Chas

What's the product ?

You might enjoy parts of Donald Byrd's album Kofi , in particular the third cut , Perpetual Love .

Tell me I'm not the only one for whom this rhyme comes to mind.... One two three A little fool I want to be Two three four You can give me more Five six seven I don't want to wait for heaven Nine ten eleven Going back to seven Seven eight nine Kann denn das noch sein

These choices really surprise me ; can't believe I'm going to be the first one to say that Tones For Joan's Bones is the one essential album from Mr. Corea . In my view , the compositions , solos and swing on that album are unmatched by anything else in his oeuvre , save perhaps Now He Sings , Now He Sobs .

25 posts in this thread , but no answer to the original question , so again........If the CD cover ( first cover below ) is the original Argo LP cover , what's the story on the other two covers ? I could understand it if this was a mono vs. (fake) stereo thing , or a Cadet reissue thing , but that doesn't appear to be the case here .

Nope . It's PREV-IT .

With a cover like that , that record's gotta have some seoul

I know this is a pretty old post and it may have been mentioned recently, but the old links don't work anymore, presumably since Mosaic recenty changed their web site. The Complete Blue Note Lee Morgan Fifties Sessions(#162) Limited Edition: 5000 copies 4 CDs - $64.00 (A) Morgan (tp), Clarence Sharpe (as), Horace Silver (p), Wilbur Ware (b), Philly Joe Jones (d). November 4, 1956 tk 3 Gaza Strip BLP 1538 tk 4 Reggie Of Chester - tk 6 Little T - tk 7 Little T (alt tk) previously unissued tk 9 Stand By BLP 1538 tk 11 Roccus - tk 14 The Lady - ___________________________________________________________ (B) Morgan (tp), Kenny Rogers (as), Hank Mobley (ts), Horace Silver (p), Paul Chambers (b), Charlie Persip (d). Arranged by Benny Golson -1, Owen Marshall -2. December 2, 1956 tk 2 Latin Hangover -1 BLP 1541 tk 5 Whisper Not -1 - tk 8 His Sister -2 - tk 9 D's Fink -2 - tk 11 Slightly Hep -1 - tk 13 Where Am I -1 - ______________________________________________________________ ( C ) Morgan (tp), Gigi Gryce (as, fl), Benny Golson (ts), Wynton Kelly (p), Paul Chambers (b), Charlie Persip (d). March 24, 1957 tk 3 Hasaan's Dream BLP 1557, B2-46817 tk 5 I Remember Clifford - - tk 7 Mesabi Chant - - tk 10 Tip Toeing (alt tk) - tk 11 Tip Toeing - - tk 13 Domingo - - _____________________________________________________________ (D) Morgan (tp), Curtis Fuller (tb), George Coleman (ts -1, as -2), Ray Bryant (p), Paul Chambers (b), Art Taylor (d). August 25, 1957 tk 1 Just By Myself -1 BLP 1575, BST 81575 tk 4 City Lights -1 - - tk 6 Tempo De Waltz -2 - - tk 9 You're Mine You -1 - - tk 10 Kin Folks -2 - - note: The stereo version of this LP (BST) was issued years after the initial mono release (BLP). ________________________________________________________________ (E) Morgan (tp), Pepper Adams (bari), Bobby Timmons (p), Paul Chambers (b), Philly Joe Jones (d). September 29, 1957 tk 3 Just One Of Those Things (alt tk) previously unissued tk 4 Just One Of Those Things BLP 1578, BST 81578 tk 6 Heavy Dipper - - tk 7 A Night In Tunisia - - tk 9 Lover Man - - tk 10 New-Ma - - note: The stereo version of this LP (BST) was issued years after the initial mono release (BLP). For the stereo master of A Night In Tunisia< on this album and on The Best Of Lee Morgan, the wrong outtheme insert ending was edited onto the master take. It has been corrected for this release. __________________________________________________________________ (F) Morgan (tp), Sonny Clark (p), Doug Watkins (b), Art Taylor (d). November 18, 1957 tk 4 Since I Fell For You BLP 1590, SUS 5263, B2-46508 tk 7 Personality - - - tk 14 All At Once, You Love Her - Who Do You Love, I Hope rejected same personnel. February 2, 1958 tk 5 Who Do You Love, I Hope BLP 1590, SUS 5263, B2-46508 tk 9 Candy - - - tk 12 C.T.A. - - - tk 14 All The Way - - - note: The first stereo release of this session appeared on Sunset SUS 5263 as All The Way. The wrong ending (actually the last three notes) was used for Candy. It has been corrected on all subsequent issues. ALBUM INDEX 1538 Indeed! ( Session (A) ) 1541 Volume Two ( Session (B) ) 1557 Volume Three ( Session ( C ) ) 46817 CD issue of above 1575/81575 City Lights ( Session (D) ) 1578/81578 The Cooker ( Session (E) ) 1590 Candy ( Session (F) ) 5263 All The Way (stereo issue of above) 46508 CD issue of Candy Original sessions produced by Alfred Lion Produced for release by Michael Cuscuna Executive producer: Charlie Lourie Recording engineer: Rudy Van Gelder Sessions A-C recorded in mono, sessions D-F recorded in stereo Transfers: Jeff Rach All photographs by Francis Wolff Design direction: Richard Mantel Design production: InkWell Inc. Masters courtesy of Blue Note Records, a division of Capitol Records, Inc. under license from CEMA Special Markets. (p)1995 CEMA Special Markets. Product of CEMA Special Markets, a division of Capitol Records, Inc, 1750 N. Vine St., Los Angeles, CA 90028. All rights reserved. Unauthorized duplication is a violation of applicable laws. ©1995 Mosaic Records, Inc. All rights reserved.

