Yes, corto is on the money for 5, 7, & 10. Nicely played!
MG got #1, and almost everybody's gotten the two Mingus cuts (2 & 11) with Felser at the ready to ID it as a 45, not an LP...what are y'all hearing in that (past the surface noise, of course, probably from jukebox play, altjough, including that)? Several considerations, objectively real and "programmatic" within this specific program, and MG was sorta kinda on to something, backing into it, maybe? At the very least, being pulled into the gravitational field.
And there's no mistaking James Brown. But he's not here for that purpose, to simply be IDed. Randy & Felser both identified it as a remix. And really, a James Brown remix per se is hardly news, so again, that's not why it's here. So, why IS it here? Because...well, just listen to it!
The Anthony Davis piece is actually two full cuts and the beginning of a third (In real time performance order). Anybody who wants to play the "narrative" game, follow the gist of the lyrics as the go along, as well as things that happen in the music. Just sayin'...
#12...we have Ike, we have bowling alley, and I did play with tape recorders as a younger self. But sorry! LOL! MG is totally off chronologically and ezthetically as far as it being sourced from a hip-hop place, BUT...the very hiphoppish esthetic of recontextualizing an existing language to meet current personal needs (from both within and from and without)...THAT card would not be entirely misplayed were it to be played at all at several point along the way here.