• Content count

  • Joined

  • Last visited

Everything posted by neveronfriday

  1. Your audio equipment?

    Hi everyone, I'd be interested in finding out what equipment y'all use. Here's mine: - Marantz PM 78 Class-A amp - Marantz CD 67 MKII SE (OSE) - Marantz SE 46 Tuner - Dynaudio Contour 1.8 mkII speakers - Kimber 4PR speaker cables - Cardas Crosslink cables - Sennheiser HD 590 headphones [in the works: Project Debut turntable] Besides for the Cardas cables, I got a positively huge discount on the whole setup (the shop owner wanted to make space for new stuff) and I am quite satisfied. Especially the Cardas cables were a huge (!) improvement in terms of sound. I also have an NAD C521 CD player and several pairs of Sennheiser 545, all of which are currently connected to my electronic drum kit. I do hook up the NAD player to my stereo once in a while ... it does seem to provide a more analytical reproduction of my CDs. Cheers.
  2. I might have one of these for sale within a week. I'm not quite sure yet, but I'm just wondering if anyone would be interested. Box would have to be sent from Germany at around 40 Euro or thereabouts. I haven't set a price ... I leave that to those who are interested. Cheers!
  3. The Complete Nocturne Recordings

    Through another thread on this forum I ended up on There they are offering this set: Recordings - Jazz In Hollywood Series Volume 1 - Box Set 3 Cds Various Artists Featuring: Herbie Harper Quartet and Quintet, Bud Shank Quintet, Harry Babasin Quintet, Bob Enevoldsen, Virgil Gonsalves Sextet, Lou Levy Trio, Jimmy Rowles Trio REFERENCE: NR3CD 101 BAR CODE: 84 27328 43101 9 PRICE: 26.80 € The Scott Yanow (All Music Guide) review makes this sound like a very good purchase, but I'm wondering about the remastering quality. Any info on this aspect? Thanks for your input. ========================================= CD#1 - Herbie Harper Quintet 1. Jepers Leapers 2. Dinah 3. Five Brothers 4. Herbstone 5. Summertime 6. Jive At Five - Bud Shank Quintet 7. Casa De Luz 8. Lotus Bud 9. Left Bank 10. Shank´s Pranks 11. Jasmine 12. Just A Few - Harry Babasin Quintet 13. La Rosita 14. Skylark 15. Tangerine 16. When You Wish Upon A Star 17. The Girl Friend 18. Easy To Remember 19. Babo-Ling CD#2 - Bob Enevoldsen Quintet 1. Fast Buck 2. My Old Flame 3. Danzo To Brasil 4. Lulu's Back In Town 5. Bob White 6. Where Did The Gentleman Go? 7. Snootie Little Cutie - Herbie Harper Quartet and Quintet 8. Patty 9. The New York City Ghost 10. Julie Is Her Name 11. Sanguine 12. Now Playing 13. 6/4 Mambo 14. Bananera 15. Indian Summer 16. The Happy Clown - Virgil Gonsalves Sextet 17. Bounce 18. Out Of Nowhere 19. Too Marvelous For Words 20. It Might As Well Be Spring 21. Yesterdays 22. Love Me Or Leave Me CD#3 - Lou Levy Trio 1. Gentleman Is A Dope 2. Serenade In Blue 3. Woody'n You 4. Without You (Tres Palabras) 5. All The Things You Are 6. Tiny´s Other Blues 7. Like Someone In Love 8. Bloo Denim - Jimmy Rowles Trio 9. Lets Fall In Love 10. All The Things You Are 11. The Day You Came Along 12. So Far So Good 13. I Wouldn´t Change You For The World/You Are Too Beatiful 14. Serenade In Blue 15. Let's Fall In Love 16. Remember Me/There Goes My Heart 17. Lady Be Good 18. Chloe 19. Topsy All titles recorded in Hollywood, 1954 =========================================
  4. 2 Vogue box sets

