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steve slagle refused to identify a couple of his old tunes for me. said that he doesn't want to listen to his music from 1985. then proceeded to give me a commercial about what he's recording now.

insipid ballads. 90% of his catalog is funk/dance songs, the best of which get tiring after a couple of minutes of listening. he was good at arranging, and got a great sound in the recording studio, but the music itself is just bad. not a good writer. and the guy was really just full of himself. his ego was much bigger than his talent. doesn't seem overly intelligent in interviews. what was that quote from him a couple of years ago, 'the internet is over'. yes prince, we're all tired of using the internet. things were so much more convenient without it. overall, it's just shitty pop/dance music.

1957 studio

for people who don't like prince. there's no music on the first 4minutes.

it's going to include the 1971 ed sullivan show appearance. http://www.musicfilmweb.com/2014/03/rahsaan-roland-kirk-adam-kahan-jazz-music-documentary/

11/18/52

these people seem to be as ignorant about music as you can possibly get.

do a google search for https://www.google.com/search?num=20&lr=&as_qdr=all&q=prince++%22poor+goo%22+%22mp3%22&oq=prince++%22poor+goo%22+%22mp3%22&gs_l=serp.3..0i22i30.214986.218025.0.218505.6.6.0.0.0.0.116.417.5j1.6.0....0...1c.1.64.serp..0.6.407.bPDXEnQP3_E 1993 (or 1994?) The Undertaker This is a very unique live in the studio session (no audience). Power trio with only guitar, bass, drums. There's a video of this session, but it's hard to find. These tunes have extensive guitar solos: The Ride Poor goo The Undertaker

http://mp3.zing.vn/bai-hat/Poor-Goo-Prince/ZWZAZ77C.html gets going at 2:00 from 'the undertaker' 1994 video.

this 2015 version has 2 alternate takes that are supposedly not on other cd issues http://www.jazzmessengers.com/en/70944/louis-armstrong/the-complete-satchmo-plays-king-oliver

i did a web search yesterday to see if maybe i can watch european subtitled tv shows on british tv websites (bbc, etc), but i came up with nothing.

in the u.s., it's impossible to find european tv shows with subtitles, unless they've had a u.s. dvd release - which almost never happens.

you guys get these shows in britain with subtitles?

studio 1955

louis c.k.'s independently produced show is available to watch through his website. https://louisck.net/show/horace-and-pete

and 2/9 THE BLUES ARE BREWIN’