The Brunswick, Parlophone & Vocalion Bunny Berigan (#219) Limited Edition: 5000 copies 7 CDs - $119.00 DISCOGRAPHY DISC I: 1. When I Take My Sugar To Tea (A) 3:12 (Fain-Kahal-Norman) 2. Rockin' Chair (A) 3:00 (Hoagy Carmichael) 3. Building A Home For You (B) 2:56 (G. Kahn-J. Santly) 4. At Your Command © 3:12 (Barris-Crosby-Tobias) 5. Pardon Me, Pretty Baby © 3:03 (Rose-Klages-Meskill) 6. On The Beach With You (D) 3:01 (J. Greer-T. Seymour) 7. Love Letters In The Sand (E) 1:57 (Coots-N. Kenny-C. Kenny) 8. I Thank You, Mister Moon (take A) (F) 2:42 (Dave Oppenheim) 9. I Thank You, Mister Moon (take B) (F) 2:43 (Dave Oppenheim) 10. By The Sycamore Tree (G) 3:34 (H. Gillespie-P. Wendling) 11. Why Did It Have To Be Me? (G) 3:20 (Stept-Lombardo-Green) 12. How Long Will It Last (H) 3:16 (J. Meyer-M. Lief) 13. (We've Got To) Put That Sun Back In The Sky (mtx.11240) (I) 3:16 (I. Kahal-J. Meyer) 14. (We've Got To) Put That Sun Back In The Sky (mtx.11321) (J) 3:00 (I. Kahal-J. Meyer) 15. Too Many Tears (K) 3:12 (A. Dubin-H. Warren) 16. Everybody Loves My Baby (L) 2:17 (J. Palmer-S. Williams) 17. Stop The Sun, Stop The Moon (M) 3:19 (H. Cook-Robinson-M. Cook) 18. What Would You Do? (take 1) (N) 2:53 (L. Robin-R. Whiting) 19. What Would You Do? (take A) (N) 2:54 (L. Robin-R. Whiting) 20. "Face The Music" Medley (Pt .2) (O) 4:11 (Irving Berlin) 21. Sing A New Song (P) 2:49 (M. Ager-N. Wever) 22. I'm So In Love (P) 2:55 (Walter Donaldson) 23. Gosh Darn ! (Q) 2:43 (J. Coots-J. Young) 24. Crazy People (Q) 2:55 (E. Leslie-J. Monaco) DISC II 1. If I Had My Way �Bout My Sweetie ® 3:01 (J. Palmer-S. Williams) 2. Dream Sweetheart (S) 2:36 (Bud Green) 3. Lawd, You Made The Night Too Long (S) 2:51 (V. Young-S. Lewis) 4. My Lips Want Kisses (T) 2:39 (Oppenheim-Fisher-Baer) 5. Doggone, I've Done It (U) 3:03 (Dave Franklin) 6. How Do You Do It? (V) 3:11 (L. Gensler-E.Y. Harburg 7. Someone Stole Gabriel's Horn (W) 2:54 (Washington-Hayes-Mills) 8. Underneath The Harlem Moon (X) 2:51 (M. Gordon-H. Revel) 9. Mighty River (X) 2:52 (Billy Baskette) 10. All American Girl (Y) 2:47 (Al Lewis) 11. Underneath The Harlem Moon (Y) 3:01 (M. Gordon-H. Revel) 12. What Would Happen To Me If Something Happened To You? (Z) 2:53 (Harry Woods) 13. I'll Never Have To Dream Again (AA) 3:13 (I. Jones-C. Newman) 14. Me Minus You (AA) 2:58 (Abel Baer) 15. Sing (It's Good For You) (AA) 2:51 (Mooney-Prince-Robin) 16. You'll Get By (With A Twinkle In Your Eye) (BB) 2:50 (J. Coots-R. Turk) 17. Going! Going!! Gone!!! (CC) 2:58 (Phil Baxter) 18. Low Down Upon The Harlem River (CC) 3:05 (M. Gordon-H. Revel) 19. You've Got Me Crying Again (take 1) (CC) 3:06 (I. Jones-C. Newman) 20. You've Got Me Crying Again (take 2) (CC) 3:04 (I. Jones-C. Newman) 21. I Gotta Right To Sing The Blues (take 1) (CC) 2:46 (T. Koehler-H. Arlen) 22. I Gotta Right To Sing The Blues (take 2) (CC) 2:46 (T. Koehler-H. Arlen) DISC III 1. Mood Hollywood (take A) (DD) 2:58 (L. Hayton-J. Dorsey) 2. Mood Hollywood (take B) (DD) 2:58 (L. Hayton-J. Dorsey) 3. Someone Stole Gabriel's Horn (DD) 2:58 (Washington-Hayes-Mills) 4. Stay On The Right Side Of The Road (take A) (DD) 2:42 (R. Bloom-T. Koehler) 5. Stay On The Right Side Of The Road (take B) (DD) 2:43 (R. Bloom-T. Koehler) 6. Shim Sham Shimmy (take A) (DD) 3:17 (J. Dorsey-F. McGrath) 7. Shim Sham Shimmy (take B) (DD) 3:11 (J. Dorsey-F. McGrath) 8. Is That Religion? (take A) (EE) 3:00 (M. Parish-M. Pinkard) 9. Is That Religion? (take B) (EE) 3:06 (M. Parish-M. Pinkard) 10. You'll Never Get Up To Heaven That Way (take B) (FF) 3:20 (S. Lernertake A. Baer) 11. You'll Never Get Up To Heaven That Way (take A) (FF) 3:04 (S. Lerner-A. Baer) 12. In A Little Second Hand Store (FF) 3:14 (Dreyer-Nelson-Pease) 13. Keep Looking Forward (FF) 2:41 (Davis-Oakland) 14. You've Got Everything (GG) 2:55 (G. Kahn-W. Donaldson) 15. Sweet Madness (GG) 2:54 (N. Washington-V. Young) 16. Savage Serenade (GG) 2:57 (Herman Hupfeld) 17. She's Funny That Way (HH) 2:59 (R. Whiting-N. Moret) 18. Coffee In The Morning And Kisses In The Night (II) 2:48 (A. Dubin-H. Warren) 19. Sittin' On A Log (II) 2:40 (E. Confrey-B. Gay) 20. I Raised My Hat (II) 3:12 (E. Pola-F. Steininger) 21. She Reminds Me Of You (JJ) 2:58 (M. Gordon-H. Revel) 22. Judy (KK) 2:58 (H. Carmichael-S. Lerner) 23. On Account-a I Love You (LL) 2:38 (S. Stept-B. Green) DISC IV 1. Honeysuckle Rose (MM) 2:48 (Fats Waller) 2. With All My Heart And Soul (MM) 2:41 (Will Hudson) 3. Bughouse (MM) 2:48 (Wilson-Norvo-Mills) 4. Blues In E Flat (MM) 2:57 (Red Norvo) 5. A Blues Serenade (NN) 2:50 (Parish-Signorelli-Lytell) 6. Moonlight On The Ganges (NN) 2:42 (Wallace-Myers-Ewing) 7. In A Little Spanish Town (NN) 2:30 (Lewis-Young-Wayne) 8. Solo Hop (NN) 2:48 (Glenn Miller) 9. What's The Reason (OO) 3:05 (Poe-Grier-Tomlin-Hatch) 10 She's A Latin From Manhattan (OO) 3:00 (A. Dubin-H. Warren) 11. You've Been Taking Lessons In Love (OO) 3:01 (C. Tharp-G. Watts) 12. Indiana (OO) 2:43 (B. MacDonald-J. Hanley) 13. I'm Putting All My Eggs In One Basket (PP) 2:45 (Irving Berlin) 14. Sing An Old Fashioned Song (PP) 2:50 (J. Young-F. Ahlert) 15. I'm Gonna Sit Right Down And Write Myself A Letter (PP) 2:45 (J. Young-F. Ahlert) 16. It's Been So Long (QQ) 3:03 (H. Adamson-W. Donaldson) 17. I'd Rather Lead A Band (QQ) 2:48 (Irving Berlin) 18. Let Yourself Go (QQ) 2:47 (Irving Berlin) 19. Swing, Mister Charlie (QQ) 3:06 (Brooks-Robinson-Taylor) DISC V 1. A Melody From The Sky (RR) 2:47 (S. Mitchell-L. Alter) 2. I Can't Get Started (RR) 3:22 (I. Gershwin-V. Duke) 3. A Little Bit Later On (RR) 2:48 (J. Livingston-A. Neiburg) 4. Rhythm Saved The World (RR) 2:35 (S. Cahn-S. Chaplin) 5. Just To Be In Caroline (SS) 2:58 (Hines-Carpenter-Dunlap) 6. It Ain't Nobody's Biz'ness What I Do (SS) 2:30 (Browne-Sampsel-Markowitz) 7. And Still No Luck With You (TT) 2:44 (N. Simon-J. Redmond) 8. I'm An Old Cowhand (TT) 2:56 (Johnny Mercer) 9. I Nearly Let Love Go Slipping Through My Fingers (UU) 2:47 (Harry Woods) 10. But Definitely (UU) 2:58 (M. Gordon-H. Revel) 11. If I Had My Way (UU) 2:40 (L. Klein-J. Kendis) 12. When I'm With You (UU) 2:45 (M. Gordon-H. Revel) 13. Dear Old Southland (VV) 2:44 (H. Creamer-T. Layton) 14. Did I Remember ? (WW) 2:49 (H. Adamson-H. Donaldson) 15. No Regrets (take 2) (WW) 2:35 (H. Tobias-R. Ingraham) 16. No Regrets (take 1) (WW) 2:35 (H. Tobias-R. Ingraham) 17. Summertime (WW) 2:52 (D. Heyward-G. Gershwin) 18. Billie's Blues (WW) 2:30 (Billie Holiday) 19. Dardanella (take 1) (XX) 2:30 (Fisher-Bernard-Black) 20. Dardanella (take 2) (XX) 2:29 (Fisher-Bernard-Black) 21. It Ain't Right (XX) 2:36 (B. Rothberg-J. Meyer) 22. Between The Devil And The Deep Blue Sea (XX) 3:03 (T. Koehler-H. Arlen) 23. In A Sentimental Mood (XX) 3:13 (Ellington-Mills-Kurtz) DISC VI 1. Whatcha Gonna Do When There Ain't No Swing? (YY) 3:16 (J. Levinson-A. Neiburg) 2. Organ Grinder's Swing (YY) 3:06 (Parish-Mills-Hudson) 3. Rhythm Lullaby (YY) 2:58 (P. Denneker-A. Razaf) 4. It All Begins And Ends With You (YY) 3:10 (F. Froeba-J. Palmer) 5. I'm One Step Ahead Of My Shadow (ZZ) 2:55 (S. Cahn-S. Chaplin) 6. A Fine Romance (AAA) 2:50 (D. Fields-J. Kern) 7. I Can't Pretend (AAA) 3:03 (Tobias-Rusincky-Brouder) 8. One, Two, Button Your Shoe (AAA) 2:48 (A. Johnston-J. Burke) 9. Let's Call A Heart A Heart (AAA) 2:58 (A. Johnston-J. Burke) 10. That Foolish Feeling (BBB) 2:50 (H. Adamson-J. McHugh) 11. Where Are You? (BBB) 3:10 (H. Adamson-J. McHugh) 12. In A Little Spanish Town (take 1) (BBB) 2:51 (Lewis-Young-Wayne) 13. In A Little Spanish Town (take 2) (BBB) 2:50 (Lewis-Young-Wayne) 14. The Goona Goo (CCC) 2:51 (Young-Reser-Ahlert) 15. Who's Afraid Of Love? (CCC) 2:49 (S. Mitchell-L. Pollack) 16. One In A Million (CCC) 2:42 (S. Mitchell-L. Pollack) 17. Blue Lou (CCC) 2:50 (E. Sampson-I. Mills) 18. I'm Gonna Kiss Myself Goodbye (DDD) 2:27 (Gordon-Roberts-Kaufman) 19. Big Boy Blue (DDD) 2:14 (J. Lawrence-P. Tinturin) 20. Dixieland Shuffle (take 1) (DDD) 2:58 (G. Rodin-B. Haggart) 21. Dixieland Shuffle (take 2) (DDD) 2:55 (G. Rodin-B. Haggart) 22. Let's Do It (DDD) 3:11 (Cole Porter) DISC VII 1. What Is There To Say ? (EEE) 3:27 (V. Duke-E.Y.Harburg) 2. The Buzzard (take A) (EEE) 3:00 (Bud Freeman) 3. The Buzzard (take B) (EEE) 3:05 (Bud Freeman) 4. Tillie's Downtown Now (take A) (EEE) 3:22 (Bud Freeman) 5. Tillie's Downtown Now (take B) (EEE) 3:12 (Bud Freeman) 6. Keep Smilin' At Trouble (EEE) 3:07 (Jolson-DeSylva-Gensler) 7. Willow Tree (FFF) 3:21 (A. Razaf-F. Waller) 8. Honeysuckle Rose (take A) (FFF) 2:54 (A. Razaf-F. Waller) 9. Honeysuckle Rose (take B) (FFF) 2:57 (A. Razaf-F. Waller) 10. Squeeze Me (take A) (FFF) 3:03 (F. Waller-C. Williams) 11. Squeeze Me (take B) (FFF) 3:00 (F. Waller-C. Williams) 12. Down-Hearted Blues (take A) (FFF) 3:21 (L.Austin-A. Hunter) 13. Down-Hearted Blues (take B) (FFF) 3:26 (L.Austin-A. Hunter) 14. You Took Advantage Of Me (take A) (GGG) 3:24 (R. Rodgers-L. Hart) 15. You Took Advantage Of Me (take B) (GGG) 3:22 (R. Rodgers-L. Hart) 16. Chicken And Waffles (GGG) 3:00 (Bunny Berigan) 17. I'm Coming, Virginia (GGG) 2:41 (W.M.Cook-D. Heywood) 18. Blues (GGG) 3:12 (Bunny Berigan) ________________________________________________________________________ THE COMPLETE BRUNSWICK, PARLOPHONE AND VOCALION BUNNY BERIGAN SESSIONS DISCOGRAPHY For the purposes of this discography, only the first issue number of each matrix is listed unless contemporaneous issues exist. The personnel and instrumentation reflect only the titles represented in this set. 78 label abbreviations: ARC for American Record Corporation (from mid 1935 to early 1938, ARC masters were issued with the same catalog number on Banner, Melotone, Oriole, Perfect and Romeo and will be designated