Into the 90's, Lacy was using a mouthpiece (can't remember the make) that was a 12* bore. That, with an alto ligature — I don't think there's ever been a larger sound on the small horn.
But I think I know what you mean about some soprano players' tendency to go for that "piercing" sound. It gives me the creeps.
I think Blanchett is one of the finest actors around these days — male or female. (Haven't seen "The Aviator" yet, though.) Check out her dual role in Jarmusch's "Coffee and Cigarettes." One of the highlights of that film.
Just saw this movie for the first time last weekend. Not great, but still enjoyed it — and found myself liking it even more the next day (while thinking about it). Did anyone else here like this one?
... any albums, other than those I've listed, where he has a solo feature? I have Charles' Tentet album, but don't recall that he solos. (I don't think he does.) I'll have to give it a spin.
What's the story of George Barrow? A tenor (and baritone) saxophonist of no small capability, his star seems to have gotten lost somewhere in the jazz universe. AMG doesn't yield anything, and most searches I did (Google) don't add much.
Here are the records that I know of Barrow being on:
• Mingus at the Bohemia: Charles Mingus (Debut)
• The Charles Mingus Quintet + Max Roach: Charles Mingus (Debut)
• Jazz Studio 6: David Amram-George Barrow (Decca)
• Blues and the Abstract Truth: Oliver Nelson (Impulse!)
• 7-tette: Bill Dixon (Savoy)
I really like this guy's playing, but wish more of it was accessible. Anything missing from the list above? Any other fans?
Phew! Alfred Schnittke is one bad motherf-er. His Klavierquintett: Lento with the Keller Quartet and Alexei Lubimov on piano ... definitely for lovers of the Microtonal School. Thrilling stuff. A lusty for this one on ECM New Series.
Hmmm ... well, there's that one track with Bud Shank on pennywhistle!
Close, but no cigar, I suppose.
I want to say (but can't remember exactly) that I saw some recordings with recorder on the Tzadik label. Maybe worth checking into?
Interesting — my favorite period of Lacy is roughly 1976-1979.
David, I've heard Doneda, but have never even heard Rainey's name. Thanks! The AMG bio makes his music sound pretty interesting. Will have to check it out. Any particular recs?
I've had positive results with Squidco.
For a short period of time (though no more, it seems) Tower would sneak a few OOP hat(ART)s on their site for $11.99. Picked up some Lacys, Taylor's Garden, Part II, and a Braxton this way. Wh'happened?
Probably not nonsense — I think we're just interpreting the term differently. There's no doubt he was a formidable, and influential, force on the tenor saxophone.
Yup. Agreed in full. Left Shorter right out of my "opening comments." Bill Evans (the saxophonist) once said (to a bunch of us little music students) "Thank God Wayne picked up the soprano."