mjazzg

But 'depends on what's in stock' applies everywhere doesn't it? Maybe the price for having most everything available (a reasonable expectation?) is the cost of the CDs you're seeing at Amazon. No smaller outfit could afford to hold such a selection at a more reasonable price could they? Even in the 'glory days' of the megastores the back catalogue wasn't as deep as Amazon.

Do you know Jazzhouse Records http://www.jazzhouserecords.co.uk/? Alan carries a fair back catalogue and if your "THIS item NOW" will tolerate secondhand then that will increase likelihood. Prices are fair, postage is often same day and he will often order things if you suggest labels he's not stocking.

Another in agreement with Clifford. For me "As serious as your life" and "The Freedom Principle" both opened many routes to follow when i was just dipping a toe in. I remember them both as being highly readable. Baraka's "Black Music" was also a thought provoking read early on. Lock on Braxton I tried so hard to enjoy when it was first published and I was in my first flush of Braxton enthusiasm - it defeated me. I should dig it out again The George Lewis is an important work but may be too specialist for initial reading. I'd've thought it would mean more when you've acquainted yourself with AACM music. I thought the Szwed Sun Ra was just a great read and so very interesting. I agree with Colinmce, someone needs to write that 70's book (go Clifford!)

MJAZZG, I think there is a difference between a residency and a regular gig. A residency is a showcase for the musician and his/her music. It's a special event. It sure is priced that way. Filing the schedule with previously scheduled musicians seems, to me at least, a negation of the whole purpose of the residency. My guess is that it's just a lot easier to do that, but it doesn't make for innovative music. Leeway, I can see that point, definitely. It's funny because often I wonder whether EP suffers a 'hired gun' syndrome whereby there's many recordings where the session appears to be a one-off either from a gig or probably the day after and in these sessions I often feel that EP's musical personality can overshadow the others involved. Equally these can produce marvellous results that I wish weren't one-offs. I also agree with your analysis of "Evan Parker Music" to the point that for a number of years I just didn't get it, especially the circular breathing solos in a group setting but somehow having persevered I came to realise that the furrow could be ploughed again and again and came tolove the results. Your phrase 'more visceral than cognitive' I think hits a nail square on the head. but are those options really either/or? Association can only come from repeat opportunities, can't it. It could just be that the repeat appearance of Escreet Quartet is part of a process of greater association (I think they're playing at least one European festival) that could in a few years be one of EP's 'regular' bands. Maybe somewhere in the 60s someone was saying 'oh no, not that Lovens and Schlippenbach back with Evan again. They played last year' apologies if this doesn't make sense, I've one eye on Algeria trying to beat Germany....

Evan Parker regularly plays with the same line-ups is here in London - his monthly Vortex gig tends to perm from a smallish pot of players. I'm not sure any of them have approached the "like some old lounge act." level just yet. I think there's something to be said for investigating further possibilities with the same musicians - heavens, The Schlippenbach Trio have been doing so to great effect for 40+ years. On the other hand I understand the disappointment of 'missed opportunities'. When EP played with Halvorsen over here it was an intriguing match. I think I'd be going to as many of those gigs as I could make even if I'd seen the line-ups a year or so before just to see EP play and see what happened. Afterwards I might conclude that the revisits hadn't suceeded but I'd've heard some great music, I suspect. Enjoy whichever ones you get to see guys. Steve - I'm wholeheartedly with you on Sorey. Only seen him once with Lehman Octet, great drumming

Well played Holland for sticking to it to the end. Mexico seemed to sit back a bit at 1-0 and didn't push for the second goal leaving themselves open to a Dutch recovery. I still think Robben dives too much

Many more goals like those and the answer will be 'Yes'. I thought Brazil were lucky to get past Chile and I'm really looking forward to seeing what Colombia will do against them (this is Colombia without Falcao, just imagine if he were fit....) Holland v. Mexico looks tasty. I've enjoyed both side's play so far. Maybe Holland will just edge if Robben and Van Persie maintain their blistering form

To be frank, it's not that hard to beat, English players are overrated due to the fact that they play in the most popular league in the world... I couldn't agree more. They are flattered by the overall skill levels in the league and when they are exposed to open comparison in an international competition it becomes obvious that few them are as good as their reputations (and as good as they think they are). This isn't helped by the hype over promising English players that are talked up in our media to be potential world beaters but aren't. The classic example of that is Rooney who is no way near as good as his reputation suggests - instead he's as good as his World Cup and Euro competition performance suggest. He might have been better but as with many English players early potential seems never to be realised (let's see what happens to Ross Barkley). The English football team always seems to be playing tactical catch up and look out of date tactically. As Papsrus suggests not until a root and branch reallignment of the English system is undertaken will this change. Meanwhile I'm really enjoying watching the high-pressing, high tempo, counter-attacking approach of Chile, Costa Rica and Colombia (born from Bielsa) - it does look like a potent way forward. I'm intrigued to see what happens when one of them play either France or Germany who are putting a premium on possession. The Dutch seem to have the potential to play this new style as well as a more 'European' possession approach which may well stand them in good stead. So far a thoroughly enjoyable competition. today's clash between Brazil and Chile looks intriguing - Vamos Chile!

Congrats to USA for qualifying from "The Group of Death"

But before Van Bommel went he taught de Jong everything he knew.....

That Brotzmann/Noble/Adasiewicsz on Otoroku has been out for a while already. The vinyl at least, it's impressive

I think Sun Rooms is, not unsurprisingly given the trio format, where Adasiewicsz comes into his own. A lot of the success of the band is also down to Mike Reed though. Both albums are well worth investigating. Live they burn

Robben's as big a cheat as he is a talent when it comes to diving. Always has been wherever he's played. It's a real stain on what should be a reputation as one of the game's great talents. Looks like Suarez needs help along with a very long ban, lifetime wouldn't go amiss

Marion Brown Septet - Juba Lee {Fontana Japan]

Their last duo came out on Bro so could be a repeat. Trost's a good bet too

I'm not usually a great fan of strings/vocals but I do think Akinmusire often uses them to very good effect - sparingly and never in a way that's overly romantic/cloying. I also admire his willingness to engage in social commentary on these albums - he addresses some important issues and it's not often that's done these days

Sun Rooms is a must buy for me as is the duet with Brotzmann - do you which label or is it Delmark also?

Holland v Chile. I hope this lives up to its potential

I enjoyed his playing with Steve Coleman and I was impressed with his first leader date "Prelude:To Cora". That sounded like a young, frech voice with plenty to say - good playing and compostions. The signng to Blue note seems to have polished some necessary edge away and i don't necessarily disagree with 'bland' and think the productions of the two Blue Notes detracts, there's a fluffiness that seems to sap some good playing of any real bite. Compositionally I hear him having too much to say and not quite yet having the editorial skills to hone it - I often feel the somewhat portentous and lengthy album titles are indicative overall of where the whole package is at. Yet I feel there's still enough talent in there to keep listening.

Engraved in the Wind is a fantastic album - Enjoy!

Abdullah - Life force [About Time]

Another victory for high pressing, high tempo attacking football. Well deserved qualification into round of 16

England hang on and then self-destruct. Super Suarez. Forza Azzurri!

Yes, I wondered about that. But if there are just three pitches involved, the manipulation of those pitches would have to be pretty darn ingenious to be regarded as ingenious. Indeed. One man's "ingenious", another man's "and so?"....

Marion Brown - Sweet Earth Flying [abc/Impulse]