    I have had both boxes for quite some time now and am very happy with them. The sound quality is good and, in regard to the recording dates, more than adequate. I'm a bit of a discerning listener and not once did I have any moment in which I would have criticised the sound. The cover reproductions are nice (bare bones, but sturdier than many of the more flimsy covers in other boxed sets I own), the liner notes are adequate enough, etc. I have really enjoyed these and considering the fact that I bought each one for around 19 Euro, they are actually prized possessions, despite the unavoidable duplication I encountered in my rather extensive jazz collection. Get them! They're just nice and fun to have! P.S.: A few years ago I switched to CD sleeves and many box sets were removed, but these two are still around because I also like to look at them. Cheers!
  5. Ah, very interesting! Thanks for the link!
  6. Yeah, they were great. I noticed the other day that via a mail backup program, I somehow managed to keep every single mail snippet since the middle/late 90s (and then forgot about the fact). My finger got tired when scrolling through the Caiman order confirmations. I bought a sh@tload of stuff from them and have never regretted a single purchase ... not one!
  7. Thanks! The Internet, once again, is silent on this important issue unless, of course, you spend a million hours researching. I bought stuff from them for nothing which will cost you two or three non-essential organs and a leg today ... not that anyone needs either of those to survive if good music is around. Cheers!
  8. I drop by here every couple of months and I do still read along, but in this thread, with all the mail-order customers hanging around, does anyone know whatever happened to the long-defunct "Caiman" marketplace seller on Amazon? Recently, I went through a large part of my collection and noticed how ridiculously cheap many of their offers were. I bought hundreds, I think, but that was before slapped on a kilo of postage fees which made this import route unfeasible. Maybe that move also signaled Caiman's death, or did they croak before (for European customers, Caiman used to be the sh@t)?
  9. Ed Thigpen scans, material etc. wanted

    Dear board members, those of you who have been on my site might have read the long entry on Ed Thigpen there. Although Ed does have his own website online, I'm planning to pull out all the stops and within a year (I have to do this on the side, next to several other sites I run) put out as good a site on Ed Thigpen with as much information about him as can possibly be found. I have quite a lot of experience in web design and I promise to make this both a visually satisfying and content-rich experience. The first few months will be spent compiling any available information (biography, discography, teaching materials, articles, interviews, images, etc.) which will then need to be sorted out and categorized. Stage two will be the actual design process (the site will be a combination of static and dynamic (database, mySQL, php) pages). The projected publication date is December of 2004. I have already done quite a bit of research, but ... here's how you can help: Of all the forums I frequent, this one seems to be the one with the most dedicated members and visitors. So, I'm asking for help here first (if you can provide any assistance, no matter in which way, your name will be listed on a site contributor list [unless you don't want to be listed there, of course]): 1) Ed Thigpen has been involved in way over 700 recordings. It would be great to have a cover scan plus any available information for each one. I only have a miniscule amount of his stuff, so any (!!) help in this area is appreciated. I'm happy about any scan I can get. I prefer high resolution scans (absolute minimum 500 * 500 pixels, maximum (no limit)), but anything will do. Because I'm online 24/7 and on DSL, I can handle quite a bit of traffic. If scan sizes exceed a tolerable size, please PM me first. We could use FTP or other ways to transfer stuff so I don't clog up my various e-mail accounts if more than one scan arrives within a shorter period of time. 2) I have no English-language interviews or (as yet) source information. Any help in this department is appreciated (either scans, copies (I'll pay the postage) or source information). 3) If you happen to have any rare items, anecdotes, quotes or anything else, I'm interested. 4) etc. ... I think you get the picture. One last word. Because I am a high school teacher living in separation, most of the money I have left is spent on my various sites and, of course, my music and book library. I cannot pay for much, besides postage here and there. Just wanted to mention that up front. But, the site will be a reality, and it will be paid for. Thanks in advance for any help you have to offer and for taking the time to read this. Cheers! P.S.: I'll keep you updated in this thread re any information gathered, stuff I'm still looking for, site progress, etc. P.S.: If you do send any stuff or want to get in touch with me, please include your real name if you want it to appear anywhere. My name: Volkher Hofmann Site: deus62/jazz
  10. And that, exactly, is the problem. I've lived in the vicinity of 6 different customs offices around here, and only one was "sloppy" enough to let shipments slip through. But, again, this is assuming that everyone on this planet would rather rip off the state/cheat on taxes/save a buck. As a customer, I have absolutely no problem with a company reacting to mails asking for this kind of cost reduction (you know, make it look like $30 although it cost $300), but for the general populace, they should just stick to the damn laws. And nothing they declared for my shipments ever came even close to the truth (this time, because I ordered two sets, they declared $30 for a value of over $200). Cool if they do so on demand, uncool if they do that by default. In my case (no car) I have to travel 28km to a customs office in a remote harbor to collect my shipments. Every single damn time. The people at the office always smile and I always tell them that "Yeah, that's the way Mosaic handles things". But, because I order a lot from the States (still, despite sometimes horrendous shipment costs), Mosaic is the only company I know and have known for over 10 years that does this. Nobody else does. That's why I'm surprised about your statement that "All in all not better and not worse than how many US shippings fared en route over here". In my case (only), it is always worse than any other shipment I receive from the States. Every damn time. Before I left for the customs office the other day, I received a shipment from Amoeba Music in SF. You would think they don't know better either. Yes, they do. Bill (incl, separately listed postage) affixed to the package. Paid for at the door (see above). As I said above, Mosaic won't get my business anymore. Not that they (I tried before, to no avail) or anyone else really cares. But I hate that kind of behavior out of principle. All these hard-nosed people talking about law & order all the time ... unless it concerns their CDs, their stereos, their neighborhood or whatever. All of those things are, of course, not covered by their principles (P.S.: It's just an experience I've had on many forums ... the state should do this, the state should do that, throw them into the water and let them drown ... but don't make me pay an extra cent for import duties. Screw the system and hope it doesn't notice.... Sign of the times, and all of that). I rest my case. I might be back in a couple of months.
  11. Anybody Heard From Jazzmoose Lately?

