Rabshakeh

Jim Rotondi And The Loop – Hard Hittin' At The Bird's Eye

Why did he?

Lester Young – The Aladdin Sessions

I hadn't realised that the Dick Morrisseys of the world were known in the States at the time. What sort of profile did he and other Brit modernists of his generation have over there back then?

Rhythm Combination & Brass, Peter Herbolzheimer – Wide Open (MPS, 1973)

Good cover.

I ant remember a better final in a major competition than that. It was a great game.

A new listen for me. Not what I was expecting from the Gen Z sounding title. It's a free improv record with Karl Berger on it.

Idle thought, but has anyone ever done a latin Christmas jazz album? I can't think of any.

Alphonse Mouzon – By All Means (MPS, 1980) Nice to find a fusion record that my wife actually enjoys.

I have been to a few gigs recently at dedicated "avant" music spaces in London and I have been struck by how old the crowd was. It was always an older crowd, but the most recent Nicole Mitchell I attended at Dalston's Cafe OTO (fantastic gig) did not look like it had anyone other than me under 55 in the audience, and most people were visibly in their 70s. Not a bad thing (I had a lovely chat with a guy about the 50s Soho jazz scene's navigating the trad / bop transition) but it is surprising, particularly when jazz, including avant garde jazz, is going through a spate of popularity among younger people. It is also a bit of a concern for the music, going ahead. I wondered whether others, particularly those in places like NY which have that sort of dedicated avant music space, feel the same way.

Per Husby Septett – Peacemaker (1977) This Norwegian one has got a reissue recently so I thought I'd give it a stream. Very impressive.

Roscoe Mitchell Creative Orchestra – Sketches From Bamboo (Moers, 1979)

Jean Guérin – Tacet (Futura, 1971)

The morning's listening so far:

I passed up this one recently when I saw it, and have been kicking myself. Both sides are surprisingly good. (Well, one side is as good as expected, and the other is surprisingly good.) But really, I like how the Marsalises try so hard to produce something immaculate, and then the Freemans just burst out of the gate on side two like Butch Cassidy and the Sundance Kid, with a song called "Jug's Not Dead".

Buddy Collette And His Swinging Shepherds – At The Cinema! (1959)

Miles Davis – In Concert (Columbia, 1973) Probably the weakest of the electric records (to my ears, the rhythm section struggles to get into any sort of order on the first Foot Fooler LP). But I love the version of "Ife" from Big Fun that opens up side 3.

Florian Arbenz - Conversation 5: Elemental (Hammer, 2022)

It's pretty divisive stuff. I find early electric Ornette very hard to handle and Ulmer a little hard baked, but love later electric Ornette, The Decoding Society and Music Revelation Ensemble. Some of it clicketh and some of it don't. Show Stopper by Jamaladeen Tacuma is a great example of a harmolodic funk record that is still easy on the ears. Love that record and worth a spin.

Florian Arbenz: Conversation #8 Definitely enjoying this one. With thanks to @mjazzg

There've been some recent Don Byas posts. Where next to go with Byas after Minton's, the Savoy comp and Anthropology?

Weird good. It’s a fusion record but very murky. Bits made me think of Jimmy Giuffre or “Planet Caravan” by Black Sabbath. That kind of weird.

Weird!

Jorge López Ruiz – Viejas Raices (EMI, 1975)