RogerF

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  1. Peter Green; Gone At 73

    Agreed Dave - The Supernatural from John Mayall's A Hard Road still sends shivers down my spine - PG was a simply superb guitarist and composer (Black Magic Woman!). R.I.P. Greenie.
  2. R.I.P. Annie Ross

    I loved her album with the Tony Kinsey Quintet: Loguerhythms: Songs from the Establishment with Tony Kinsey (Transatlantic, 1963 and reissued by Esoteric on CD). Her memorably sardonic delivery was equal to Christopher Logue's witty lyrics. RIP Annie.
  3. Keith Tippett (1947-2020)

    You Are Here... and Dedicated To You were absolutely pivotal in my conversion to jazz. Alongside Ian Carr, I owe Keith Tippett a huge debt of gratitude for opening my ears. A virtuoso pianist, he never ceased to astound me with the fluency and imagination of his live perfomances. He was taken far, far too early. Rest in peace Keith and thank you.
  4. Nice review CJ! I caught BOTC last night when it was screened in the UK on BBC 2 (apparently the BBC was a co-producer [funder]). Personally I found the interviews the most interesting as a lot of the history / timeline had been covered in so many other biographies and with the flashbacks in Miles Ahead. Great hearing from the likes of Jimmy Cobb, Wayne and Herbie, Archie Shepp, Marcus Miller, James Mtume and the late Jimmy Heath. On the down side, if as had been mentioned, the doc had been extended by 30 mins or even an hour there would have been time for more anecdotes from significant players such as Jack De Johnette, John McLaughlin, Keith Jarrett, Chick Corea and Dave Holland. I got the impression that in order to appeal to a wider public (and I'm not referring to the original Miles Ahead cover) the director wanted to concentrate more on the flawed genius and his human side, rather than the music, (the women, the drugs, the Ferraris). For example, the handbrake turn that dealt with the transition from the acoustic quintet to the electric Miles BB era was far too abrupt and didn't even mention the more subtle, organic even, changes via Filles De Kilimanjaro and In A Silent Way. Nor did it adequately explain why the album of the title was so important and groundbreaking. But overall it was certainly a good 7/10 (imvho).
  5. well, yes there are other ways to here it, but purchasing the box allows you to lovingly paw the cardboard and plastic and read the sleeve notes which in this LP sized format are thankfully legible to those of a certain age who are fed up trying to read the small print on CD liners. A live HR box is interesting news.
  6. I agree this was an expensive box and the board game was an irritating and superfluous extra. However, I still think the previously unreleased stuff is probably worth the cost given there isn't any other way to hear it, (David Ayers comment above notwithstanding) eg, the extended version of "Directly From..." and lots of other examples. Also, I'm pleased it brings together the other FZ recordings that were related to HR. But $100 / £100 + is steep and I have enough plectrums already. One other point I didn't mention was that purchasing it on Amazon also included an invaluable "Auto Rip" which meant it was on my iPhone in seconds after I bought the CD box. Really useful.
  7. Just taken delivery of this and am slowly ploughing through the 6 CDs. It's replete with unearthed archival material that was used toward several FZ albums in addition to Hot Rats which is presented in full but in the 1987 FZ remix. Sessions that contributed to other albums such as Burnt Weeny Sandwich, Weasels Ripped My Flesh and Chunga's Revenge are populated amongst the 67 tracks, most of which are previously unreleased. Very well represented are sessions which feature "Sugarcane" Harris. Zappa certainly seems to have got the best out of the violinist. The booklet of sleeve notes is well presented with details of studio takes and personnel in addition to recollections and plaudits from the likes of Ian Underwood and Matt Groenig. Despite what I consider to be an unnecessary Zappa board game which includes plectra as markers, this is an excellent box set which I highly recommend to all Zappa and non-Zappa fans alike.
  8. Agreed. The Orchestra is receiving its very first CD reissue and that's long overdue. Song For A Sad Lady, the only TH original, is fantastic. The other long overdue bonus is the first stereo CD reissue of 100% Proof, again very welcome indeed as it transforms the set into something else. My only comment on the presentation of the box set, which is unequivocally superb, is that I've replaced the chunky white cardboard inner sleeves with antistatic CD sleeves, mainly for aesthetic reasons. This definitely gets my vote for CD reissue of 2019 (albeit with Nucleus a close second).
  9. CD box arrived this morning and as sidewinder has already favourably remarked, this looks like a winner.
  10. Finally!!! It’s been despatched; hallelujah!
  11. Well that's better than for me - I have heard precisely zilch about my order placed on 11 December. I've emailed them but heard nothing. All the so-called phone numbers on the UMG website are dead (fake?) numbers. So am currently pretty pissed off.
  12. Just ordered mine via Udiscover too. Can't understand (*) why Amazon (UK) decided to up their original price by over 25% thus doing themselves out of several customers including me? (*)that was a rhetorical question as I think I can guess the answer
  13. Sonny Sharrock - Ask The Ages

    Just picked up a new vinyl reissue of Sonny Sharrock's classic final album, Ask The Ages. It's very impressive although weirdly it has been released as a double vinyl because the playing speed is 45 RPM - presumably for audiophile purposes. However, Sharrock's guitar at times sound positively organ like. Anyone know what effect(s) he was using to produce such a very full chordal sound? The album has been uploaded onto YouTube by someone (not me!) in full here: Ask The Ages
  14. The CD box set is now on the UM website and looks very, very, tasty indeed... The Complete Tubby Hayes Fontana Albums So great to see The Orchestra reissued on CD at last and it wasn't nearly as bad as critics said. I like it.