But does anybody play any differently than usual? Not really? They all had good days, but they all had lots of good days.
So maybe the point is that Blue Note screwed Grant Green by not having Duke Pearson involved in all of his records? Maybe, but not really.
I will say this, they got great players, picked wonderful material, arranged it well, had it rehearsed well, and then hit what was obviously a good vibe when it came time to roll tape.
What you can give Duke Pearson credit for (besides the charts) is not fucking up any of that, which is no mean feat in and of itself. It's its own art, really.