colinmce

That copy is embarrassing

Really want to check out that Trzaska, but those things are just too damn expensive.

Co-sign

Ok, thanks!

Huh, weird. I thought this was never released at the time and was only turned up as an acetate at a flea market? I guess I need to go back and re-read the CD liners.

OK, thanks. Not too bad.

Phenomenal one. The sound is "festival quality", which on paper does not favor Noble or Edwards, yet they adapt and make it work to their advantage.

No, it wasn't part of that series.

Thanks. You're very right to say good on them. Mainstream press coverage of truly independent jazz musicians is generally non-existent.

How much was it total?

Nice!

Not at the time. It was just Dan Friel & BJ Warshaw. (also very nice dudes).

Could go either way. There's Tyandai, too. I passed a fine evening with him and the band Parts & Labor after they played a show in my friend's garage...geez, 12 years ago now. A very nice & talented dude.

That Marc Cary disc is wonderful.

No sir: http://okkadisk.com/titles.html & amend that to $13!

$14 to your door!

For any power pop afficianados out there, my good friend is putting out this rare side. Looks like a good one: http://modern-radio.com/albums/smart-alex-chatter-chattonight-45/

I'll never forget the experience of hearing this for the first time.

A) There is no Fred Anderson album that's not worth owning, so in a sense you can't go wrong! My favorite, though, is Black Horn Long Gone from 1993 with Malachai Favors & Ajaramu. The two niels mentioned are obviously very strong. I would also put in a good word for Destiny & the DKV trio (both Okka), as well as Staying In the Game, his last.

Any tips for how to see the film?

I think mine was $5! You can really clean up with those old Bluebird/RCA LPs. I have the complete Benny Goodman and Glenn Miller collections, both for considerably under $20.

Not to veer off topic, but wasn't ESP going to reissue Sonny's Time Now this year? I recall reading about it on the website, now I see the last update was a year ago.

Usual DMG crabbiness aside, I am glancing side-eyed at this "label". I don't mean to suggest that Ornette is not being properly compensated, as it seems he is, but everything else about this weirds me out. Seems like a whole lot of bullshit. Big city, venture capitalist, crypto-corporate faux-artisanal, internet-y bullshit.

The label is best.

I had no idea ECM put stuff out on LP! Is that just for the German releases?