by ARC in each case), Ban for Banner, Br for Brunswick, Cl for Clarion, Col for Columbia, Cq for Conqueror, Dec for Decca, Dom for Domino, Har for Harmony, Od for Odeon, OK for OKeh, Mt for Melotone, Or for Oriole, Par for Parlophone, Per for Perfect, Ro for Romeo, SE for Special Editions, VT for Velvet Tone and Voc for Vocalion. Brunswick, Odeon, Parlophone, Rex and Vocalion issues with an (E) were originally pressed in England. Odeon and Parlophone issues with an ONY or PNY prefix are New York pressings.Brunswick, Melotone and Vocalion masters that were recorded prior to December 1, 1931 are not included since they are currently under license with Universal Music. In addition to the regular 78s released to the public, ARC also recorded background music for use in theaters only which were almost always instrumentals ranging from organ solos to dance band material. Pressed with the same matrix on both sides of a 10" 78 rpm recording ("F" series) as well as a 33 1/3 rpm recording ("E" series), these rare "Theater-Use" sides were cut as part of a regular ARC session. As with some previous Mosaic sets, we have enlisted a number of musicians and jazz scholars to participate in a round table discussion to ascertain, to the best of our knowledge, the personnel for these sessions. Unraveling who is present on these sessions is a daunting task, especially when it concerns the ARC Studio (or House) Band, and therefore we invited both Bozy White and Jeff Healey into the fray. Mr. Healey, who also assisted us with our Beiderbecke/Trumbauer/Teagarden and Venuti/Lang box sets, is a highly regarded musician and collector whose fine ear was of enormous help in determining the personnel and unearthing rare Berigana. Mr. White is the premier Berigan discographer for over 50 years and without his input this discography would have been riddled with errors and omissions. His long awaited Bunny Berigan discography (which will also devote an entire chapter to recordings previously thought to contain Berigan - some 600 titles!), is scheduled for publication in the year 2003, and will be offered privately through Bozy White, Box 10208, Oakland, Ca. 94610-0208. This germ of this discography stems from the following reference materials: Jazz Records 1897-1942 Fifth Edition by Brian Rust (Storyville), The Jazz Discography by Tom Lord (Cadence Jazz Books), Jimmy Dorsey: A Study In Contrasts by Robert L. Stockdale (Scarecrow Press), Bunny Berigan: The ARC Years 1931-1936 (IAJRC 1013 CD) discography by Bozy White, Artie Shaw: A Musical Biography and Discography by Vladimir Simosko (Scarecrow Press). The following is a collective personnel of those who were employed by the American Record Corporation during the 1930s and who could very well be the "unknowns" that are listed in this discography: Benny Baker, Jules Berkin, Stirling Bose, Mickey Bloom, Bob Effros, Hymie Farberman, Fred Farrar, Louis Garcia, Harry Gluck, Tommy Gott, Frank Guarente, Mannie Klein, Charlie Margulis, Bill Moore, Phil Napoleon, Tommy Thunen, Ruby Weinstein, Mannie Weinstock, Lloyd Williams (tp) (Sylvester Ahola is another trumpeter employed by ARC, but he wrote to Bozy White stating he never did get to record with Berigan), Larry Altpeter, Will Bradley, Charlie Butterfield, Chuck Campbell, Tommy Dorsey, Sammy Lewis, Carl Loeffler, Glenn Miller, Jack Teagarden, Lloyd Turner, Joe Yukl (tb), Larry Binyon, Lyle Bowen, Arnold Brilhart, Bob Chester, Wally Curtis, Jimmy Dorsey, Alfie Evans, Max Farley, Elmer Feldkamp, Fran Frey, Benny Goodman, Mutt Hayes, Chet Hazlett, Bennie Krueger, Tony Parenti, Pete Pumiglio, Arthur Rollini, Hank Ross, Babe Russin, Sid Stoneburn, Henry Wade, Larry Tice (reeds), Harry Bluestone, John Bowman, Nat Brusiloff, Al Duffy, Walter Edelstein, Bernard Hirsch, Harry Hoffman, Murray Kellner, Lou Kosloff, Lou Raderman, Joe Raymond, Joe Venuti (vln), Frank Banta, Rube Bloom, Irving Brodsky, Lew Cobey, Fulton McGrath, Joe Meresco, Milt Rattenberg, Justin Ring, Arthur Schutt, Frank Signorelli, Joe Sullivan, Bobby Van Eps, Phil Wall (p), Perry Botkin, Clay Bryson, John Cali, Tony Colucci, Tommy Fellini, Larry Hall, Carl Kress, Eddie Lang, Dick McDonough, Benny Mortell, Tony Sacco, Frank Sylvano, Roy Smeck, Frank Worrell (g, bjo), Artie Bernstein, Dick Cherwin, Ward Lay, Lou Shoobe, Sam Shoobe, Hank Stern, Joe Tarto (b, tu), Larry Gomar, George Hamilton Green, Joe Green, Stan King, Chauncey Morehouse, Johnny Morris, Sam Weiss, Johnny Williams (d). Although Victor Young was the house director from early 1931 to mid 1934, there were others who filled in as the occasion arose. They were Dick Cherwin, Lou Gold, Ed Kirkeby and Bennie Krueger. When Young left ARC in August of 1934 to join the newly formed (American) Decca company, trombonist, pianist and leader Russ Morgan and veteran bandleader Jack Shilkret were appointed house directors until the demise of ARC in 1938. Morgan brought to the studios, in addition to some of the above list of musicians, the following collective personnel: Russ Case, Pee Wee Erwin, Harry Shilkret, Dave Wade (tp), Mark Bennett, Jerry Colonna, Jack Jenney, Red Jessup, Jack Lacey, Russ Morgan, George Mazza, Al Philburn (tb), Rudy Adler, Dick Clark, Dave Harris, Johnny Ingram, Slats Long, Joe Marsala, Lou Martin, Reggie Merrill, Johnny Mince, Toots Mondello, George Napoleon, Gene Prendergast, Paul Ricci, Gil Rodin, Adrian Rollini, Sam Ruby, Andy Sannella, Artie Shaw, Sid Trucker, Milt Yaner (reeds), Mac Ceppos (vln), Frank Froeba, Harry Merker, Russ Morgan, Terry Shand, Jack Shilkret, Claude Thornhill (p), Dave Barbour, Carmen Mastren (g), Cozy Cole, Billy Gussak, Neil Marshall, Milt Schlesinger (d). There may very well be others who are excluded from these lists. ________________________________________________________________________ (A) FRANK AUBURN AND HIS ORCHESTRA (FRED RICH ORCHESTRA): poss. Bob Effros, Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl, as), unknown (as), unknown (ts), 3 unknown (vln), poss. Sammy Prager, unknown (p), Eddie Lang (g), unknown (tu), unknown (d), Dick Robertson (as "Chester Leighton" or "Bobby Dix" on some issues) (vcl), Fred Rich (dir). NYC, March 18, 1931 404881-B When I Take My Sugar To Tea (DR-vcl) Cl 5277-C, Har 1307-H, Od ONY 36204, OK 41489, Par PNY 34197, VT 2343-V Note: The Clarion, Harmony and Velvet Tone releases carry a different matrix number (100501) but are identical to 404881. The Odeon release as "Rex King and his Sovereigns", the OKeh release as Fred Rich and his Orchestra, and the Parlophone release as "The Deauville Syncopators". 100502-1 Rockin� Chair (DR-vcl) Cl 5273-C, Har 1306-H, VT 2339-V Note: Other matrices from this session fall outside the scope of this set. Some issues of matrix 100502 show -4 but this is a dub of -1. ________________________________________________________________________ (B) BOB HARING AND HIS ORCHESTRA: Bunny Berigan, unknown (tp), poss. Tommy Dorsey (tb), Andy Sannella, unknown (reeds), unknown (vln), unknown (p), John Cali (bj), unknown (tu), unknown (d), Dick Robertson (vcl), Bob Haring (dir). NYC, May 15, 1931 10624- 3 Building A Home For You (DR-vcl) Ban 32189, Or 2272, Per 15471, Ro 1639 Note: Other matrices from this session fall outside the scope of this set. ________________________________________________________________________ © FRED RICH AND HIS ORCHESTRA: Bunny Berigan (tp, vcl), unknown (tp), Tommy Dorsey or Lloyd Turner (tb), Jimmy Dorsey, poss. Lyle Bowen (cl, as), unknown (ts), Joe Venuti, unknown (vln), Cornell Smelser (acc), Sammy Prager (p, cel), Eddie Lang (g), poss. Joe Tarto (tu), unknown (d), Scrappy Lambert (vcl), Fred Rich (dir). NYC, June 15, 1931 151604-1 At Your Command (BB-vcl) Col 2484-D 151606-1 Pardon Me, Pretty Baby (SL-vcl) - Note: Other matrices from this session fall outside the scope of this set. A second take of 151604, also with a Berigan vocal, was rejected and no longer exists in the Sony archives. A third take, this time with Scrappy Lambert as vocalist, was made and rejected as well. It is not known if this third take was made as protection in case the Berigan-vocal take was rejected by Columbia executives or because Lambert was late for the session and had originally been selected to be the vocalist for the tune. ________________________________________________________________________ (D) CHESTER LEIGHTON AND HIS SOPHOMORES (BEN SELVIN ORCHESTRA): Bunny Berigan, Ruby Weinstein (tp), Tommy Dorsey (tb), Benny Goodman (cl, as), Lou Martin (as), Hymie Wolfson (ts), Ben Pobersky (vln), Rube Bloom (p), Carl Kress (g), Hank Stern (tu), Milt Schlesinger (d, xyl), Milt Coleman (ukulele, vcl), Ben Selvin (dir). NYC, June 18, 1931 351042-2 On The Beach With You (MC-vcl) Cl 5351-C, Har 1340-H, VT 2415-V Note: Other matrices from this session fall outside the scope of this set. The personnel for this session came from Bozy White who through researcher Wally Fry, had access to the files for this session back in the 1940s. ________________________________________________________________________ (E) LLOYD KEATING AND HIS MUSIC (BEN SELVIN ORCHESTRA): Bunny Berigan, unknown (tp), poss. Tommy Dorsey (tb), 2 unknown (reeds), poss. Joe Venuti, unknown (vln), poss. Arthur Schutt (p), unknown (g), unknown (tu), unknown (d), Ben Selvin (dir). NYC, September 9, 1931 710008 Love Letters In The Sand Cl 11002-C, Har 6002-H, VT 10002-V Note: This was issued as a "Double Track" recording; one that has two separate grooves on each side. The "B" groove is without jazz content and is not included here. ________________________________________________________________________ (F) THE BOSWELL SISTERS ACCOMPANIED BY THE DORSEY