Late

I didn't know Irène played the tuba ...

Verve currently has this one slated for release on September 20, 2005. How many discs will it be? Anyone here in-the-know? I hope the projected date of reissue pulls through this time. Really looking forward to hearing the music.

Up from the depths of 2003, as Hiroshi finally landed a copy (AMCY 1171) of The Shape of Jazz to Come for me. I spun it three times today. Absolutely gorgeous. It's weird how much a good remaster can make a difference sometimes. (And the little puppy was an affordable 1600¥!) Particularly amazing — Charlie Haden's bass comes through with equal presence to Ornette's alto! Not even on my old vinyl (which is not an original pressing) did the bass sound this good. It's almost as if I'm hearing the music for the first time. Very exciting — little nuances of Cherry's horn lines, for example, come through with more clarity ... his breath, "ghosted" notes, and how he plays under Ornette for the melodies. Whew.

... hey, I thought "Clifford Thornton" was just your handle. What did you have the other day? :rsly:

Nice list M. Graham! (A Long Drink of the Blues is actually a Jackie McLean record — though Webster Young is on the title track. It's a very good album! Hopefully it has a good chance of staying in-print.)

"A double skinny latté, blueberry scone, and the Clifford Thornton please ..."

(Superman uses his ThighMaster just a little bit more than Mr. Shazam.)

I think that's right. I remember seeing the original U.S. compact disc release in 1988, but I didn't know enough about Turrentine at the time to buy it. Now I have the JRVG, and it sounds pretty good to me! BTW — I e-mailed Cuscuna about the Edwards PJ title in question. If he gets back to me, I'll post the response here.

I've wondered about that myself. I always have to repeat to myself: "New Bottle, Old Wine" in order to remember just what the title is (was). Here's perhaps an even more focused scan (courtesy of the site Bary linked): I haven't heard this album, but would really like to! (The other PJ title is a favorite.)

There's hope for rational pricing after all!

To be honest, I haven't heard all that many Flanagan-led sessions. An excellent starting place (at least) I think would be Overseas, but I'm guessing you've already heard this one. I think I hear what you're saying about Flanagan The Sideman. He's a brilliant accompanist. Some of his work for Coleman Hawkins ... well, without Flanagan aboard, those albums wouldn't be half as beautiful. I think it's actually an equal note of merit to be recognized as an excellent accompanist as compared to an excellent leader.

Teddy Edwards with Les McCann Ltd. - It's About Time Teddy Edwards: tenor saxophone Les McCann: piano Leroy Vinnegar: bass Ron Jefferson: drums cover design: Hardy Henderson cover photos: Ivan Nagy Who here would like to see this Pacific Jazz session as a Connoisseur release?

It seems strange that this album has apparently never been reissued on compact disc ... I wonder what Cuscuna thinks of it?

That would be something. Hard to imagine the Japanese market wanting the type of titles you describe — though I'm all for them — at least judging from past reissue programs ... but one never knows, do one? I think it'd be great.

Sunset Eyes has been out on disc (though it's now out-of-print), but has this one ever seen compact disc reissue? In any country? I wonder if there's enough material for a Teddy Edwards Mosaic Select. What would/could be on it?

Without having checked any discographies, isn't France on a Blue Note album with Freddie Roach? I have to admit, I haven't heard France ... and should change that!

Mark — great site, and a professional layout. (Not to mention the photographs!) Nice links, too. They led me to explore resident Organissimo Jeff Blake's site and Matt Moor's site.

Listening to the OJC of The Cats right now, and started thinking about Flanagan. In some ways, he reminds me of Roy Haynes: impeccable taste, a refined touch, and not always a prominent profile when it comes to discussing improvised music. He is certainly a master, however. Sometimes I hear Flanagan's playing as a contemporaneous extension of Hank Jones's ideas. What do you think? Any special affection? Any particular albums that are favorites? (I imagine there could be a lot to list.) I'm also interested in reading what you all think about his contributions on Giant Steps.

Dyani's been discussed on this board at least once before here. I ended up with two Steeplechases, and have really enjoyed them. He also plays the shite out of the bass on Lacy's The Forest & The Zoo.

I think Pinsky still plays, no? Say, are you going to Irvine in March? The (creative writing) program is having a 40th anniversary celebration, and Pinksy is going to be one of the featured readers. The celebration is ostensibly to honor James McMichael's work — as he established the program (I think with Oakley Hall) in 1965. McMichael, along with Killarney Clary, is my favorite poet writing in English. His new book Capacity, not quite yet out in stores, is to me on a level of technical mastery and inventiveness that equals Joyce.

What do you guys think of the writing on the two Coral albums? I think it's pretty good. Nothing earth-shattering, but some interesting harmonic turns here and there. Zoot Sims' ballad feature on Volume 2 is especially attractive.

Aha ... that makes sense. I'd recommend this disc to nearly anyone. Deep Discount actually pulled through for me on this title (at $14, I think it was) — well worth it. Superb sound, and even better music ... especially if you're a Lacy fan.

Ditto that — Joe Christmas first hipped me to that date, and it's a fine one. I just can't get with McPhee's soprano playing, but his tenor playing ...

Well, I guess I'm in that minority too. Tenor gets a lot of airplay here, but I just don't reach for For Alto that often. Now, the Donaueschingen duos with George Lewis, that's another story ...