mikeweil

Yesterday and today, excerpts from these:

I must admit I never liked it, even though I get the pun.

That's what drummer Billy Brooks called "the power of repetition". Nobody complains when an organist holds a chord.

Listen to Shadow Wilson with Monk on this one: https://www.discogs.com/release/1354471-Thelonious-Monk-Quartet-With-John-Coltrane-At-Carnegie-Hall

Not necessarily. There is always a certain low percentage of incorrectly copied 0s and 1s. That is why we need error correction and oversampling. Try copying a CD at different burning speeds and play them back. Quality of CD players has a lot to do with how accurately they read the data.

Interesting view. I found Green's repeating of phrases a welcome variation in playing style, raising the intensity with this insisting way of confirming a phrase. You can just easily get stuck in the necessity to run the changes and the lack of rhythmic variation in a linear bebop style.

That should be one for me ....

He was the greatest, IMHO, and spelled himself Jerry 😉

John Klemmer

One of the most enjoyable albums I bought during the last years.

Last night:

This afternoon:

Drummers: Frankie Dunlop, then Shadow Wilson. Blakey was playing what he always played, Riley was not really an individual stylist, although he really leaned in. Bassists: They all fit in, as long as they were strong walkers. That's what he was!

I'M really curious what your source for this info is! Probably the album liner?

👍

Just found it! BTW this is a very good recording, interpretation and sound-wise, of very rare music, and using the proper piano, a Silbermann copy!

I know, but right now there is no other source for the cover, not even on the label's website. I intend to replace it as soon it is featured somewhere else. BTW I as the poster, see it too!

https://en.m.wikipedia.org/wiki/Ismay_Duvivier

He always sounded young, for sure, and he really could play anything. R.I.P.