BROTHERS: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl), Joe Venuti (vln), Martha Boswell (p), Eddie Lang (g), Joe Tarto (b), Stan King (d), The Boswell Sisters (Connie, Martha, Vet) (vcl). NYC, December 4, 1931 37446-A I Thank You, Mister Moon (BS-vcl) Br 6231 37446-B I Thank You, Mister Moon (BS-vcl) Grannyphone(Du) 03318(LP) Note: Matrix 37445, also from this session, falls outside the scope of this set. Personnel confirmed by the Brunswick ledgers. ________________________________________________________________________ (G)DORSEY BROTHERS AND THEIR ORCHESTRA: Bunny Berigan, Mickey Bloom, unknown (tp), Tommy Dorsey, unknown (tb), Jimmy Dorsey, Foster Morehouse, unknown (reeds), Chummy MacGregor (p), Tony Sacco (g, vcl), Tex Hurst (tu), Stan King (d). NYC, December 9, 1931 152034-2 By The Sycamore Tree (TS-vcl) Col 2581-D 152035-2 Why Did It Have To Be Me? (TS-vcl) Col 2589-D Note: Other matrices from this session fall outside the scope of this set. This personnel consists of some members of the pit band led by the Dorsey Brothers for the show "Everybody's Welcome" which opened in October at the Schubert Theater, NYC. Glenn Miller (who played trombone in the pit band), Lou "King" Garcia (tp), Arnold Brilhart (reeds) and Arthur Schutt (p) have commonly been listed as being on this session. Discographies also list Wes Vaughan as the vocalist, however, Tony Sacco (who is sometimes listed as "Tony Starr") confirmed he was the only singer on this session. ________________________________________________________________________ (H) TED WALLACE AND HIS CAMPUS BOYS (ED KIRKEBY ORCHESTRA): J. Earle Isom, Bunny Berigan (tp), Carl Loeffler (tb), Bobby Davis (cl, as), Elmer Feldkamp (reeds, vcl), Paul Mason (reeds), Lew Cobey (p), Ed Sexton (g), Ward Lay (tu), Jack Powers (d, vib), Ed Kirkeby (dir). NYC, January 15, 1932 152064-2 How Long Will It Last (EF-vcl) Col 2601-D Note: Other matrices from this session fall outside the scope of this set. The personnel for this session comes from the Kirkeby files supplied to us by Bozy White. ________________________________________________________________________ (I) THE BOSWELL SISTERS: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl), Joe Venuti (vln), Martha Boswell or Arthur Schutt (p), Eddie Lang (g), Artie Bernstein (b), Stan King (d), The Boswell Sisters (Connie, Martha, Vet) (vcl, arr). NYC, February 5, 1932 11240-A (We�ve Got To) Put That Sun Back In The Sky (BS-vcl, arr) Br © 6257 Note: Matrix 11241, also from this session, falls outside the scope of this set. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________ (J) THE BOSWELL SISTERS ACCOMPANIED BY THE DORSEY BROTHERS: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl), Harry Hoffman (vln), Sammy Prager (p), Dick McDonough (g), Joe Tarto (b), Stan King (d), The Boswell Sisters (Connie, Martha, Vet) (vcl, arr). NYC, February 19, 1932 11321-A (We�ve Got To) Put That Sun Back In The Sky (BS-vcl, arr) Br 6257 Note: Matrix 11320, also from this session, falls outside the scope of this set. Personnel confirmed by the Brunswick ledgers. ________________________________________________________________________ (K) EDDIE KIRKEBY AND HIS ORCHESTRA: Ted Sandow, Bunny Berigan (tp), Carl Loeffler (tb), Bobby Davis (cl, as), Elmer Feldkamp (reeds, vcl), Paul Mason (reeds), William Ray Gold (p), Noel Kilgen (g), Ward Lay (tu), Jack Powers (d, vib), Ed Kirkeby (dir). NYC, February 24, 1932 11347-2 Too Many Tears (EF-vcl) Ban 32382, Mt M-12326, Or 2428, Per 15577 Note: Other matrices from this session fall outside the scope of this set. The Melotone release as "Ed Loyd and his Orchestra". The personnel for this session comes from the Kirkeby files supplied to us by Bozy White. ________________________________________________________________________ (L)THE BOSWELL SISTERS ACCOMPANIED BY THE DORSEY BROTHERS: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl), Joe Venuti (vln), Martha Boswell (p), Dick McDonough (g), Joe Tarto (b), Stan King (d), The Boswell Sisters (Connie, Martha, Vet) (vcl). NYC, February 24, 1932 11354-A Everybody Loves My Baby (BS-vcl) Br 6271 Note: Matrix 11353, also from this session, falls outside the scope of this set. Personnel confirmed by the Brunswick ledgers. ________________________________________________________________________ (M) IMPERIAL DANCE ORCHESTRA (ARC STUDIO BAND): Bunny Berigan, unknown (tp), poss. Tommy Dorsey (tb), Jimmy Dorsey (as, cl), unknown (as), unknown (ts), unknown (vln), poss. Joe Meresco (p), unknown (g), poss. Artie Bernstein (b), Stan King (d), Victor Young (dir). NYC, c. March 1932 E601-1 Stop The Sun, Stop The Moon ARC Theater F-167 (78), E-601 (33 1/3) Note: Numerically, this matrix falls within 14 "Theater-Use" sides dubbed March 19, 1932, from commercially issued ARC and Brunswick releases. ________________________________________________________________________ (N) BOB CAUSER & HIS CORNELLIANS -1 / ED LLOYD AND HIS ORCHESTRA -2 (ARC STUDIO BAND): Bunny Berigan, unknown (tp), Tommy Dorsey (tb), poss. Jimmy Dorsey (as), Bennie Krueger (as, c-mel), unknown (ts), 3 unknown (vln), unknown (p), poss. Eddie Lang (g), poss. Dick Cherwin (tu), Larry Gomar (d), Scrappy Lambert, Smith Ballew (vcl), Victor Young (dir). NYC, March 1, 1932 11381-1 What Would You Do? (SL-vcl) -1 Ban 32404, Or 2440, Per 15583, Ro 1812 11382-A What Would You Do? (SB-vcl) -2 Mt M-12335 Note: Other matrices from this session fall outside the scope of this set. Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (O)VICTOR YOUNG AND THE BRUNSWICK ORCHESTRA (ARC STUDIO BAND): Frank Guarente or Mannie Klein, Bunny Berigan (tp), Tommy Dorsey (tb), Bennie Krueger, Jimmy Dorsey (as), Larry Binyon (ts), 6 unknown (vln), Charlie Magnante or Cornell Smelser (acc), Joe Meresco (p), unknown (g), unknown (tu), Larry Gomar (d), poss. Justin Ring (bells), Fran Frey (vcl), Victor Young (dir). NYC, March 8, 1932 11418-A "Face The Music" Medley (Pt .2): Manhattan Madness; Let's Have Another Cup Of Coffee (FF-vcl); I Say It's Spinach; Soft Lights And Sweet Music Br (12") 20106 Note: Other matrices from this session fall outside the scope of this set. The metal part for 11418-B is a dub of the -A take. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________ (P) BENNIE KRUEGER AND HIS ORCHESTRA (ARC STUDIO BAND): Bunny Berigan, unknown (tp), unknown (tb), Jimmy Dorsey (cl, as), Bennie Krueger (as, c-mel, dir), Fran Frey (as, vcl), unknown (ts), 2 unknown (vln), Justin Ring (p), unknown (g), unknown (tu), poss. Larry Gomar (d), Phil Neely (vcl). NYC, March 9, 1932 11423-A-B Lovable (PN-vcl) unissued, master no longer exists 11424-A Sing A New Song (FF-vcl) Br 6280 11426-A I'm So In Love (FF-vcl) Br 6287 Note: Matrix 11423 was remade on March 18, 1932 without Berigan. Matrix 11425, also from this session, falls outside the scope of this set. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________ (Q) BENNIE KRUEGER AND HIS ORCHESTRA (ARC STUDIO BAND): Bunny Berigan, poss. Mannie Klein (tp), poss. Tommy Dorsey (tb), Bennie Krueger (reeds, dir), 3 unknown (reeds), 3 unknown (vlns), poss. Arthur Schutt (p), Eddie Lang (g), unknown (tu), poss. Stan King (d), Dick Robertson (vcl). NYC, April 6, 1932 11652-A Gosh Darn ! (DR-vcl) Br 6296 11655-A Crazy People (DR-vcl) - Note: Other matrices from this session fall outside the scope of this set. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________ ® VIC IRWIN AND HIS ORCHESTRA (ARC STUDIO BAND): Bob Effros, Bunny Berigan (tp), Tommy Dorsey (tb), Bennie Krueger (as, c-mel), Jimmy Dorsey (cl, as), unknown (ts), 3 unknown (vln), unknown (p), Eddie Lang (g), unknown (tu), Larry Gomar (d), Les Reis (vcl), Victor Young (dir). NYC, April 8, 1932 11673-1 If I Had My Way 'Bout My Sweetie (LR-vcl) Ban 32454, Mt M-12363, Per 15608, Ro 1849 Note: The Melotone and Romeo releases as "Owen Fallon and his Californians". Other matrices from this session fall outside the scope of this set. Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (S) IMPERIAL DANCE ORCHESTRA (ARC STUDIO BAND): Possibly the same session as matrix 11673. Definitely present are Bunny Berigan, Bennie Krueger, Jimmy Dorsey and Eddie Lang. NYC, April 8, 1932 E607 Dream Sweetheart ARC Theater F-173 (78), E-607 (33 1/3) E615 Lawd, You Made The Night Too Long ARC Theater F-180 (78), E-615 (33 1/3) Note: We have not been able to locate an issued version of E615 (our source was a vinyl master pressing) and therefore the artist credit on the label is unknown. Other matrices from this session fall outside the scope of this set. ________________________________________________________________________ (T) CONNIE BOSWELL: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl), poss. Joe Venuti, poss. Harry Hoffman, unknown (vln), Harry Gray or Martha Boswell (p), Eddie Lang (g), Artie Bernstein (b), Stan King (d), Connie Boswell (vcl), Victor Young (dir). NYC, April 9, 1932 11683-A My Lips Want Kisses (CB-vcl) Br 6297 Note: Matrix 11682, also from this session, falls outside the scope of this set. Berigan does not appear on the remaining titles from this session (matrices 11684-5). Instrumentation confirmed by the Brunswick ledgers. _______________________________________________________________________ (U) THE BOSWELL SISTERS ACC. BY THE DORSEY BROTHERS: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl), Joe Venuti (vln), Martha Boswell (p), Dick McDonough (g), Artie Bernstein (b), Stan King (d), The Boswell Sisters (Connie, Martha, Vet) (vcl), Victor Young (dir). NYC, June 17, 1932 11948-A Doggone, I've Done It (BS-vcl) Br 6335 Note: Matrix 11949, also from this session, falls outside the scope of this set. Personnel confirmed by the Brunswick ledgers. ________________________________________________________________________________ ___ (V) ABE LYMAN & HIS CALIFORNIA ORCHESTRA (ARC STUDIO BAND): Bunny Berigan, Mannie Klein (tp), Tommy Dorsey (tb), Bennie Krueger (as or c-mel), Jimmy Dorsey (as), unknown (ts), 4 unknown (vln), poss. Fulton McGrath (p), poss. Dick McDonough (g), Artie Bernstein (b), unknown (tu), Larry Gomar (d), Harlan Lattimore (vcl), Victor Young (dir). NYC, September 17, 1932 12310-A How Do You Do It? (HL-vcl) Br 6380 Note: Other matrices from this session fall outside the scope of this set. