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Posted

Agreed, John, but if the Basie big band recordings of the 30s/early 40s are "reduced" to those where Prez solos it's a "sampling" again anyway if you consider the Basie studio recordings as a single entity that ought to be valued as a whole in order to be appreciated. ;)

And besides, are the Mosaic Selects comprehensive reissues? ;)

There is an exception to each (conceptional) rule, it seems.

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Posted

The unifying principle here would appear to be Lester Young, which is why they include the Glenn Hardman session without Basie. As I posted earlier, however, I agree that a complete Basie from this period would have been more satisfying. (But have you heard what Pres plays with Hardman? Unforgetable.)

Posted

(But have you heard what Pres plays with Hardman? Unforgetable.)

I've had that on a CBS LP for a good many years (after having taped one or two of the tracks from that session from radio in c.1981/82)

Not much new under the sun ... :D

/Off-topic rant mode on ;)/

I realize Lester Young is the uniting factor on this Mosaic combination but in a way this still makes me feel ill at ease as this seems to be a more and more frequent policy on today's reissue market. You throw together packages where the common link is some sideman but the resulting compilations are made without any regard to the actual leader credits of the original release so you end up with more and more duplicates if you want to have the complete works of the actual leader and the music is in total disorder.

This is particularly evident in a case like this where the release of the Basie catalog as a unit of course would make perfect sense. But somebody who comes into this as a relative newcomer but yet would like to dig deeper would end up having lots and lots of duplicates if he wanted both all of Basie AND all of Lester Young's solo features (or are the Teddy Wilson/Billie Holiday tracks, to name just one highlight, in the same package?).

I can understand this policy of combining sidemen's works in the case of artists with relatively limited recorded legacies or really obscure nominal leaders but otherwise ...?

To make matters worse, the credits on the actual reissues are often particularly muddled (cf. certain Proper boxes and others frequently mentioned here) so as to throw many collectors off course and hide the fact you are not getting that much that is really new. In short, packages aimed at superficial collectors but for those who want to dig deeper things will soon get extremely annoying once they realize how many duplicates they are bound to accumulate.

/Off-topic rant mode off :D/

Posted (edited)

/Off-topic rant mode on ;)/

I realize Lester Young is the uniting factor on this Mosaic combination but in a way this still makes me feel ill at ease as this seems to be a more and more frequent policy on today's reissue market. You throw together packages where the common link is some sideman but the resulting compilations are made without any regard to the actual leader credits of the original release so you end up with more and more duplicates if you want to have the complete works of the actual leader and the music is in total disorder.

This is particularly evident in a case like this where the release of the Basie catalog as a unit of course would make perfect sense. But somebody who comes into this as a relative newcomer but yet would like to dig deeper would end up having lots and lots of duplicates if he wanted both all of Basie AND all of Lester Young's solo features (or are the Teddy Wilson/Billie Holiday tracks, to name just one highlight, in the same package?).

I can understand this policy of combining sidemen's works in the case of artists with relatively limited recorded legacies or really obscure nominal leaders but otherwise ...?

To make matters worse, the credits on the actual reissues are often particularly muddled (cf. certain Proper boxes and others frequently mentioned here) so as to throw many collectors off course and hide the fact you are not getting that much that is really new. In short, packages aimed at superficial collectors but for those who want to dig deeper things will soon get extremely annoying once they realize how many duplicates they are bound to accumulate.

/Off-topic rant mode off :D/

This is one reason why I'm really looking forward to more and more record companies putting material out via digital download (leaving all the 'quality' issues to one side) - the chance to fill in the gaps without duplication. I have 3 of the Fats Waller RCA sets, acquired just before they started to disappear. JSP have now launched a thorough series and I've recently got volume 2. The trouble is that there's a CD and a bit of material between the end of that set and where my RCAs pick up. The JSP box 3 would end up with nearly 3 discs of duplication. Fortunately JSP use e-music so I'm hoping it won't be too long before these boxes appear there.

Though some record companies are crafty with this. I was looking to download one classical recording in ten parts off an album where I don't need the couplings. Unfortunately two of the parts were 'album only' so my only option would have been to buy the whole album with the things I didn't need. Another sign of a failure of the companies to take into account what customers are seeking in this new world.

I read somewhere that Classics might be digitalising their collection - now that would work for me if things were available singly. Though I suspect I won't live long enough to see the job completed!

Edited by Bev Stapleton
Posted (edited)

(But have you heard what Pres plays with Hardman? Unforgetable.)

I've had that on a CBS LP for a good many years (after having taped one or two of the tracks from that session from radio in c.1981/82)

Not much new under the sun ... :D

/Off-topic rant mode on ;)/

I realize Lester Young is the uniting factor on this Mosaic combination but in a way this still makes me feel ill at ease as this seems to be a more and more frequent policy on today's reissue market. You throw together packages where the common link is some sideman but the resulting compilations are made without any regard to the actual leader credits of the original release so you end up with more and more duplicates if you want to have the complete works of the actual leader and the music is in total disorder.

This is particularly evident in a case like this where the release of the Basie catalog as a unit of course would make perfect sense. But somebody who comes into this as a relative newcomer but yet would like to dig deeper would end up having lots and lots of duplicates if he wanted both all of Basie AND all of Lester Young's solo features (or are the Teddy Wilson/Billie Holiday tracks, to name just one highlight, in the same package?).

I can understand this policy of combining sidemen's works in the case of artists with relatively limited recorded legacies or really obscure nominal leaders but otherwise ...?

To make matters worse, the credits on the actual reissues are often particularly muddled (cf. certain Proper boxes and others frequently mentioned here) so as to throw many collectors off course and hide the fact you are not getting that much that is really new. In short, packages aimed at superficial collectors but for those who want to dig deeper things will soon get extremely annoying once they realize how many duplicates they are bound to accumulate.

