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clifford_thornton

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Posts posted by clifford_thornton

  1. The Surman and Woods are "around" on the 'net. They're very good. I think the Wallen Bink sets are very well-presented and the sound is excellent, but not all of the music really knocked me out. Still, it's good to have most of it in one place. Would be nice if the additional material from the initial CDs made it out again.

    and speaking of Kleinschuster & Surman, there's also this stupendous NDR broadcast that came out some years ago:

    https://cuneiformrecords.bandcamp.com/album/flashpoint-ndr-jazz-workshop-april-69-2

  2. I think Bates bought the Jazz Line/Jazztime catalog in the 1960s. Some of these were reissued on Fontana/Polydor in the UK, Holland, and Germany in the late '60s. Pearson's great Angel Eyes had its first issue as a UK Polydor LP but was recorded for Jazz Line. The Willie Wilson initially came out as a Freddie Hubbard LP on Fontana, and was issued under Pearson's name in the US by Prestige.

    I find this all quite fascinating. Muzak must have a pretty good licensing deal with DA Music (which holds all of the Bates productions).

  3. On 5/3/2024 at 7:41 PM, trane123 said:

    Mosaic had a major impact on my jazz education over the last 30 years.  My first box was the Art Blakey/Jazz Messengers set.  I remember when I placed the on-line order for my 100th set (this was sometime in the mid-2000s), I noted in the comment block that this was, indeed, my 100th set and thanked them for all the great work.  The next day when I got home there was a FedEx overnight envelope sitting on my doorstep.  Inside was a card from Michael thanking me for being such a loyal customer and including a $100 Mosaic gift card.  RIP Michael and thanks for the lifetime of great work.

    wow, that is really kind. Speaks volumes (pun not intended).

  4. 19 hours ago, JSngry said:

    Is the Tchichai a highlight?

    The Cadentia Nova Danica record is wonderful in my opinion. There isn't a whole lot out there like it.

    My holy grail is the collaborative session of CND and Musica Elettronica Viva. Tchicai had clean master tapes and was getting them digitized when I interviewed him, but his untimely death put the kibosh on a release. Hopefully someday...

  5. Sad to report that vocalist and sometime pianist Patty Waters has died at 78. The family announced it on social media yesterday, though it looks like she passed in late June.

    Her ESP records and vocal contributions to the Marzette Watts Savoy LP, as well as the You Thrill Me archival release, are all incredible. She was an influence on Diamanda Galas, Yoko Ono, Kim Gordon, and certainly others in the underground. I've spent less time with her comeback CDs; her voice seemed to struggle (and we know it's not a forgiving instrument) but she was still out there doing it, and that's something. Spoke to her a couple of times on the phone twenty or so years ago but she was reluctant to do an interview. I'm told that later on she became more comfortable with the idea, so I guess I was just too early. She was very sweet but at the time still kind of shell-shocked from an uneasy life in and outside of music  – that's how it seemed, anyway.

    RIP, Patty, and thank you.

    There's nothing else out there like this:

     

     

    and this is just beautiful (rec. 1969, not '66):

     

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