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Posted (edited)

Probably a licensing challenge for a Benny Carter set, and possibly sizing issues. I really haven't been into Benny Carter a lot during my jazz journey. I would probably say the Verve years would be my "favorite period."

Edited by jazzbo
Posted

If you look beyond the Norman Granz Jam Sessions that Benny Carter participated in, IMO his Verve years, while certainly fine, tend to be rather middle-of-the-roadish, i.e. mainstreamish on safe ground, and probably not all that distinctive above and beyond what else there was in major-label mainstream recordings of the 50s. 
And quite a few noteworthy recordings that he put his special touches to were under the leadership of others. 

Personally I find his early 30s and late 30s and 40s big band recordings as well as his European recordings from the "in-between" 30s period more stimulating to explore as a whole. But of course YMMV. ;)

Posted

My favorite I'm aware of is the 'Further Definitions' album on Impulse!, but that may well be a function of the sidemen and my taste, rather than it being artistically superior to his other work.

Posted (edited)

BennyCarter_LP_FRONT_2f9cac9c-3bfc-460c-

Benny Carter, trumpet, alto sax; Frank Rosolino, trombone; Ben Webster, tenor sax; Andre Previn or Jimmie Rowles, piano; Barney Kessel, guitar; Leroy Vinnegar, bass; Shelly Manne, drums. Los Angeles, June 11 & 22, 1957. Contemporary C3555; Stereo S7028.

Edited by sonnymax
Posted
2 hours ago, felser said:

My favorite I'm aware of is the 'Further Definitions' album on Impulse!, but that may well be a function of the sidemen and my taste, rather than it being artistically superior to his other work.

+1

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