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Disc 3 - originally released as Green Shading Into Blue
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👍 - as LP from 1975 on my shelf - ECM 1054 ST
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Alice Babs and Duke Ellington “Serenade to Sweden” cd Now a focus on Ellington trombones and Alice Babs, an excellent session recorded in Stockholm. If ever there is a jazz album that could use the Plangent Process. . . I think this one would benefit heavily, there seems to be a wobble to the sound.
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What Classical Music Are You Listening To?
Peter Friedman replied to StarThrower's topic in Classical Discussion
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Mark Masters Jazz Ensemble featuring Gary Smulyan “American Jazz Institute presents Ellington Saxophone Encounters” A very well-recorded swinging disc that has scratched an itch for Ellington music.
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👍 - as LP from 1975 on my shelf - ECM 1063 ST
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This again:
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MV 2506 (Japan 1974) - Getz / Gillespie / Stitt " For Musicians Only" - rec. 1956
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What Classical Music Are You Listening To?
HutchFan replied to StarThrower's topic in Classical Discussion
Returning to the Fourth Symphony in this set: Picked up this set recently after having owned the companion set (Syms. Nos. 1-3) for a long while. I'm really impressed. I think Markevitch's entire Tchaikovsky cycle is terrific. -
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I couldn't say what way is the most common, but I have heard a couple of different recordings with J.J.Johnson and he always seem to include those four bara. I think it's a nice way to conclude a solo and if you're doing several choruses I like to hear it at least in the final chorus.
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He plays on 4-5 tracks on a Fred Hersch quintet album on Enja from 25 or so years ago.
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What Classical Music Are You Listening To?
Peter Friedman replied to StarThrower's topic in Classical Discussion
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Enormously prolific, I recommend Rich Perry´s later quartet recordings with Harold Danko for Steeplechase: "Gone" and "Mood". Many attractive sessions as sideman, too: I second colinmce: "Soft Hands" is an outstanding, drummerless album by Ron McClue, also very attractive the two horns line-up with Stephen Riley on McClures superb "Dedication". Also recommended: Perry on George Mraz´s quartet album "Bottom Lines" from the late Nineties.
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