Late

Giuffre will probably always be my favorite on clarinet. To my ears, very few so far have gotten more emotion out of the instrument. Sclavis seems to have a good balance of "technique" and "soul" -- from those actively recording today. Chris Speed and Rüdiger Carl also come to mind. I wish Denon/Savoy would have used the original cover for this reissue, always a favorite:

Strange that this one: hasn't received any remarks here. Check out the sound samples.

Another nod for Greg Tardy. Also, Lars Moller, though I'm thinking he's somewhat older. Don't forget Roman Schwaller from the VAO either, though he too might not make the listed age bracket. Also used to like Sam Newsome when he was with Terence Blanchard. My favorite Wynton Marsalis album is Blanchard's Simply Stated.

Rob Brown and Ori Kaplan

It's been four years since Evidence put out any Saturn (or related) reissues. I e-mailed Evidence some weeks ago about this, and their response (which I actually didn't expect to receive) was that no new Ra reissues were planned or upcoming. Damn! I wonder if it's money that's holding these things up. Though I'm not sure exactly how many, I think there are still a fairly large number of Saturns to see the light of day on disc. I know the two albums on the Saturn subsidiary Thoth — The Night of the Purple Moon and Strange Strings — made it onto vinyl reissue, but why not disc? I'd also like to see this one out: Here's an alphabetical listing of Ra albums that I've found handy. Would be nice to see some of those last Saturns from the late 70's early 80's see reissue as well!

Been listening to a lot of Ra lately. Three incredible Gilmore solos that are worth playing back to back for comparison are on: • "Cosmic Chaos" (Heliocentric Worlds, Vol. 2) • "Sketch" (Other Planes of There) • "Thoughts Under a Dark Blue Light" (Cymbals) ... on the latter, you can actually hear what "speaking in tongues" is all about. One of the great Gilmore solos for all time.

For the Japanese versions (being reissued on December 22, 2004) with original cover art and in mini-LP facsimile: www.earlyrecords.com For the "Spanish" versions put out by Fresh Sounds, which don't have original cover art, and come in jewel cases: www.freshsoundrecords.com

Whoa, didn't even have to wait that long! Some good reading in this thread, thanks to Garth and Guy.

Cross-Section Saxes is being reissued (in Japan)!

... just realized/discovered that Fresh Sounds has already reissued the first four Jazz Studio albums on two discs. Anyone have these? The Jazz Lab series has also apparently been reissued by Fresh Sounds.

Is anyone else excited about Universal Japan's December reissue of the entire Decca Jazz Studio series? I've heard only bits and pieces from different sessions, but know I'll likely be picking up all six of the "Jazz Studio" sessions. Can anyone point out a discographical listing for this series? I did a number of Google searches, but only came up with a session or two. Here's Jazz Studio 3 (which features Gerry Mulligan): ... with a few sound samples.

Yes. All the Connoisseurs, with the exception of the Rivers, were in the Borders over here. They weren't shelved ... but an employee let me go through the "to shelve" cart, and I shelved them myself! Except for the Hill ... that one came home with me. I wouldn't otherwise pay that crazy Borders price, but I still had a birthday gift card with a balance on it, so what the heck. Now ... the music! The Hill is one fine session, with Higgins an especially interesting choice of drummers. He seems to give more of a groove, though not in a "Grass Roots" way, to Hill's brooding compositions. At first I wanted to hear someone like Joe Chambers, but after a second go-around, I like Higgins a lot — just wasn't initially prepared for that pairing. Both Farrell and Tolliver get in some eloquent solos as well. And, I must say, this remastering job must count as one of McMaster's best. Probably still too bright for my tastes, but considering McMaster's "signature," it does have relatively nice presence, the horns notably warmer than usual. Only the bass seems at times too recessed in the mix. But thank God it doesn't have that horrible rap-thud-bass that Rudy rudely ruined the new remaster of Blue Spirits with. That disc (with the opening track now remastered for automobile stereo systems that promote deafness in young persons) is ... just not right.

Nice post, Quincy. I'm sure I've bumped into you (unknowingly) at one of those stores. That right-to-left thing at Cat's always gets me turned around. Do you remember their space back in '83-'88? That teeny nook holds good memories. House of Records will always be my favorite, though. I've found some fine stuff there over the years, er, decades. (They also have the best buy-back prices!) Their used section never fails to yield the intermittent gem, too. Plus, Greg, whose been there almost from the start, is one of the nicest guys to do business with. He can talk (without BS-ing) about nearly any music. I know what you mean about CD World and release dates. Last year, one of their sales coincided with the Connoisseur batch. Woo-hoo!

I was talking to a local musician and arranger at a record shop here about a year ago, and he started in on Holman's Monk charts and more recent work, and he told me that on one of Holman's charts (and now of course I can't remember which one) there was a chord that used 11 pitches, with only Bb left out — which meant, octave aside, that every tempered pitch in the chromatic scale was used. I would like to hear that! Missile — that's a lot of names! Care to share any representative albums? Always good to keep an eye out for recommended stuff.

I think the first sentence of Larry's above nails it most for me. Rollins' command of the horn is now (already) so virtually complete that it literally radiates confidence. One gets the impression that there's no obstacle between Rollins's thoughts and their conveyance through the horn. I would say, however, that this authority was at least foreshadowed in solos such as "I Know" from Rollins's very first album. Larry, do you think you could speak more on what you mean by "a shift in sensibility" in the second sentence above? I'm not necessarily in disagreement, but I guess I'm not always hearing a "shift." Maybe (at least for me) more of a logical progression?

Rats. This was the August purchase I was most looking forward to. Hopefully it will make its way out by August ('05).

Any guesses as to Lacy's mouthpiece there? Is it a Selmer? Harder for me to tell with sopranos.

Representative big band arrangements by these guys? I know Sauter did Focus, Overton did the arranging for Monk's Town Hall concert, and Maiden did some of Ferguson's Mercury arrangements ... what else? Completely unfamiliar with Hernandez. Missile — care to list some representative albums/tracks from your list of more current arrangers? Thanks!

That's one beautiful OBI. Well, I'm convinced ... I'm going to buy them all.

Has anyone heard this one: Interested in hearing your thoughts ...

I'm guessing the packaging is just like the "Blue Note Works" series? Or is there a new twist?

Amen.

Is this the one with Miles' group? If so, I'd easily recommend that set (4 discs). It contains one of my favorite Coltrane solos on "All Blues," where Trane takes a simple blues riff, and then either splits or plays harmonic overtones on the last pitch of the riff — for a relatively long time. At first it sounds like he's messing up ... until you realize what he's after, and you go agreeably along for the ride. In 1991, I heard Branford Marsalis live here (with his trio of the time), and he played a large portion of this solo verbatim (at least as much "verbatim" as harmonics allow). I remember being very impressed at the time, as I had just read an interview with him in Jazztimes, where he raved about this live concert, saying something to effect of: "That album should be called Coltrane and Others in Stockholm!" Good live recording, too.

At least QAT, QAID, and QANAT (and the standard QUA) can bail you out of a Q bind. Then there's always the desperado SUQ play. My favorite (when possible) is to go out on a bingo. I had the lucky pleasure yesterday of playing BUSTIER to eke out a come-from-behind win. Good luck Randy! Great game.