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________ (W) DORSEY BROTHERS ORCHESTRA: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl, as), Larry Binyon (ts), Fulton McGrath (p), Dick McDonough (g), Artie Bernstein (b), Stan King (d, bells), Jean Bowes (vcl). NYC, September 24, 1932 12362-A Someone Stole Gabriel's Horn (JB-vcl) Br (E) 01386 Note: Matrix 12363, also from this session, falls outside the scope of this set. Personnel confirmed by the Brunswick ledgers. ________________________________________________________________________ (X) CHICK BULLOCK AND HIS LEVEE LOUNGERS (ARC STUDIO BAND): Bunny Berigan (tp), Jimmy Dorsey (cl), poss. Harry Hoffman (vln), Fulton McGrath (p), Dick McDonough (g), Artie Bernstein (b), Stan King (d), Chick Bullock (vcl), poss. Victor Young (dir). NYC, September 26, 1932 12364-1 Underneath The Harlem Moon (CB-vcl) Ban 32573, Cq 8015, Mt M- 12502, Or 2575, Per 15678, Ro 1941 12365-1 Mighty River (CB-vcl) Same issues as 12364. Note: Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (Y) ALL-STAR COLLEGIANS (ARC STUDIO BAND): Bunny Berigan, unknown (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl, as), unknown (as), Larry Binyon (ts), poss. Harry Hoffman (vln), Fulton McGrath (p), Dick McDonough (g), Artie Bernstein (b), Stan King (d), Victor Young (dir). NYC, September 26, 1932 E685 All American Girl ARC Theater F-230 (78), E-685 (33 1/3) E687 Underneath The Harlem Moon ARC Theater F-232 (78), E-687 (33 1/3) Note: Other matrices from this session fall outside the scope of this set. ________________________________________________________________________ (Z) WILL OSBORNE AND HIS ORCHESTRA (ARC STUDIO BAND): Bunny Berigan, unknown (tp), unknown (tb), poss. Bennie Krueger, 2 unknown (reeds), 3 unknown (vln), unknown (p), unknown (g), unknown (b), unknown (d), Will Osborne (vcl), poss. Victor Young (dir). NYC, September 27, 1932 12371-1 What Would Happen To Me If Something Happened To You? (WO-vcl) Ban 32576, Cq 8016, Mt M-12503, Or 2570, Per 15679, Ro 1942 Note: Other matrices from this session fall outside the scope of this set. The Melotone release as "Ed Lloyd and his Orchestra". Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________(AA) CONNIE BOSWELL �1 / DORSEY BROTHERS ORCHESTRA �2: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl, as), Larry Binyon (ts, poss.oboe), Harry Hoffman, 2 unknown (vln), Martha Boswell or Fulton McGrath (p), Dick McDonough (g), Artie Bernstein (b), poss. Stan King (d), Connie Boswell, Jean Bowes (vcl). NYC, September 27, 1932 12378-A I'll Never Have To Dream Again (CB-vcl) �1 Br 6405 omit violins. 12379-A Me Minus You (CB-vcl) �1 - 12380-A Sing (It's Good For You) (JB-vcl) �2 Br 6409 Note: Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (BB) BOB CAUSER AND HIS CORNELLIANS (ARC STUDIO BAND): Bunny Berigan, unknown (tp), Tommy Dorsey (tb), Bennie Krueger, Jimmy Dorsey, unknown (reeds), 3 unknown (vln), poss. Joe Meresco (p), poss. Dick McDonough (g), poss. Dick Cherwin (b), Larry Gomar (d, bells), Dick Robertson (vcl), Victor Young (dir). NYC, October 27, 1932 12509-1 You'll Get By (With A Twinkle In Your Eye) (DR-vcl) Ban 32602, Mt M-12532, Or 2589, Per 15692, Ro 1964 12516-1-2 Lonely Street (DR-vcl) unissued, master no longer exists Note: Other matrices from this session fall outside the scope of this set. Matrix 12510 thru 12515 are by other artists. The Melotone release as "Ed Lloyd and his Orchestra". Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (CC) CHICK BULLOCK AND HIS LEVEE LOUNGERS �1 / LEE WILEY �2: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl, as), Larry Binyon (bsn. on matrix 13123), 3 unknown (vln), poss. Fulton McGrath (p), Eddie Lang (g), Artie Bernstein (b), Larry Gomar or Stan King (d, vib), Chick Bullock, Lee Wiley (vcl), Victor Young (dir). NYC, March 7, 1933 13120-1 Going! Going!! Gone!!! (CB-vcl) �1 Ban 32716, Cq 8111, Mt M- 12645, Or 2665, Per 15743, Ro 2038, Voc 15882 13121-1 Low Down Upon The Harlem River (CB-vcl) �1 Same issues as 13120 except Voc 15882. 13122-1 You've Got Me Crying Again (LW-vcl) �2 Epic BSN 159 (LP) 13122-2 You've Got Me Crying Again (LW-vcl) �2 Meritt 501 (LP) 13123-1 I Gotta Right To Sing The Blues (LW-vcl) �2 Jass 19 (LP) 13123-2 I Gotta Right To Sing The Blues (LW-vcl) �2 Epic L2N 6072 (LP) Note: Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (DD) DORSEY BROTHERS ORCHESTRA �1 / BING CROSBY WITH DORSEY BROTHERS ORCHESTRA �2: Bunny Berigan, unknown (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl, as), Larry Binyon (ts), Fulton McGrath (p), Dick McDonough (g), Artie Bernstein (b), Stan King (d, bells), Bing Crosby (vcl). NYC, March 14, 1933 13148-A Mood Hollywood �1 Br 6537 13148-B Mood Hollywood �1 Col 36066 13149-A Someone Stole Gabriel's Horn (BC-vcl)-2 Br 6533 13150-A Stay On The Right Side Of The Road (BC-vcl) �2 - 13150-B Stay On The Right Side Of The Road (BC-vcl) �2 IAJRC 2 (LP) 13152-A Shim Sham Shimmy �1 Br 6537 13152-B Shim Sham Shimmy �1 Hep (E) 1005 (LP) Note: Matrix 13151, also from this session, falls outside the scope of this set. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________________ ______ (EE) MILDRED BAILEY WITH DORSEY BROTHERS ORCHESTRA: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl), unknown (ts), Fulton McGrath (p), Carl Kress (g), Artie Bernstein (b), Stan King (d), Mildred Bailey (vcl), Glenn Miller (arr). NYC, April 8, 1933 13208-A Is That Religion? (MB-vcl) (GM-arr) Br 6558 13208-B Is That Religion? (MB-vcl) (GM-arr) (alt tk) Mosaic MD10-204 (CD) Note: Other matrices from this session fall outside the scope of this set. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________________ ______ (FF) CONNIE BOSWELL -1 / ART KAHN AND HIS ORCHESTRA -2: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl), 3 unknown (vln), Martha Boswell (p), Dick McDonough (g), Artie Bernstein (b), Stan King (d, vib), Connie Boswell, Dick Robertson (vcl). NYC, April 11, 1933 13230-B You'll Never Get Up To Heaven That Way (CB-vcl) -1 previously unissued 13230-A You'll Never Get Up To Heaven That Way (CB-vcl) -1 Br 6552 13231-A In A Little Second Hand Store (CB-vcl) -1 - 13232-A Keep Looking Forward (DR-vcl) -2 ARC Theater F-267 (78) Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________ (GG) ADRIAN ROLLINI AND HIS ORCHESTRA: Bunny Berigan (tp), Al Philburn (tb), Benny Goodman (cl), Arthur Rollini (ts), Adrian Rollini (bass sax), Fulton McGrath (p, cel), Clay Bryson (g, vcl), poss. Artie Miller (b), Herb Weil (d, vcl). NYC, October 16, 1933 14147-1 You've Got Everything (HW-vcl) Ban 32873, Cq 8249, Dom 153, Mt M-12815, Or 2775, Per 15831, Ro 2148 14152-1 Sweet Madness (HW-vcl) Ban 32880, Mt M-12829, Or 2784, Per 15839, Ro 2157 14153-2 Savage Serenade (CB-vcl) Same issues as 14152 Note: Matrix 14148, also from this session, falls outside the scope of this set and 14149 thru 14151 were assigned to other artists. Some discographies list Dick McDonough (g) but musicians from this date confirmed that it was Bryson. Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (HH) DORSEY BROTHERS ORCHESTRA: Mannie Klein, Bunny Berigan, unknown (tp), Tommy Dorsey, Lloyd Turner (tb), Jimmy Dorsey, Lyle Bowen, Larry Binyon, Jim Crossan (reeds), Joe Venuti (vln), Fulton McGrath (p), Dick McDonough (g), Artie Bernstein (b), Stan King (d), Jerry Cooper (voc). NYC, October 17, 1933 14156-A She's Funny That Way (JC-vcl) Br 7542 Note: Other matrices from this session fall outside the scope of this set. The Brunswick ledgers list four trumpets for this title, however, aural identification suggests the above instrumentation. ________________________________________________________________________ (II) ADRIAN ROLLINI AND HIS ORCHESTRA: Bunny Berigan (tp), Al Philburn (tb), Artie Shaw (cl), Arthur Rollini (ts), Adrian Rollini (bass sax, vib), Fulton McGrath (p, cel), Dick McDonough (g), poss. Artie Miller (b), Herb Weil (d, vcl), Jane Vance, Howard Phillips (vcl). NYC, November 24, 1933 14379-1 Coffee In The Morning And Kisses In The Night (HP-vcl) Ban 32923, Mt M-12866, Or 2811, Per 15861, Ro 2184 14380-1 Sittin' On A Log (JV-vcl) Ban 32912, Cq 8262, Mt M-12855, Or 2803, Per 15855, Ro 2176 14381-2 I Raised My Hat (HW-vcl) Same issues as 14380. Note: Matrix 14378, also from this session, falls outside the scope of this set. Some discographies incorrectly list Benny Goodman on this session. Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________________ ______ (JJ) PAUL HAMILTON AND HIS ORCHESTRA (DORSEY BROTHERS ORCHESTRA): Bunny Berigan (tp), Tommy Dorsey, prob. Don Matteson (tb), Jimmy Dorsey (cl, as), Lyle Bowen (as), poss. Skeets Herfurt (ts), Fulton McGrath or Bobby Van Eps (p), Dick McDonough (g), Artie Bernstein (b), Ray McKinley (d), Don Matteson (vcl). NYC, March 14, 1934 14927-1 She Reminds Me Of You (DM-vcl) Voc 2662 Note: Other matrices from this session fall outside the scope of this set. Instrumentation confirmed by the Vocalion ledgers. ________________________________________________________________________ (KK) DORSEY BROTHERS ORCHESTRA: Bunny Berigan (tp), Tommy Dorsey, Glenn Miller, Don Matteson (tb), Jimmy Dorsey (cl, as), Skeets Herfurt (cl, ts), Jack Stacy (ts), Bobby Van Eps (p), Roc Hillman (g), Delmar Kaplan (b), Ray McKinley (d), unknown (xyl, harpophone), Glenn Miller (arr). NYC, April 23, 1934 15091-A Judy (GM-arr) Br 6938 Note: Other matrices from this session fall outside the scope of this set. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________ (LL) SMITH BALLEW AND HIS ORCHESTRA (DORSEY BROTHERS ORCHESTRA): Bunny Berigan, Charlie Spivak (tp), Tommy Dorsey, Don Matteson or Glenn Miller (tb), Jimmy Dorsey (cl, as), Skeets Herfurt, Jack Stacy (ts), Bobby Van Eps (p), Roc Hillman (g), Delmar Kaplan (b), Ray McKinley (d), Chick Bullock (vcl). NYC, May 21, 1934 15246-1 On Account-a I Love You (CB-vcl) Ban 33078, Mt M-13042, Or 2912, Per 15945, Ro 2286 Note: Other matrices from this session fall outside the scope of this set. Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (MM) RED NORVO AND HIS SWING OCTET: Bunny Berigan (tp), Jack Jenney (tb), Johnny Mince (cl), Chu Berry (ts), Teddy Wilson (p), George Van Eps (p), Artie Bernstein (b), Gene Krupa (d), Red Norvo (xyl). NYC, January 25, 1935 16703-2 Honeysuckle Rose Col 3059-D 16709-1 With All My Heart And Soul Col 3026-D 16710-1 Bughouse Col 3079-D 16711-1 Blues In E Flat - Note: Some discographies list 16703-1 appearing on a Japanese Sony LP release but it is actually -2. Matrix numbers 16704-16708 belong to a Leadbelly session recorded the day before. Personnel confirmed by the Columbia ledgers. ________________________________________________________________________________ ______ (NN) GLENN MILLER AND HIS ORCHESTRA: Bunny Berigan, Charlie Spivak (tp), Jack Jenney (tb), Johnny Mince (cl, as) Eddie Miller (cl, ts), Harry Bluestone, Vladimir Selinsky (vln), Harry Waller (vla), Bill Schuman (cello), Claude Thornhill (p), Larry Hall (g), Delmar Kaplan (b), Ray Bauduc (d), Smith Ballew (vcl), Matty Matlock (arr), Glenn Miller (arr, dir). NYC, April 25-26, 1935 (8:45 pm - 1:30 am) 17379-1 A Blues Serenade (SB-vcl) Col 3051-D 17380-1 Moonlight On The Ganges (SB-vcl) - omit Spivak. 17381-1 In A Little Spanish Town (GM-arr) Col 3058-D omit strings; Glenn Miller (tb) replaces Jenney. 17382-1 Solo Hop (MM-arr) - Note: Personnel confirmed by the Columbia ledgers. Glenn Miller has been listed in discographies as being the arranger on solo hop and as a trombonist for the entire session. However, since the ledgers state that Jack Jenney (along with the string section) left at 12:45 am (the 26th), Miller becomes a likely candidate as the trombonist heard in the ensemble for the final tune of the session. ________________________________________________________________________ (OO) MOUND CITY BLUE BLOWERS: Bunny Berigan (tp), unknown (tb), Eddie Miller (cl, ts), poss. Gil Bowers (p), unknown (g), poss. Harry Goodman (b), Ray Bauduc (d), Red McKenzie (comb, maracas, vcl). NYC, May 9, 1935 17515-1 What's The Reason (RM-vcl) Voc 2957 17516-1 She's A Latin From Manhattan (RM-vcl) - 17517-1 You've Been Taking Lessons In Love (RM-vcl) Voc 2973 17518-1 Indiana (RM-vcl) - Note: Instrumentation confirmed by the Vocalion ledgers. ________________________________________________________________________ (PP) CHICK BULLOCK AND HIS LEVEE LOUNGERS (ARC STUDIO BAND): Bunny Berigan (tp), poss. Jack Lacey (tb), unknown (cl, bari), unknown (ts), unknown (vln), unknown (p), poss. Dick McDonough (g), unknown (b), poss. Chauncey Morehouse (d, vib), Chick Bullock (vcl), Jack Shilkret (dir). NYC, January 18, 1936 18519-1 I'm Putting All My Eggs In One Basket (CB-vcl) ARC 6-04-01, Cq 8652 18521-1 Sing An Old Fashioned Song (CB-vcl) ARC 6-03-10, Cq 8624 18522-1 I'm Gonna Sit Right Down And Write Myself A Letter (CB-vcl) ARC 6-03-10, Cq 8623 Note: Matrix 18520, also from this session, falls outside the scope of this set. Instrumentation confirmed by the ARC ledgers. Some issues as just "Chick Bullock". ________________________________________________________________________ (QQ) BUNNY BERIGAN AND HIS BOYS: Bunny Berigan (tp, vcl), Bud Freeman (cl, ts), Forrest Crawford (ts), Joe Bushkin (p), Eddie Condon (g), Mort Stulmaker (b), Dave Tough (d), Chick Bullock (vcl). NYC, February 24, 1936 18717-1 It's Been So Long (BB-vcl) unissued, master no longer exists 18718-1 It's Been So Long (CB-vcl) Voc 3179 18719-1 I'd Rather Lead A Band (CB-vcl) Voc 3178 18720-1 Let Yourself Go (CB-vcl) - 18721-1 Swing, Mister Charlie (CB-vcl) Voc 3179 Note: Epic (LP) LG 3109 (Take It, Bunny!) as well as Classics (CD) 734 (Bunny Berigan and His Boys 1935-1936) has edited versions of matrices 18718, 18719 and 18720. Personnel confirmed by the Vocalion ledgers. Dave Barbour is commonly listed as guitarist. ________________________________________________________________________ (RR) BUNNY BERIGAN AND HIS BOYS: Bunny Berigan (tp, vcl), Artie Shaw (cl), Forrest Crawford (ts), Joe Bushkin (p), Tommy Felline (g), Mort Stulmaker (b), Stan King (d), Chick Bullock (vcl). NYC, April 13, 1936 19012-1 A Melody From The Sky (CB-vcl) Voc 3224 19013-1 I Can't Get Started (BB-vcl) Voc 3225 19014-1 A Little Bit Later On (CB-vcl) Voc 3224 19015-1 Rhythm Saved The World (CB-vcl) Voc 3225 Note: Epic LG 3109 (LP) and Classics 734 (CD) has edited versions of matrices 19012 and 19015. Personnel confirmed by the Vocalion ledgers. Discographies, record labels and liner notes incorrectly list Paul Ricci (cl), Eddie Condon (g), Cozy Cole or Dave Tough (d), and even Jack Teagarden (tb) as being present for this session. ________________________________________________________________________________ (SS) FRANK FROEBA AND HIS SWING BAND: Bunny Berigan (tp), Joe Marsala (cl), Herbie Haymer (ts), Frank Froeba (p), Clayton Duerr (g), Pete Peterson (b), Maurice Purtill (d), Tempo (as "Temple") King, Ted White (vcl). NYC, April 17, 1936 19057-1-2 Jes' Natch'ully Lazy (TW-vcl) unissued, master no longer exists 19058-1-2 Taggin' Along With You (TW-vcl) unissued, master no longer exists 19059-1 Just To Be In Caroline (TK-vcl) Col 3131-D 19060-1 It Ain't Nobody�s Biz'ness What I Do (TK-vcl) - Note: Personnel confirmed by the Columbia ledgers. ________________________________________________________________________ (TT) CHICK BULLOCK AND HIS LEVEE LOUNGERS -1 / CHICK BULLOCK AND HIS ORCHESTRA -2 (ARC STUDIO BAND): Bunny Berigan (tp), Will Bradley or Jack Jenney (tb), poss. Toots Mondello (as), Artie Shaw (cl, as), unknown (ts), unknown (p), unknown (g), poss. Artie Bernstein (b), Stan King or Sammy Weiss (d), Chick Bullock (vcl), poss. Jack Shilkret (dir). NYC, May 8, 1936 19209-1 And Still No Luck With You (CB-vcl) -1 ARC 6-07-07 19211-1 I'm An Old Cowhand (CB-vcl) -2 Rex (E) 8878 Note: Other matrices from this session fall outside the scope of this set. Matrix 19211-1 was not issued first in the U.S. on ARC 6-09-01 as is noted in some discographies. It was, however, remade (19211-3) on June 22, 1936 and issued on ARC 6-09-01 without Berigan. Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (UU) BUNNY BERIGAN AND HIS BOYS: Bunny Berigan (tp), Jack Lacey (tb), Slats Long (cl), Joe Bushkin (p), Eddie Condon (g), Mort Stulmaker (b), Cozy Cole (d), Chick Bullock (vcl). NYC, June 9, 1936 19416-1 I Nearly Let Love Go Slipping Through My Fingers (CB-vcl) Voc 3254 19417-2 But Definitely (CB-vcl) Voc 3253 19418-1 If I Had My Way (CB-vcl) Voc 3254 19419-1 When I'm With You (CB-vcl) Voc 3253 Note: Discographies have listed Vocalion 3253 as being issued with take -1 for matrtix 19417, however, only -2 is known to exist. Epic LG 3109 (LP) and Classics 734 (CD) has edited versions of matrices 19416, 19417, and 19418. Personnel confirmed by the Vocalion ledgers. ________________________________________________________________________ (VV) DICK MCDONOUGH AND HIS ORCHESTRA: Bunny Berigan (tp), unknown (tb), Artie Shaw (cl), Larry Binyon (ts), Adrian Rollini (bass sax), Claude Thornhill (p), Dick McDonough (g), poss. Paul Prince (b), Chauncey Morehouse (d), Buddy Clark (vcl). NYC, June 23, 1936 19468-1 Dear Old Southland (BC-vcl) ARC 6-09-08 Note: Other matrices from this session fall outside the scope of this set. Although personnel has been confirmed by the ARC ledgers, the trombonist and bassist's names were omitted. ________________________________________________________________________ (WW) BILLIE HOLIDAY AND HER ORCHESTRA: Bunny Berigan (tp), Artie Shaw (cl), Joe Bushkin (p), Dick McDonough (g), Pete Peterson (b), Cozy Cole (d), Billie Holiday (vcl). NYC, July 10, 1936 19535-1 Did I Remember ? Voc 3276 19536-2 No Regrets Meritt 504 (LP) 19536-1 No Regrets Voc 3276 19537-1 Summertime Voc 3288 19538-2 Billie's Blues - Note: Holiday is the vocalist on all the titles from this session. Some discographies list -1 for matrix 19538. Personnel confirmed by the Vocalion ledgers. ________________________________________________________________________ (XX) DICK MCDONOUGH AND HIS ORCHESTRA: Bunny Berigan (tp), Lloyd Turner (tb), Toots Mondello (cl, as), Larry Binyon (ts), Adrian Rollini (bass sax, vib), Sammy Prager (p), Dick McDonough (g), Paul Prince (b), Cozy Cole (d), Buddy Clark (vcl). NYC, August 4, 1936 19649-1 Dardanella ARC 7-02-04 19649-2 Dardanella - 19650-1 It Ain't Right (BC-vcl) ARC 6-11-02 19651-1 Between The Devil And The Deep Blue Sea (BC-vcl) ARC 7-02-04 19652-1 In A Sentimental Mood ARC 6-11-02 Note: Both takes of matrix 19649 were issued on ARC 7-02-04. Personnel confirmed by the ARC ledgers. ________________________________________________________________________ (YY) FRANK FROEBA AND HIS SWING BAND: Bunny Berigan (tp), Joe Marsala (cl), Art Drelinger (ts), Frank Froeba (p), Bobby Bennett (g), Artie Shapiro (b), Cozy Cole (d), Midge Williams (vcl). NYC, August 27, 1936 19763-1 Whatcha Gonna Do When There Ain't No Swing? (MW-vcl) Col 3152-D 19764-1 Organ Grinder's Swing (MW-vcl) Col 3153-D 19765-1 Rhythm Lullaby (MW-vcl) - 19766-2 It All Begins And Ends With You (MW-vcl) Col 3152-D Note: Personnel confirmed by the Columbia ledgers. ________________________________________________________________________________ (ZZ) DICK MCDONOUGH AND HIS ORCHESTRA: Bunny Berigan, unknown (tp), poss. Lloyd Turner (tb), poss. Sid Stoneburn, poss. Artie Shaw or Toots Mondello (cl, as), Babe Russin or Larry Binyon (cl, ts), poss. Claude Thornhill (p), Dick McDonough (g), Artie Bernstein or Paul Prince (b), poss. Cozy Cole (d), Chick Bullock (vcl). NYC, September 17, 1936 19891-1 I'm One Step Ahead Of My Shadow (CB-vcl) ARC 6-12-02 Note: Other matrices from this session fall outside the scope of this set. Instrumentation confirmed by the ARC ledgers. ________________________________________________________________________ (AAA) BILLIE HOLIDAY AND HER ORCHESTRA: Bunny Berigan (tp), Irving Fazola (cl), Clyde Hart (p), Dick McDonough (g), Artie Bernstein (b), Cozy Cole (d, speech), Billie Holiday (vcl). NYC, September 29, 1936 19971-1 A Fine Romance Voc 3333 19972-1 I Can't Pretend - 19973-1 One, Two, Button Your Shoe (CC-speech) Voc 3334 19974-2 Let's Call A Heart A Heart - Note: Holiday is the vocalist on all the titles from this session. Personnel confirmed by the Vocalion ledgers. ________________________________________________________________________ (BBB) BUNNY BERIGAN AND HIS ORCHESTRA -1 / BUNNY BERIGAN AND HIS BOYS -2: Bunny Berigan (tp), Red Jessup (tb), Toots Mondello (cl, as), Babe Russin (ts), Joe Bushkin (p), Eddie Condon (g), Mort Stulmaker (b), George Wettling (d), Art Gentry (vcl). NYC, November 23, 1936 20315-2 That Foolish Feeling (AG-vcl) -1 Br 7784 20316-1 Where Are You? (AG-vcl) -1 - 20317-1 In A Little Spanish Town -2 previously unissued 20317-2 In A Little Spanish Town -2 SE 5004-S Note: Discographies list 20315-1 and 20316-2 for Br 7784, but they are dubs of the issued takes shown above. Some reissues list matrix 20317-1 but they are dubs of -2; this Mosaic set is the first to commercially release 20317-1. Personnel confirmed by the Brunswick ledgers. The Special Edition 78 was released on May 17, 1948. ________________________________________________________________________ (CCC) BUNNY BERIGAN AND HIS ORCHESTRA: Bunny Berigan, Harry Greenwald, Harry Brown (tp), Walter Burleson (tb), Matty Matlock (cl, as), Carl Swift (as), Art Drellinger (ts), Les Burness (p), Tom Morgan (g), Arnold Fishkind (b), Manny Berger (d), Art Gentry (vcl). NYC, January 22, 1937 20560-2 The Goona Goo (AG-vcl) Br 7832 20561-2 Who's Afraid Of Love? (AG-vcl) Br 7823 20562-2 One In A Million (AG-vcl) - 20563-1 Blue Lou Br 7832 Note: Classics (CD) 749 (Bunny Berigan Vol. 2 1936-1937) incorrectly lists -1 for matrix 20560. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________ (DDD) BUNNY BERIGAN AND HIS ORCHESTRA: Bunny Berigan, Harry Greenwald, Harry Brown (tp), Ford Leary (tb), Hymie Schertzer (cl, as), Matty Matlock (cl, as, arr), Art Drellinger (ts), Les Burness (p), Tom Morgan (g), Arnold Fishkind (b), Manny Berger (d), Johnny Hauser (vcl). NYC, February 17, 1937 20694-1 I'm Gonna Kiss Myself Goodbye (JH-vcl) Br 7847 20695-1 Big Boy Blue (JH-vcl) - 20696-1 Dixieland Shuffle (MM-arr) Voc (E) S-75 20696-2 Dixieland Shuffle (MM-arr) Br 7858 20697-2 Let's Do It - Note: Classics (CD) 749 incorrectly lists -1 for matrix 20696. Instrumentation confirmed by the Brunswick ledgers. ________________________________________________________________________ (EEE) BUD FREEMAN AND HIS WINDY CITY FIVE: Bunny Berigan (tp), Bud Freeman (cl, ts), Claude Thornhill (p), Eddie Condon (g), Grachan Moncur (b), Cozy Cole (d). Decca Studios, NYC, December 4, 1935 60190-A What Is There To Say ? Par (E) R-2285, Dec 18113 60191-A The Buzzard Par (E) R-2210, Dec 18112 60191-B The Buzzard Od (Arg) 286374, (G) 031810, Dec 18112 60192-A Tillie's Downtown Now Od (Arg) 286374, Dec 18112 60192-B Tillie's Downtown Now Par (E) R-2210 60193-A Keep Smilin' At Trouble Par (E) R-2285, Dec 18113 Note: In 1941, American Decca obtained the rights to issue all -A takes for their (78) album Gems of Jazz Vol. 1. When Decca reissued this album, both in 78 and 10" LP form, the -B take was used for matrix 60191. ________________________________________________________________________ (FFF) MILDRED BAILEY AND HER ALLEY CATS: Bunny Berigan (tp), Johnny Hodges (as), Teddy Wilson (p), Grachan Moncur (b), Mildred Bailey (vcl). Decca Studios, NYC, December 6, 1935 60201-A Willow Tree Par (E) R-2201, Dec 18108 60202-A Honeysuckle Rose - - 60202-B Honeysuckle Rose Par (E) R-2201 60203-A Squeeze Me Par (E) R-2257, Dec 18109 60203-B Squeeze Me previously unissued 60204-A Down-Hearted Blues Par (E) R-2257, Dec 18109 60204-B Down-Hearted Blues previously unissued Note: All -A takes are found in Decca (78) album Gems of Jazz Vol.1. ________________________________________________________________________ (GGG) BUNNY BERIGAN AND HIS BLUE BOYS: Bunny Berigan (tp), Edgar Sampson (cl, as), Eddie Miller (cl, ts), Cliff Jackson (b), Grachan Moncur (b), Ray Bauduc (d). Decca Studios, NYC, December 13, 1935 60229-A You Took Advantage Of Me Par (E) R-2327, Dec 18117 60229-B You Took Advantage Of Me previously unissued 60230-A Chicken And Waffles Par (E) R-2327, Dec 18117 60231-A I'm Coming, Virginia Par (E) R-2316, Dec 18116 60232-A Blues - - Note: All -A takes are found in Decca (78) album Gems of Jazz Vol.2. ________________________________________________________________________ Original sessions produced by Harry Grey, John Hammond, Bernie Hanighen, Justin Ring and Victor Young. Album index: LP Epic BSN 159 Various Artists - Those Wonderful Girls of Stage, Screen & Radio Epic L2N 6072 Various Artists - Encores From the 30's Vol. 1 Grannyphone (Du) 03318 Various Artists - Guitar Accompaniment by Eddie Lang Hep (E) 1005 The Dorsey Brothers Orchestra-Mood Hollywood IAJRC 2 Various Artists - Jazz Collection Vol. 2 Jass 19 Lee Wiley - A Got a Right to Sing the Blues Meritt 501 Bunny Berigan - The Unknown Band (1939) The Sideman (1931-1939) Meritt 504 Bunny Berigan - Leader & Sideman CD Mosaic MD10-204 Mildred Bailey - The Complete Columbia Recordings of Mildred Bailey Produced for release by Scott Wenzel Executive Producer: Michael Cuscuna Research: Michael Brooks, Jeff Healey, Dan Morgenstern, Vincent Pelote, Mike Peters, Randy Sandke, Richard M. Sudhalter, Scott Wenzel, Bozy White Audio Restoration: Vince Caro Disc Transfers: Vince Caro, John R.T. Davies, Andreas Meyer, Doug Pomeroy Mastered by Vince Caro Pitch Correction: Dan Levinson Original 78s: Michael Brooks, Tom Bumbera, John R.T. Davies, Jeff Healey, The Institute of Jazz Studies, David Jessup, Joe Lauro, John Leifert, Gene Miller, John Newton, Julian Vein, Bill Weicker and Scott Wenzel. Special thanks: Johnny Blowers, Michael Brooks (for the unissued Mildred Bailey Parlophone sides), Ruth Edge (EMI), The Institute of Jazz Studies, Dan Levinson, Dan Morgenstern, Joe Lauro (for the unissued Berigan Parlophone side), Gene Miller and John Newton (both supplied us with their enormous collection of ARC theater discs to audition and transfer), Vincent Pelote (who has made sure everything ran smoothly at all of our research symposiums at the IJS), Lloyd Rauch and Bozy White. Discs I through VI of this compilation (p) 2003 Sony Music Entertainment Inc./Manufactured by Sony Music Custom Marketing Group, 550 Madison Avenue, New York, NY 10022-3211/"Columbia" and "Sony" Reg. U.S. Patent & TM Office/Marca Registrada/WARNING All Rights Reserved. Unauthorized duplication is a violation of applicable laws. Disc VII of this compilation appear courtesy of EMI Records, Ltd., (p) 2003 EMI Music Special Markets. Manufactured by EMI Music Special Markets, 1750 Vine Street, Hollywood, California 90028. All rights reserved. Unauthorized duplication is a violation of applicable laws. Printed in the U.S.A. 2002 Mosaic Records L.L.C., 35 Melrose Place, Stamford, CT 06902. All rights reserved. Phone: 203-327-7111/Fax 203-323-3526/ Website: www.mosaicrecords.com. Producer's Note: The selections presented here are all of Bunny Berigan's Brunswick, Parlophone and Vocalion sessions as a leader as well as the Mildred Bailey and Bud Freeman-led Parolophone dates in which he played a significant role. We have also included selected ARC sides where Berigan as a sideman, offers a significant solo passage or obbligato. We have not included a number of recordings where a short Berigan solo is strictly a paraphrase on the melody, regardless of whether it be from a commercial dance band arrangement or within a jazz context. Therefore you will not find in this collection such Berigan items as Let's Try Again by Smith Ballew or Was That the Human Thing To Do?by the Boswell Sisters. Although Love Letters in the Sand(session E) falls into this category, we have decided to include it for its rarity. Although the sound quality of these sessions will differ from track to track, we have made every effort to obtain the best possible source material, be it the original metal parts, test pressings or commercially released 78s. However, we would like to point out the following problems: Session (Y) Underneath the Harlem Moon was in very bad condition and search for a better copy proved fruitless; Session (DDD) had excessive echo in the metal parts possibly due to problems with the wax master. We commend all those listed above who worked so creatively

