This probably was the release that initiated my love for harpsichord music, although the sound disappoints me after so many years. Almost monophonic, and the microphones at too much of a distance, as if it were a grand piano in a concert hall. There are many better sounding recordings from that time (1976). Alan Curtis plays very well, though. The cover, btw, shows the harpschord lid of Balbastre's own instrument, used later by the Pleyel company to build a fortepiano.