HutchFan

I was thinking the same thing! Nothing guilty about it for me. Just honest enjoyment through and through.

"Pulled pork" refers to the way that the meat is prepared & served. After the pig is roasted, the meat is pulled using tongs. Alternately, you could have "chopped pork," which means that the meat is cut with a cleaver. EDIT: Scott beat me to the explanation.

I don't think those other tracks have ever been issued on CD. Neither discogs nor Dewey Redman's discography at jazzdisco.org show any evidence of a CD release. Of course, the info on those sites is sometimes incorrect...

Yum!

I'd make an offer if I hadn't just finished reading it. I'd strongly recommend it to anyone who's interested.

Atlanta skyline at dusk with Centennial Olympic Park in the foreground. I work in the glass-walled building facing/bordering the park (to the right of the concert stage).

believe that`s always a good experience for "collector" dad .... My only ever experience of something like was playing my then ten year old some Cecil Taylor. I asked him what he heard . After listening for several minutes he said that at first it sounded entirely random but he realised there was underlying melody with an ebb/flow. He didn't say whether he liked it. My guess was not My son is 19 now, home for the summer after his first year of college. He's a guitarist, inspired by Hendrix especially. But he also likes jazz, and his interest in it seems to be growing. My wife likes jazz too. I'm lucky.

And now this again: (Flying Dutchman, 1976) Great record!

Don't forget Oliver Nelson's Big Band. If you don't want to plunk for the Mosaic set, you could start with Fantabulous.

Earlier today while at work, I listened to a few tracks from this recording via YouTube. Now I'm at home, and I'm listening to the entire LP. (It's Cobblestone vinyl from '72.) My son just walked by and said, "Hmm, that sounds good."

The Dude: It's like what Lenin said... you look for the person who will benefit, and, uh, uh... Donny: I am the walrus. The Dude: You know what I'm trying to say... Donny: I am the walrus. Walter Sobchak: That fucking bitch... The Dude: Oh yeah! Donny: I am the walrus. Walter Sobchak: Shut the fuck up, Donny! V.I. Lenin. Vladimir Ilyich Ulyanov! Donny: What the fuck is he talking about, Dude?

I had no idea that Schuller had recorded it. (I'm most familiar with the Craft/Philharmonia version.) I'll have to check it out. Thanks for the heads-up.

Both fantastic. Booker could PLAY.

!!! Me too!!! A few years ago, I wrote to Mosaic suggesting that they reissue Waldron's Japanese Victor recordings. There's some real gems in there.

IMHO, the extra material on discs 3 & 4 are significantly less interesting than the original Bitches Brew release. So, If you're not a Miles completeist and you already own the 2-disc version of Bitches Brew, I'd say that you're fine. As ever, YMMV. I guess other than a few dozen albums, pretty much anything in jazz (or in music) is significantly less interesting than "Bitches Brew" Ain't that the truth!!!

So sorry to hear this news...

IMHO, the extra material on discs 3 & 4 are significantly less interesting than the original Bitches Brew release. So, If you're not a Miles completeist and you already own the 2-disc version of Bitches Brew, I'd say that you're fine. As ever, YMMV.

Good stuff! New speakers, so I'm on an LP listening binge! Good deal!!! What kind did you get? Rega RS3 loudspeakers. I'm pretty happy so far (goes well with Rega P3 turntable). Fantastic! Glad to hear that you're enjoying them. (I have a Rega P3 'table too, btw.)

Good stuff! New speakers, so I'm on an LP listening binge! Good deal!!! What kind did you get?

Glad to see that these are being reissued. I've never heard any of them, but my curiosity was piqued when I recently found a new-to-me Lew Soloff CD (with Kenny Kirkland, Richard Davis, and Elvin) that was issued on ProJazz. The liners mentioned Soloff's work with the Manhattan Jazz Quintet that had been issued on the same label.

Good stuff!

Yeah!!!

No, but they are at Jazz Standard in New York this Thursday to Sunday, which I'm sure would be fun to hear. The Gil Evans Project directed by Ryan Truesdell The Gil Evans Project directed by Ryan Truesdell In April 2011, jazz scholar and conductor Ryan Truesdell thrilled a packed Jazz Standard as he lead a star–studded big band through a breathtaking performance of music from composer/arranger Gil Evans’ 1961 album Out Of The Cool. In the spring of 2012, a century after Evans’ birth in Toronto, Ryan and the Gil Evans Project returned to our stage to celebrate their new ArtistShare CD Centennial, featuring previously unrecorded Evans compositions and arrangements. Voted Record Of The Year by the Jazz Journalists Association, this album won the GRAMMY Award for Best Instrumental Arrangement (for the track “How About You”) and also was nominated for Best Large Jazz Ensemble Album and Best Arrange­ment featuring a Vocalist (“Look To The Rainbow,” with Luciana Souza). The New York Times called Centennial “an extraordinary album,” while AllAboutJazz.com hailed “a US national treasure that de­serves a place in the Smithsonian Institute and every jazz record library.” For this return engagement, Ryan Truesdell and the Gil Evans Project release their new live record, Color Lines, which was recorded just a year ago on our stage – make your reservations now! Ryan Truesdell – Director Steve Wilson, Dave Pietro, Donny McCaslin, Tom Christensen, Alden Banta, Steve Kenyon – Reeds Adam Unsworth, David Peel – French Horn Augie Haas, Tony Kadleck, Scott Wendholt (5/14), Mike Rodriguez (5/15-17) – Trumpets Ryan Keberle, Tim Albright (5/14), Marshall Gilkes (5/15-17), George Flynn (bass trombone) – Trombones Marcus Rojas – Tuba Wendy Gilles – Vocals Lois Martin – Viola James Chirillo – Guitar Frank Kimbrough – Piano Jay Anderson – Bass Lewis Nash – Drums Mike Truesdell – Percussion I saw these guys last night. It was a great show. IMHO, top solo honors went to Marshall Gilkes for terrific trombone work on "Time of the Barracudas."

I like that Gato record too. ALL Barbieri from that period is worth a listen, imho.