yes, it's on volume 12. i didn't even know this stuff existed, pre-recordings not covered by dialogue or sound-effects, and tunes not used in the final film. http://www.librairie-audio.com/en/louis-armstrong/1396-integrale-louis-armstrong-vol-12-3561302136226.html cd1 “NEW ORLEANS” (UA film) PRÉ-ENREGISTREMENTS / PRE-RECORDINGS Louis ARMSTRONG (tp, voc)?; Edward “Kid” ORY (tb)?; A. Barney BIGARD (cl)?; Charlie BEAL (p)?; Arthur “Bud” SCOTT (g)?; George “Red” CALLENDER (b)?; Arthur “Zutty” SINGLETON(dm)?; plus George KENNEDY, Charles YUKL (tp)?; Ellis RONKA, Murray McEACHERN (tb)?; Robert HENNON, John HAMILTON (cl, ts)?; Phillip MURROW (bars)?; George E. GREEN (tuba)?; John BOUDREAUX (dm). Hollywood (Studio & Artists Recorders), entre/between 5/09 & 8/10/1946 14. FLEE AS A BIRD (trad)/WHEN THE SAINTS GO MARCHIN’ IN (trad) (TMX 1-3 & 3A-5) 3’08 Septette comme pour 14 / Septet as for 14. Moins les 9 musiciens de studio / minus the 9 studio musicians. Mêmes lieu & date / Same place & date 15. WEST END BLUES (J.Oliver) (TMX 7-3) 2’49 16. TIGER RAG (D.J.LaRocca) (TMX 33-3) 2’21 17. WHERE THE BLUES WERE BORN IN NEW ORLEANS (Capleton-Dixon) (TMX 42- ) 4’36 18. BUDDY BOLDEN BLUES (2 takes) (F.Morton) (TMX 53 G1-3&G1-4) 1’44 19. BASIN STREET BLUES (Sp.Williams) (TMX 53 S41/42) 4’42 20. RAYMOND STREET BLUES plus 4 HIGH NOTES ON TRUMPET (L.Armstrong) (TMX 53 G2-3) 1’24 21. MARYLAND, MY MARYLAND (trad) (TMX 81 ?) 2’59 Louis ARMSTRONG (tp) & prob. Arthur SCHUTT (p) Mêmes lieu & date / Same place & date 22. BRAHMS’ LULLABY (J.Brahms) (TMX 30 B-2) 0’45 Septette comme pour 15 à 21 / Septet as for 15 to 21. Billie HOLIDAY & chœur/choir (voc) Mêmes lieu & date / Same place & date 23. FAREWELL TO STORYVILLE (Good Time Flat Blues) (C.Williams) (TMX 84) 3’13 cd2 “NEW ORLEANS” (UA film) PRÉ-ENREGISTREMENTS / PRE-RECORDINGS Louis ARMSTRONG (tp, voc)?; “Kid” ORY (tb)?; A. Barney BIGARD (cl)?; Charlie BEAL(P)?; A. “Bud” SCOTT (g)?; George “Red” CALLENDER (b)?; A. “Zutty” SINGLETON (dm). Hollywood (Studio & Artists Recorders), entre/between 5/09 & 8/10/1946 1. MILENBERG JOYS (P.Mares-L.Roppolo-F.Morton) (TMX 62-4) 1’54 Septette comme pour 1 / Septet as for 1. Plus Thomas “Mutt” CAREY (tp) & Eli “Lucky” THOMPSON (ts). Mêmes lieu & date / Same place & date 2. DIPPERMOUTH BLUES (lent/slow) (J.Oliver-L.Armstrong) (TMX 120-1) 1’21 3. DIPPERMOUTH BLUES (rapide/fast) (J.Oliver-L.Armstrong) (TMX 120-4) 1’33 4. SHIMME-SHA-WABLE (S.Williams) (TMX 130-1) 2’04 5. BALLIN’ THE JACK (C.Smith) (TMX 131-2) 2’06 6. KING PORTER STOMP (F.Morton) (TMX 149-2) 2’32 7. MAHOGANY HALL STOMP (lent/slow) (S.Williams) (TMX 183-1) 3’27 8. MAHOGANY HALL STOMP (rapide/fast) (S.Williams) (TMX 182-5) 3’32 LOUIS ARMSTRONG AND HIS ORCHESTRA Louis ARMSTRONG (tp, voc)?; Robert BUTLER, Louis GRAY, Ed MULLENS, Andrew “Fatso” FORD (tp)?; Russell “Big Chief” MOORE, Wadder WILLIAMS, Nat ALLEN, James WHITNEY (tb)?; Don HILL, Amos GORDON (as)?; John SPARROW (ts)?; Joe GARLAND (ts, dir)?; Ernest THOMPSON (bars)?; Earl MASON (p)?; Elmer WARNER (g)?; Arvell SHAW (b)?; Edmund McCONNEY (dm)?; Billie HOLIDAY (voc). Mêmes lieu & date / Same place & date 9. THE BLUES ARE BREWIN’ (L.Alter-E.de Lange) (TMX 140 ?) 3’40 10. ENDIE (L.Alter-E.de Lange) (TMX 141-A4) 2’19 Formation comme pour 2 à 8 / Personnel as for 2 to 8. Moins/minus Mutt CAREY & L. THOMPSON ; plus Billie HOLIDAY. Mêmes lieu & date / Same place & date 11. DO YOU KNOW WHAT IT MEANS TO MISS NEW ORLEANS ? (L.Alter-E.de Lange) (TMX ? ) 1’44 1/23 and 2/11 can be found on billie holiday releases.

why make the announcement? it's not like he habitually announced each tune and its composer at concerts, especially in these early days.

in concert, Wings And Things (written by hodges) was often played as a continuation of Things Ain't What They Used to Be (at least in 1966). Wings seems like a natural extension of Things Ain't What They Used to Be. on those july 1966 antibes shows hodges just seems to be soloing forever when playing this medley.

$136 for four tunes, 3-minutes each. is that without shipping?

Duke Ellington The Duke Box (8 CDs - 2006) Storyville Records CD 5 (55:29) 11Dec43, Carnegie Hall, NYC 4. Moon Mist duke introduces this tune as 'written by my son, mercer ellington'. why would he make a public announcement like this if it's just for tax purposes?

hopefully the next 2 volumes will mostly be taken up by 1948 and 1949 broadcasts from Ciro's and The Click in philadelphia.