    Some of the best stuff that I got via mail/PM was from Mark. Because I'm not around here anymore, really (every few weeks/months), this thread here took me by total surprise. Mark was one cool dude who knew his stuff. I keep all my mail in a program (highly recommended) called "MailStore" (compressed, database, etc.) and, in exactly that order, I received mails worth keeping from - couw (= John ... long gone) - Flurin (still around, I see) - and Mark. Mark had a great (!) sense of humor, deep knowledge of the topics we conversed about and, most importantly, a deep-seated passion (!) for these topics. I'll miss him.
  12. I'm really enjoying this set. Although I would heartily agree with Larry Kart's comments re the liner notes, I haven't felt this giddy for a long time. This is great stuff which would otherwise have been lost. The fidelity? Uh, well, ... but, I guess, they did the best they could. Whenever it comes around to music like this (especially the Basie stuff), I only care about the sonics if a shoddy job was done on the material. In this case, I think they managed to do a 100%-job with what was available. Along with this collection, I bought the Teddy Wilson Brunswick & Columbia and I'm in heaven. I haven't been around this site here for ages, but those who remember me from way back when know that I'm Germany's biggest Teddy Wilson fan. When I lived in Copenhagen decades ago, I was able to see him live several times (until the sun came up) and was able to talk to him (my drum teacher, Ed Thigpen, helped in this respect) many times. He was, like Ed, the perfect gentleman and incredibly knowledgeable. I learned more about (earlier) jazz/swing/small group sessions from way back when in a few evenings from Ted and Ed (hey, that rhymes) than from about 20 meters of jazz books. So, with these two boxed sets, it's Christmas time here ... in the middle of summer ... with 30+ degrees Centigrade on a daily basis. Love both sets!
  13. Didn't expect anything else, really. So yes, xenophobic it is, just for you. --- I really don't care if they "farmed this out". They are the only company that a) have tried and continue to try to cheat (European) customs constantly (supposedly in the interest of their customers. It's not in my interest. I pay my dues and don't want a company to decide for me if I want to cheat the system or not), b) have absolutely no notion how European customs work (and haven't, ever since I started ordering from them ages ago), c) know they have lots of "fans" who condone the practice. But since this thread is about, I guess, Mosaic's imminent demise (really [?], strategically-placed mails to get their business going ...?), I thought I'd leave the above thought. Not once (!) have I gotten a shipment from Mosaic that adhered to anything, legally. Most of you will probably say "good on them for trying", but I would say ... "Thanks, but no thanks!" Again, I'm a huge fan of their output and I have tons of it, but their business- and shipping practice (no matter who does it) is just totally lame and, yes, completely illegal over here! And, I guess, illegal in most parts of Europe (no idea, what the rest of the world adheres to). I really don't think that in a globalized world, that's a viable business strategy. And, as I stated above, albeit a bit hotly after x-years [15? 20? No idea] of being pissed off about this practice, it has soured Mosaic for me in a major way. No skin off their nose and no skin off my nose, but a company that just doesn't get how to do international business shouldn't complain about losing business across the board. So, I decided to abstain, no more, no less. Cheers!
  14. Just a thought or two. One of the major reasons (imho) Mosaic got into trouble is because they simply don't go with the times. I just had to pay an additional $50 (on top of the usual, expected and accepted European import fees) because Mosaic, ever since I started ordering ages ago, is too fu*king lazy to affix the bill to the package. This past month I received 12 (!!) packages from the US (without any problems!) and Mosaic's is the only (!) one that incurred this fee (problems every single time ever since I started ordering from them ages ago). What, a plastic pouch with the bill is too fu*king expensive? Really? Too much trouble? I was sent a photo copy of the box my two Mosaic sets were in and visibly, they declare absolutely f*cking nothing. And I mean ... nothing. Zero value, zero information, absolutely nothing. Zip. Zilch. Zero. Nada. Nothing. There might be Trump's toxic urine in the package or Osama Bin Ladin's rotting and seaweed-infested corpse. If you do business this way, you are doomed to fail. I will never order from Mosaic again, out of principle. And not from a European importer that fixes Mosaic's total negligence either. I have enough money, but to insular companies whose world view (and experience/customer care) stops at their local state's border(s) because it doesn't matter to them one bit, I'd rather not give my money. What the hell does it help to pour your lifeblood into putting out fabulous releases (and Mosaic is fantastic in this respect) if you can't get a grip on the (international) business end of things? I have kept many of the shipment boxes for years that Mosaic sent my stuff in and they never ... ever ... adhered to any of my country's (=all of Europe) custom regulations. I often wonder why really everyone (!!!) else can. And, just for good measure, three more exclamation marks. !!! P.S: Because I know from past experience that comments like these get blasted out of the water, a quick summary of the past 4 weeks. Every single one of the items below (which were often more pricey than what I ordered from Mosaic) was processed both by the German post office AND by the same customs office north of here): I ordered an expensive collector's box from a single-person second hand dealer in Chicago ... no problems (processed, delivered, paid for at the door). I ordered a backpack from a dealer in Minnesota ... no problems (processed, delivered, paid for at the door). I ordered a very rare and expensive turntable head/needle from a great (!) guy in San Francisco ... no problems (processed, delivered, paid for at the door). I ordered a transformer for an old Marantz amp from a guy in Connecticut ... no problems (processed, delivered, paid for at the door). I ordered a shitload of Siegel-Schwall releases through a friend of mine in San Fancisco (processed, delivered, paid for at the door). ... ... get the picture? ... I ordered a Teddy Wilson set and the Savory Collection from Mosaic. Two measly items. So far, three mails, two letters and absolutely nothing (!!!) but trouble. Right now, I'm thinking of having the package returned and writing the money off. Let the guys at Mosaic drink 120 liters of expensive coffee (on me, and they deserve it just for their stellar releases) ... ... and then forget about them. --- [/end rant]
  15. I have no idea why Mosaic cancelled the "Select" series - and they probably had a good reason to do so - but, for example, the "Al Cohn, Joe Newman & Freddie Green" select (27) is still one of my favorite releases in a collection that - today - spans nearly 90 meters of CDs. There are others (I love the Mosaic Teddy Wilson box, although I'm not always too happy about the sonics), many of them, both Selects and regular boxed sets, but Mosaic select #27 has rocked my boat since 2007. I wish they would reconsider and reanimate this series.
  16. I haven't been around this forum for ages but, just to chime in, I suspect that some from this box (which I also have) is probably available on the single CD reissues and compilation boxes that were part of the Jazz in Paris series ages ago. I was not very discerning way back when and bought everything available (that was cheap) and don't feel like checking how much money I might have wasted. I was also always too lazy to check which one of the global players had which rights to which catalog (Vogue/Gitanes/Universal/ ...). Looking at the prices that I paid for all the Django Reinhard material I have, it didn't really matter if I ended up having everything three times over. As someone else wrote above, this Vogue material reissue sounds good ... whereas a lot of the material reissued by Universal in the later 90s and thereafter sounded like Ted Nugent remastered it. Deaf, dumb ... and blind. The Jazz in Paris material has been covered well here: (if you want to compare sessions/dates, etc.). No matter what, the Vogue reissue box in question is good and if you have a (hifi) system you can tweak a bit here and there, it's actually really good (I also have some Avid boxed sets, etc.). Cheers! Off to disappear again for several years ...
  17. Hi everyone, although I couldn't find all that much about it, TASCHEN will supposedly launch a reprint of William Claxton's Jazz Life around April/May of this year. On the TASCHEN site itself, it seems that this title isn't listed (but once was), so I don't know if they cancelled it or moved it, but several online mail-order sites have sparse info. This is what I could gather from those sites. a) Limited Edition: It seems as if there might be a limited edition for EURO 150,- which includes a CD on which you can find excellent reproductions of the photos (whatever one needs that for). b) There will probably be at least one regular edition, maybe two (hardcover, softcover later). Cheers! P.S.: I have an old copy of this book. Stellar stuff. One in good condition just went for over $500 on a photography site (too much money, IMHO). I've regularly seen somewhat yellowed copies (normal for a book of that age) for between EURO 50 and EURO 100.
  18. Buddy Bregman: Swinging Kicks