/Off-topic rant mode off :D/

Steve: I understand your "rant," and, as I already posted, to a degree share your disappointment that this is not a complete Basie set. On the other hand, Mosaic is not Proper or JSP. They take their task much more seriously in the pusuit of legal copyrights, discographical and other information, and their own quality remastering. You won't find Proper or JSP uncovering 13 alternate takes in the vaults. Those companies don't even have access to any vaults, and their cheap repackaging of Mosaic and other companies' primary work creates a strong disincentive to invest anything in vault research anymore.

This is not an introductory set aimed at a newcomer. For that purpose, various Decca reissues and the Columbia America's #1 Band already fit the bill very well. This set gathers together all of the tracks recorded by Columbia through 1940 other than the Billie Holiday dates that have Lester Young solos. That includes lots of alternate takes, including those newly discovered in the vaults for this set. This set is clearly aimed at the hard core like you and me. In addition to the new alternate takes, the sound quality here will most likely blow away what we now have on Classics or Masters of Jazz. Sets based on a particular soloist can also be very successful. Look at the Mosaic Bunny Berigan set (which was immediately ripped off track-for-track by JSP) or the new Chu Berry set.

Edited by John L
Posted (edited)

@Bev Stapleton:

Yes, all this public domain release flood (while basically a good thing) is complicating matters if you want to keep duplicates within reasonable limits. And the lower prices of those P.D. reissues compensate matters only slightly as long as so much else from the 78 rpm era remains unreissued anyway.

It seems that only real specialist companies really seem to care about such things. The Document (blues reissue) label seems to be one. And the other day a batch of Western Swing CD's from the (U.K.) Krazy Kat label arrived here. The liner notes of one disc (1937-41 recordings by the Hi-Flyers) explicitly stated that the track selection (great music, BTW, and nothing like the leftovers from scraping the barrel) focused on recordings either rarely ever reissued or not reissued at all. And this despite the fact that the reissues they apparently were going out of their way to avoid duplicating were an early 80s Hi-Flyers LP's on the (U.S.) Texas Rose label as well as a few late 70s compilations on the Arhoolie and String labels. Long, long OOP and comparatively obscure from the start but thanks anyway, Krazy Kat, for being truly aware of what at least a sizable proportion of your (specialist) buyer group is bound to have accumulated anyway in their reord collections. :D

@John L:

No doubt about the quality issue. Of course the price alone prevents Mosaic from being an introductory selection, and like I said above, I realize remastering issues will be a major asset of this set for those who have the highest standards in this respect.

It is just that I am a bit puzzled by the fact that even Mosaic seems to go the route of disregarding original leader credits (of name bands, mind you) and thus making it harder for collectors to avoid gathering more and more duplicates if they are out to get the complete recorded opus.

I'd probably have invested in this one just for the alternates if it had been a complete Basie set (as I invariably approach this body of recordings from a Basie, not from a Young angle). I hope and trust it will sell well anyway.

Edited by Big Beat Steve
  • 1 month later...
Posted

Gee, I fully agree with the rants above (I posted such a rant in another thread when the news about this box first was out, or maybe it's in this thread, even?) - anyway, this shall be a marvellous set, and you know what? Prez is God, and I don't care if I have his stuff three times... I have all of the small group sessions in some form or the other (CDRs of the two Blue Moon 4CD sets, the Aladdin and Savoy 2CD sets, the Verve box, the GRP KC disc, another Definitive KC disc... the Basie America's Band #1 set), but this here will be a definite collection of the dates done for Columbia. Only one slight letdown there still is: the #1 set should in this case have omitted all the small group sides w/Prez (as far as I remember it contains almost all of Basie's Columbia small group sides, and I appreciate a lot having the 50/51 octet sides there, and in such great sound... otherwise though except for the phenomenal live sessions on discs 4 - which duplicate one of the few Basie Masters of Jazz discs I was able to find in time - there are comparatively too few of the great big band sides... as do others, I'd wish to have the full run, but then this Prez/Basie set practically rules that out, unless one takes the pirate route and just rips off Definitive or some such label... that's the one letdown that remains - it will be a terrific Prez documentation, I'm sure, but it's once more not doing justice to Basie (and Mosaic already did three fine Basie collections, too bad they didn't do that right this time, too!)

Posted

Hey "stranger." :) You lucky dog, living so close!

It's a shame there was so little response to the Manone/Prima. . .. . I remember pre-ordering that one when it was first offered. Nice little set!

Can't wait for my Pres set to arrive! Probably. . .Monday.

Posted

Yeah, being a New Yawka has gotten me used to many things in life, not the least of which is the consistent one-day turnaround on Mosaic deliveries from right next door :D

That *would* be nice! I'm looking forward to reports on the Young/Basie set from those lucky enough to have preordered it!

Posted

Did'nt pre order

but,----- I just mugged one of the single cell broods

and hey

there is enough

so I took the plunge

It should be here by

the time I get back from Folsom

ye--ha!

Posted

Is anyone that pre-ordered still waiting on their set?

I haven't seen anything yet, so I called Mosaic and they said it shipped the 18th. :(

Most of the time I wouldn't notice or care but I am excited about this set and I have never had an order from Mosaic take more then a few days.

Posted

Is anyone that pre-ordered still waiting on their set?

I haven't seen anything yet, so I called Mosaic and they said it shipped the 18th. :(

Most of the time I wouldn't notice or care but I am excited about this set and I have never had an order from Mosaic take more then a few days.

That is an unusually long time. I've never had anything but fast service from Mosaic. Is there a tracking number? (DHL, right?)

Lester will leap in soon, I'm sure! :tup

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