If this is the version with the martini glass, I used to have that. The ojc issue uses the mono cover. Great record.

Since a little more than half the cost of a gallon of gas in the U.S. is a function of crude oil prices , and since crude oil prices have recently risen at a 100% annual rate , it is the global supply and demand for crude oil that explains the rise of U.S. gas prices in the face of falling U.S. demand . In Europe and other regions where crude oil prices make up as little as a fifth of the pump price , gas prices haven't risen nearly as dramatically as in the U.S. . With respect to the global supply and demand for crude oil , it is well to remember that annual miles driven are increasing rapidly in the developing world even as they are declining in the U.S. .

Thus spaketh the Lord....

How do you tell when someone's playing air theremin ?

by all means. let's save the attacks for long-time members of the community who ask the going price for rare items. I exposed your hypocrisy , and now in a rush to regain your sense of moral superiority , you go and quickly confirm your hypocrisy with this attempt to do what you accused me of doing ( derailing a seller's thread ) . You psychologists really are just so much more self-aware than the rest of us :rolleyes: :lol: Chas, No need to continue this BS Shane Why did you then ??

by all means. let's save the attacks for long-time members of the community who ask the going price for rare items. I exposed your hypocrisy , and now in a rush to regain your sense of moral superiority , you go and quickly confirm your hypocrisy with this attempt to do what you accused me of doing ( derailing a seller's thread ) . You psychologists really are just so much more self-aware than the rest of us :rolleyes: :lol:

On the one hand , I don't like it either when people look upon this community as only another market , and yet he is offering a discount to members , so I suppose we shouldn't come down too hard on the guy . Still , I would welcome some fresh input around here from anyone , so long as it doesn't add to the surfeit of non-jazz discussions now encumbering the board .

With those two signs on the thing , the only butt that's gonna be smoked is your own !

This pretty much sums up my experience/exposure . Never laid eyes on those Coral sides or that solo date he did in '65 for Dot . Here're a couple of pics of Johnny : Here you can see his famously small hands And here he is looking like Jean-Paul Sartre

A few not mentioned so far : Mel Powell ( Melvin Epstein ) Don Randi ( Don Schwartz ) Jerry Lloyd ( Jerome Hurwitz ) Lennie Hambro Ralph Sharon Dave Grusin Johnny Glasel Hal Stein

Let me get this straight . The gravamen of your objection is now that I was responsible for taking this thread somewhere the thread starter didn't intend . Given how long you've been around here and witnessed literally thousands of threads go to places not intended by their starters , I can't help but see your concern as utterly disingenuous . I was criticized , I responded , and the thread went where it did , and not in accordance with any malice on my part . It should be apparent that I value reason , and thus that the kind of peer-pressure-absent-reasoned-discourse found in your posts , Kevin's and especially Erik's , does not incline me to change my behavior .

He got his starting price, not his desired price! He desired to get as much as the market would bear. You felt it necessary to deflate the value of his offering. You chimed with your post while the auction was still running. Look, it's all about timing. If you had posted what you did after the auction, it's no big deal. You talk about a "community" but you just screwed Parkertown!! You're an idiot. More rubbish . If timing is really the issue for you then how is that there have been many , many posts in the "Ebay Craziness" thread regarding active auctions , potentially affecting some member's "desired" sales price , and not one reproving word out of you ??

One of Freddie's best , and the engineering is terrific - my Liberty copy sounds better than the Connoisseur CD !

Head On has always been my least favorite Hutcherson-Land record , so the only way I would have been interested in picking up this CD is if the previously unissued tracks were considerably better than the ones on the original vinyl . Sounds like this isn't the case , and that the problem ( as on the original tracks ) is the Todd Cochran charts . Thanks for the report . I wonder if the six unissued tunes Hutcherson-Land recorded for Blue Note in December 1971 are any better....

And your post shows you appear to be clueless as to how to construct a good analogy . This is a community here , not some impersonal sellers emporium with faceless customers . I want sellers to get the highest price they can , and buyers to get the lowest price they can . I hope you don't fancy yourself a defender of free markets , for they depend on information being non-asymmetrically distributed . As it happens , sellers here often offer prices lower than the going rate as a way of giving something back to this community . An expectation of this has developed such that every so often a seller's prices are pointed out as being out-of-line . I don't recall charges of "bad form" being tossed about in those instances . exactly what do you see as your role here on the board? is it your responsibility to protect the rest of us from making a bad decision by paying [what you think is] too much for an item, thereby justifying your "outing" the creator of this thread? personally, i don't care about the issue of downloading as it pertains to the situation we have here. and as far as I know, there's no rule to prevent you from competing with another seller by offering the same item on your own thread. what i object to is your decision to derail another member's thread, and even more so, your assertion that you have the right to do so in the interest of people like me who buy cds from other board members. i don't know of anyone here who holds you responsible for protecting the interests of us buyers, and i for one would appreciate your refraining from doing what you did again. Since the seller got his asking price , just exactly how is it that I "derailed" his thread ? I can understand how a seller could resent my looking out for the interests of the buyers here , but your pique is a little harder to understand . Your resentment seemingly springs from the fact that I wasn't duly anointed by you to look out for buyers , otherwise you would have simply said that you have no personal interest in the information I added . Or perhaps you're saying that you don't know anyone who cares about paying the lowest price possible , in which case I would infer that you must move in some pretty well-heeled social circles that are not representative of the community here . Why aren't all you people ( who are ever so solicitous of sellers ) arguing that the "Ebay Craziness" thread can on occasion "interfere" with other members' sales and should thus be abolished ? If that thread is kosher , then I suppose our disagreement boils down to whether posts that could potentially affect a seller's sale and/or price are rightly only made in separate threads . Appreciate the effort Al , but my earlier attempt at jocularity with this bunch in here should have demonstrated the futility of it . Thanks, but I've been on this board a helluva long time, and you won't find a more jocular bunch. Agreed . By "this bunch" , I meant the po-faced types haunting this particular thread .