paul secor

Benny Carter: Further Definitions (Impulse/Speakers Corner) A wonderful session!

Back to the Alley - Legendary Combo Blues (Ace)

Good for Cecil!

Brook Benton Flo Ballard Mary Wilson

Germany Schaefer Wallace Beery Jake Porter

New Art Jazz Ensemble: Seeking (Revelation)

My LP copy of More Giuseppi Logan - not marked, but sounds like mono - was purchased when it was released and contains four tracks: "Mantu', "Shebar", "Curve Eleven", and Wretched Saturday". Hope this adds to the confusion.

Judge Julius Hoffman The Chicago Seven The Magnificent Seven

I don't know Warren Lucky or Al King, Paul. Please tell us about them. MG Check out this: They're on it. Fierce!! http://bebopwinorip.blogspot.de/2008/03/warren-lucky-al-king-and-haywood-henry_12.html Word! Warren Lucky and Al King are also on this Flyright CD: It's a reissue of the LP that was listed above with some changes. Available here: http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dpopular&field-keywords=thunderbolt+r%26b+sax+instrumentals+flyright According to the liner notes, Warren Lucky played with Ernie Fields c. 1944-45 and played and recorded with Dizzy's big band - 1945-1946. The selections on the Flyright CD were recorded in 1956 for Joe Davis' Jay-Dee label. The Al King titles on the Flyright CD were recorded for MGM in 1952 and Davis in 1956. There is little information included in the notes except for the fact that when the certificates for registration for the MGM sides came through, "he was playing at The Hurricane on Center Avenue in Pittsburgh." Joe Davis produced the MGM sides and must have thought highly of Al King to record him over three years later.

Madalyn Murray O'Hair Beyond the Fringe Eddie Locke

Tenor saxist Noble Watts recorded with Paul Williams on Vee Jay (and according to one discography, possibly on Groove).

Penelope Lively: Pack of Cards

Jacqueline Bouvier Oscar Robertson Roy Orbison

In fact you do. Just sayin ... Maybe it would be a good idea to get your selling venture going by raising your appreciation of the music (and of what you have that is supposed to be such a good investment) by actually finding out what you have. Not least of all because I understand there is some margin between sets that some would kill for and sets that are just nice to have. As for where to sell them if you want to wring out the final, the very final bit of money, well, not here apparently ... The line abut raising my appreciation for the music is way off base and totally uncalled for.A smiley doesn't make mild nastiness milder. Even 2 smilies. The fact that I did some selling and bought 3 or 4 box sets as a small investment doesn't mean that I don't have a great appreciation for the music. For you to make that assumption and then post it as an accusation is ridiculous. I know which artists are in great demand and which I consider great artists. If you had read my post to understand it instead of merely as an excuse for condescension, you might have noticed that I wasn't asking which artists are great and/or in demand. It's quite likely that me resume as a musician, music attendee and collector is much more impressive than yours. You suggest I develop a greater appreciation for music? I suggest you get over yourself. And i suggest that you don't speak for everyone else here when you're appointing yourself as the voice of reason. By insulting me and then purporting to speak for everyone, you don't come across as reasonable. Your totally uncalled for arrogance and baseless patronizing really pissed me off. I was tempted to deal with it more agressiveley than I have,, but I know this site is moderated, and it's important to demonstrate that those of us who are immigrating from JC can play nicely with others, regardless of how they play. I thought that Steve's (Big Beat variety) response was pretty low key, given that it was you who who first used the term "materialistic". And I didn't have any sense that he appointed himself as "the voice of reason." I read your reaction as an overreaction. Just speaking for myself here.

Reggie Van Gleason III Chatsworth Osborne Jr Harry Champion (Henery the Eighth)

James Worthy Sam Perkins Michael Jordan

I listened to the "Donna Lee" Jam recently and, to my ears, it was nothing special - more of a curiosity than anything else. One for Eric Dolphy completists, imo.

As to the Bob James ESP - I had it, listened to it twice, don't have it any more.

Uncle Miltie Aunt Jemima Cousin Brucie

Happy Birthday 2013!

Mojo Buford Buford Pusser Uncle Fester

More traditional styles found their way into the loft scene also:

Buster Brown Fannie Mae Short Fat Fannie

Ellington Big Band 1932-40 - discs 7&8