Late Posted September 15, 2011 Report Posted September 15, 2011 Approximately 7:37 into Mahler's 9th (first movement), the bass clarinet figures sound eerily like Bennie Maupin on Bitches Brew. Quote
Royal Oak Posted September 15, 2011 Report Posted September 15, 2011 If I had Bitches Brew I'd try it out. FWIW, I think part of the opening riff in Debussy's "Prelude de l'Apres midi d'une Faune" (spelling?) sounds like the opening riff of "Round Midnight". Quote
sidewinder Posted September 15, 2011 Report Posted September 15, 2011 FWIW, I think part of the opening riff in Debussy's "Prelude de l'Apres midi d'une Faune" (spelling?) sounds like the opening riff of "Round Midnight". Didn't Gil Evans arrange that bit? - not inconceivable that Gil would have drawn upon this bit of Debussy. Quote
Royal Oak Posted September 15, 2011 Report Posted September 15, 2011 FWIW, I think part of the opening riff in Debussy's "Prelude de l'Apres midi d'une Faune" (spelling?) sounds like the opening riff of "Round Midnight". Didn't Gil Evans arrange that bit? - not inconceivable that Gil would have drawn upon this bit of Debussy. I don't know. I'd never heard the Debussy until a few months ago (obviously known Round Midnight for donkey's years). When I heard it my ears pricked up - I love stuff like that. Quote
J.A.W. Posted September 15, 2011 Report Posted September 15, 2011 (edited) Approximately 7:37 into Mahler's 9th (first movement), the bass clarinet figures sound eerily like Bennie Maupin on Bitches Brew. If I had Bitches Brew I'd try it out. FWIW, I think part of the opening riff in Debussy's "Prelude de l'Apres midi d'une Faune" (spelling?) sounds like the opening riff of "Round Midnight". Isn't it the other way 'round, with Bennie Maupin on Bitches Brew sounding like the bass clarinet at 7:37 into the first movement of Mahler 9 and 'Round Midnight sounding like the opening of Prélude à l'après-midi d'une faune Edited September 15, 2011 by J.A.W. Quote
Late Posted September 15, 2011 Author Report Posted September 15, 2011 Isn't it the other way 'round, with Bennie Maupin on Bitches Brew sounding like the bass clarinet at 7:37 into the first movement of Mahler 9? Yes. Excepting turn-of-the century vortex time travel of course. Quote
alankin Posted September 15, 2011 Report Posted September 15, 2011 Who knows where the time goes? Quote
Late Posted September 15, 2011 Author Report Posted September 15, 2011 Who knows where the time goes? Joe Morello. And cicadas. Quote
Chuck Nessa Posted September 16, 2011 Report Posted September 16, 2011 I knew they were in cahoots! Quote
Chuck Nessa Posted September 16, 2011 Report Posted September 16, 2011 Cahoots is a small town in an eastern european country. Cahoots are also those things you hack up after smoking a bunch of weed. Quote
medjuck Posted September 16, 2011 Report Posted September 16, 2011 Isn't Gil's intro a variation of the one Dizzy wrote? Quote
Royal Oak Posted September 16, 2011 Report Posted September 16, 2011 Isn't Gil's intro a variation of the one Dizzy wrote? I wasn't thinking of the intro, but the first few notes of the tune proper. Quote
Royal Oak Posted November 15, 2011 Report Posted November 15, 2011 More classical / jazz comparisons. I've just listened to Mikhail Pletneyev playing a piano transcription of the the prologue and fugue from Shchedrin's "Anna Karenina". I swear I hear the first phrase of "I'm A Fool To Want You" a couple of times. If so, it would be interesting because the song predates "Anna Karenina", so it could follow that either composer or pianist put it in on purpose. Quote
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