    Buddy Bregman's "Swinging Kicks" (Verve By Request) is one of those few sleeper albums I have stumbled across in the more dusty areas of my shelf system lately. I've had it for quite a while and it has - ever since I liberated it from collection obscurity - become one of my favorite "start the weekend" CDs. It's difficult to explain, but as fragmentary as that session seems, with many titles under 2 minutes long, I find it endlessly fascinating. It's also frustrating at times because it seems that a lot of this material could have developed into great stuff ... and then, in some cases, get's shrugged off in 01:24. I have little to no knowledge of Bregman aside from his Fitzgerald and Crosby stuff, and just reading up a bit on him it seems as if he was/is all over the map musically and in many other ways. Does anyone know if this session was really a one-shot for him? Any sessions on which he might have expanded on some of the ideas in the rough here?
  19. Most of you'll probably laugh, but I've waited for this set for years. --> Click (German site ... but with track listing at the end). Should have the usual great MPS sound. I think it has all 10 LPs he recorded in the 60s and 70s for the label, with Joe Pass, Freddy Rundquist, Heribert Thusek and John Rae (vibes), Eberhard Weber and Peter Witte (bass) and Charly Antolini and Kenny Clare (drums). Edit: the LPs Art Van Damme In San Francisco (1966) Ecstasy (1967) The Gentle Art Of Art (1967) Lullaby In Rhythm (1968) Art In The Black Forest (1968) On The Road (1969) Art And Four Brothers (1969) Keep Going (1970) Blue World (1970) Squeezing Art & Tender Flutes (1972).
  20. Hi everyone, the other day I came across an as-new copy of Reiff, Carole. "Nights in Birdland. Jazz Photographs 1954 - 1960. Fireside/Simon & Schuster, Inc., New York 1987" It also contains an essay by Jack Kerouac, "The Beginning of Bop" (from: Escapade, April 1959). I have quite a few books with jazz photographs, but I had never come across Carole Reiff besides seeing the odd poster reprint (the most-known one, I think, is the one of Chet Baker on-stage at Birdland) on various sites. I also think Lee Tanner included some rarer photos by Reiff in some book, but I'm too lazy to check now. Does anyone have more extensive info on her? Apparently she died very young? Cheers! P.S.: The photos in the above-mentioned book are far better than the two generic ones below!
  21. Errol Garner: "Alexander's Ragtime Band"

