mikeweil

Because he always was and will be a musicians' or connoisseurs' musician!

If you can't post pictures, I'll gladly do it for you to complete the favourite Blue Note cover exhibition: And I beginn to like this one very much:

Chances are they just weren't aware there already was an album with that title.

Gene Harris was the first that came to my mind, Ray Bryant too, and Jay McShann. And John Lewis could play very bluesy in his own very elegant way. To me, his solo "Gemini" on his EmArcy CD "Private Concert (recorded in 1990) is the single greatest blues piano solo, outlining the very essence of the blues. Elmo Hope played some great blues too, check out "One Mo' Blues" on the "Homecoming" LP on Riverside.

Personally speaking, I find the industry's hassle about copy protection is ridiculous. They want to sell CDs, but they want to sell the technical equipment for copying as well. We are supposed to buy the equipment but not use It?!?!?! Or didn't they think about the possible consequences in the first place? Then they deserve it!

The last batch of Latin inflected Blue Note CDs was copy protected as well in its European pressings.

There IS a Japanese CD of Primal Roots, with one bonus track, EUR 33, but I ordered it. This is my Mendes CD for the desert island. And they have the double very best as well. Amazon, that is. Shrdlu, thanks for the recommendation!

Hell YEAH!!! That's the greatest thing he ever did. I'd even buy an expensive Japanese CD of this one, only have a cassette dubbed from a scratchy LP. Jim, your taste is impeccable! That set seems to be worth checking out. Shrdlu, would you post your corrections to the album attributions?

That was about my reaction when I got me a vinyl copy years before the CD came out. Except that I sold it so it has the chance that somebody else pulls it out ... Never bought the CD, doubt that I ever will, only if it's very cheap. To me, Mobley's dullest outing on Blue Note. All the session released posthumously or in the Blue Note Classics Series were better than this one.

I'm sweatin' bullets...I told the wife I was going to break down and order a set due to the sale, but I'd just get a small one. Any chance that the Capitol Jazz set, the Complete Savoy/Dial Parker set and four RVGs will come in a reeeeeal small box? Since my wife started playing saxophone she's a lot cooler about me ordering jazz cds, as she wants some for herself .... I highly recommend this way of reducing the trouble about cd orders, well at least as we stay in the budget but when I start thinking about how many cds we could have bought for the money that went into buying the horn ...

Sorry, I couldn't find any detailed contents listing on their site! Where are they?

Dmitry, do you remember if there was a young trombone player named Dion Tucker in the band? When she toured Germany in September 2002, she had Steve Wilson, Mark Shim, Kenny Davis and a very young but very talented drummer, Tyshawn Sorey.

On bassist Rodney Whitaker's 1997 CD for DIW Japan "Hidden Kingdom", a pianist named "J.D." plays on four tracks with a very imaginative style. Does anybody here know his real identity? Could it be Marcus Roberts? Any opinion is highly appreciated!

The Decca CD (GRP 1-607-2) "Classic Early Solos 1934-1937" is some essential stuff, sound restoration is very good. In case it is out of print the Chronological Classics are a good way to acquire his early recordings.

Why is this my favourite? It shows the working spirit at the session, I like the yellow shirt, it matches the pencil , it is one of my favourite Mobley LPs .... not old school, for sure, but I simply like it better than most Mobley covers, although some are nice, especially Hi Voltage - which has another colour photo.

Sounds interesting, but to my knowledge the ADDA label is out of business. The zarb is a drum used in Iranian music, but the berimbau is an afro-brazilian music bow with a gourd resonator, struck with a stick held by the right hand, together with a caxixi basket rattle.

Bob Porter mentioned in the liner notes the tapes of the second ABC session were nowhere to be found.

I enjoyed his playing on A.K.Salim's "BluesSuite" on Savoy, he steals the show whenever he plays a solo.

Ben Webster played on the soundtrack (and is seen on the film playing) of "Quiet Days in Clichy" after Henry Miller's short novel, if that falls into the category ..... It's the 1970 Danish film he's in: Stille Dage in Clichy

I voted for Keezer for his exuberance. Saw Gene Harris too with Ray, and although he was a great blues player and the trio was very well together, the exitement Keezer brought into the trio tops it for me. Benny Green didn't show as much individuality, for my ears.

I chose Bob Berg: he seamlessly fitted into the compositional framework Walton laid out in the group. But they were all great in that context.

I guess this must be my favourite Blue Note LP cover, as it is the only LP I bought twice just to frame it - still hangs behind me while I type this: Your turn!

Now imagine all governments would have discussion borads like this, and react like B3-er when so many votes would come in .... we just acted direct democracy?

Interesting observation; there actually seems to be a "lyrical" type of listener. I can always discriminate in my mind between the instrumental and/or vocal version(s) of a tune I hear. And I think the lyrics, especially when written by some jazz expert like Jon Hendricks, Eddie Jefferson or King Pleasure, add another dimension to the piece, as the jazz world is their subject. BTW, it was really Charlie Parker who didn't like the lyrics to Parker's Mood, he didn't want to hear about his own funeral .....

Didn't this start it all?