That may be the main reason for many remasterings' crappy sound.
Right, a lot of Pro Tools wizards and no experienced engineers.
At least as far as pop/rock is concerned, it's often the artist or labels that want the remasters to sound that way (loud and bright), even if the engineer knows better.
Correct. I had the same feeling when digital video editing was introduced fifteen years ago. During the years they added a lot of tools, sophisticated digital effects, color correction, ecc. Every new effect had its moment of glory, and faded after one season, when another one was introduced. All the producers/directors acted like babies: Wow! Great!. Some more of this, some moreof that!
Worst of all, after a while, everybody in the industry believed that in post production everything was possible, (that is true for Lucas's movies, not for common broadcasting's budgets), worst even the cameramen believe it. To sum it all, when I got the shooted tapes in my editing room, I spend a lot of the time to settle bad shooted, and bad recorded, stuff, instead of focusing on the 'creative' part of my job. To simplyfy: if a bad cameraman doesn't know how to use the iris, filters, etc, I could try to correct it afterwards, but the true colors are lost forever.