    A blast from the past. Some members here might still remember me, but I cruise around here only sporadically today. I wanted to dig this thread up from the depths of bits & bytes hell to answer my own question. Being the vintage HiFi geek I am (if it weighs more than 15 kilos and has shiny buttons to twirl, I start lusting for it), I recently bought myself a vintage record player that I am enjoying even more than I should. At some point I decided to re-buy a cheap copy of the above mentioned boxed LP set (or $5) to finally get hold of that one elusive tune I had stuck in my head. Well (of course), it turned out to NOT be a live recording (...but I never really listened into (=actually bought) the one I myself suggested as an "alternative" above). Actually, "Alexander's Ragtime Band" came from the 1956 (1957) "The Most Happy Piano" LP and is, in fact, a studio recording. Listening to it again today, it was the almost brutal room (hall) ambiance mixed into that session that at the time made me classify it as a live recording. My bad. Here's a link to the release: Just wanted to put this (personal) issue to rest once and for all, an issue that has been following me around (=haunting me) for much more than a decade. Cheers! Carry on ...
  22. Hi everyone, in the beginning of the 80s, my dad sent me - I think it was - a 10- (or 5 or 7?) LP box published by Germany's weekly nespaper, "Die Zeit". They used to have a whole series of those boxes and my dad, living in South America at the time, mail-ordered those for me to be sent to my place in Germany, I taped them for him and then sent those tapes off across the pond. Now, 2 of those boxes got lost somehow. On one of them, I think it was just dedicated to piano music, there was a live recording of "Alexander's Ragtime Band" by Errol Garner. I can't for the life of me find any CD with a live recording of that tune. It's one of my favourite ones, although some of you might call that version "kitschy". I'm doing some wild guessing here, but the recording was late Garner at some jazz festival. Can anyone give me some hints or tips as to where I might find a release with this tune possibly on it? It has to be a live recording. Cheers! P.S.: I know the Garner trio recorded a studio version of that (at least I think it is a a studio recording): Title: The Most happy piano. Published: [New York] : Columbia, [195-?] Description: 1 sound disc : analog, 33 1/3 rpm ; 12 in. LC Call No.: Columbia CL 939, M1366.G37 M6 Notes: Performed by the Erroll Garner Trio. Girl of my dreams -- But not for me -- Passing through -- Time on my hands -- Alexander's ragtime band -- Full moon and empty arms -- Mambo 207 -- The way back blues -- Ol' man river.
  23. Copy Protection

