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chewy-chew-chew-bean-benitez

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Everything posted by chewy-chew-chew-bean-benitez

  1. yea lets fuck w/ the savoy master tapes and loop max's drum riff and put bird solo over a hip-beat -----whoever thought of that idea i want jack bauer to pull an 'edgar' on
  2. poor jack. he was makin out w/ audrey and then he thinks kims on the phone but now hes on a boat to ching-ching-chewy-chewy-ching-chong-town
  3. maybe he walked into the broken into bldg. cause he thought it was the cover of "breaking point"! tee-hee
  4. oh and ps- regading the 60s- in school and 2nd hand accts etc we learned that the 60s was a time of great political and social change and many times got very intense and out of control. but i just dont buy that after watching 9 hours of 'rowan and martin's' 'laugh-in' today. they just made fun of everything: like they did this bit where they had 2 baseball announcers do a play by play of a student riot, and he was all: the hippie side checked the guadsman - this looks like it might result in a penelty, possibly the army and then they were talking all serious about how important all the womens lib. is and then the guy came out and was talking about how many women he liberated last night-- tee hee and the Sprio Agnew jokes were rediculous!
  5. hi, chewy-chew-chew here,-- has it occured to anyone here that perhaps in the beginning Hank would do a session by picking say a few up numbers, a ballard or two and doing a session all intended for 1 albums worth of material. but the 60s was a new decade for hank, as it was for everyone. hank was just entering his 2nd decade of professional saxophone playing, and he was on the top of his game. maybe he wanted to record, say for example, 4 ballard w/ andrew hill, butch warren, and master higgins. obviously hank doesnt want 4 ballads on one lp, so al would SPLIT 'EM UP.
  6. i swear i saw a 1969 flyer for Fillmore East and on jazz day it was a quadruple bill of Lee Morgan Quintet, Coleman Hawkins Quartet, Art Blakey & his Jazz Messengers, & Duke Peason Big Band. Yowza yowza yowza!!!!! oh and then the day before and the day after jazz day were concerts by The who with support act cannonball adderely, and Traffic
  7. if i mailed one of u blank dvd-R could you copy me all the new goldfrapp music videos- cause i dont get "MTV Europe" p-m me
  8. ok now youve really gone 2 far. phil is the man. i listen to phil almost as much as i listen to coleman hawkins. i love phil that much.
  9. nonononnnoo bannanarama is NOT my favorite or even close- annimotion blow them out of the water
  10. trust me- im not fooled by most of the pop rubbish- the earliest pop music i have is from the 20s on 78's- its pretty bad- some of the melodies COULD be good (if reworked by jim hall, etc) 30s, 40s- Bad 50s- really really bad (eg. 'how much is that doggie in the window') now between early 1962 and cutting off right at april '67, we have the greatest years of pop music, im particualy talking about the beach boys and the ronnettes but really the beauty of it all was there were dozens of lesser known groups in the same style etc which might not of been able to have more than one hit single (ie. '1 hit wonder)- but neverteless after 67 psych came in and really destroyed pop music. im talking about gross misue of the sitar that would piss even Gabor Szabo off. (he used the sitar on his more pop oriented lps but when he did it, it was amazing) anyways pop music was SOooooooooooo bad thru the 70s, eg: SEVENTY THREE MEN SAILD ON, ON THE SAN FRANCISCO BAY, AND HERES WHAT THEY HAD 2 SAY: RIDE CAPT'N RIDE, UPON YOUR MYSETERY SHIP, ......etc ..or even worse, theres always-- BRANDY, YOUR A FINE- YOUR A FINE GIRL- that is the worst but pop got really good again in 1980 and stayed good till exactly the summer of 1987 when everything when downhill again where it remained last month when goldfrapp released SUPERNATURE in north america. ---------------------------------------------------- THAT REMINDS ME, U KNOW WHAT A GOOD ALBUM IS THATS REALLY UNDERRATED- 'THE POWER STATION" THE DRUMMER FOR CHIC + 2 MEMBERS OF DURAN DURAN + ROBERT PALMER. IT IS REALLY REALLY REALLY GOOD.
  11. the new goldfrapp blows all of 'em out of the water. jazz might be my ultimate forte, but i know about pop and its the best pop cd since 1983
  12. if i had a fairlight, id be able to have sex with a different girl every night of my life until i was 90
  13. whould blue note ever consider releasing all those unissued grant sessions as a box set?? sounds like they have enough material and it would certainly be one of the more intersting boxed sets to come out....
  14. i know most of you will just disregard this plea but i wanted to express how i have brushed off nearly all pop since 1990 through the present- however there is a new cd from england by allison goldfrapp and her band GOLDFRAPP which is remarkable. Its called 'supernature'. i also attended the concert and i was very impressed because it is the 1st pop concert ive ever seen where the sonic quality of the live concert equalled the high production quality of the studio cd. even in the 80s when all these slick sounding lps were being produced-- in concert, it all still sounded more 'raw', etc. I highly reccommed "supernature" to those adventurous jazz fans who wish to go one step beyond every now and then-- if you buy only one pop cd this should be it!
  15. oh yea: i also like the lps slogan: FULL COLOR high fidelity
  16. Hi Chewy-chew-chew-bean-benitez here--- i have a Crown lp: Pete Johnson--Hadda Brooks...swings the BOOGIE (CLP 5058)----the lp doesnt say which songs are johnson and which are brooks, also i suspect some or all of the song titles for this lp were CHANGED specifically to cash in on "boogie"- (crown did this frequently i have heard) --- anyways- titles are swingin' the boogie teen age boogie honky tonk boogie variety boogie hip shakin' boogie boogie celeste rock and roll boogie stompin' the boogie lazy boogie chop chop boogie boogie dance blusin' the boogie ...BUT IS THE BROOKS 78 w/ konitz and marsh even ON modern records (and henceforth crown)? wasnt modern just in LA, not NYC? if it is indeed a MODERN 78 than i will go back and listen to my lp to see if i can spot anything.............
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