracks with Stitt are actually part of the Shangri-La session. Lastly, what are your favorites from this bunch?
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