    Hi everyone, I hear lots of yelling and screaming about copy protection and I have regularly joined the chorus when it comes to demanding that copy protection be removed from CDs. What I'm wondering is this: I have quite a few copy-protected CDs (the European Blue Note releases, f. ex.) AND I am quite a picky listener with a more than decent stereo, but so far I have not been able to hear any of the often-cited decline in sound quality, even when comparing Blue Note CDs with and without copy-protection. I am aware of the fact that error correction can be hampered by copy-protected CDs which have gotten more or less scratched, but setting this issue aside, I'm wondering ... a) if anyone here can actually substantiate these claims of reduced sound quality (where's the proof, I wonder, especially when stepping away from HiFi magazines' laboratories and into someone's living room), meaning: can anyone actually name (for example) a Blue Note CD that sounds different or worse with copy-protection than without and give some more details (=proof)? B) Can anyone provide a decent (=serious tests, opinions by experts, etc.) link to a page where I can read up on this and where I can find some proof provided by discerning listeners that goes beyond the usual parrot-like repetition of the same line that copy-protection ruins sound quality (without giving any proof)? Thanks! Cheers!
  24. Mosaic Rosemary Clooney set coming out this summer

    I love her recording of (that silly but upbeat tune) "Lovely Weather for Ducks", backed by the wonderful T. Dorsey band. I have that one on some odd (Tommy Dorsey & His Orchestra, "Song of India", Dance Band Days, Prism/Leisure 1987) Dorsey radio transcriptions CD that I bought ages ago. I was never able to find it in better sound although I have tried many times. Totally silly, I know, but one of my favorite songs in my entire collection.
  25. I thought I had quite a bit of music, but my collection only spans what this guy buys between 15:01 and 15:02 on a slow Thursday.