Then to top things off, this earth-shaking band... Brötz on tenor (beginning & encore), alto (most of the time in between) and clarinet (for just one "track"), he was in his loudest mode, what with this earth-shattering band (they even managed to kill a beer glass standing next to me and my friend... the vibrations made it fall off a table and break in hundred pieces...). Wertmüller was astonishing... definitely not from any jazz drumming tradition, rather influenced I assume by hard rock or heavy metal. And Pliakas is playing very fast stuff that you can't actually hear, just feel, paired with Wertmüller's speedy bass drum. Pretty extreme! And on top of that add Brötz in his screaming mode... on alto, he really did hurt the ears... I'm not sure what this was, nor if it was anything much... but it was definitely an experience!
Somehow it all felt very static to me, the only big difference being in some rather beautiful alto sax solo passages, or some slow build-ups by Wertmüller with Pliakas laying out. Other than that, nuance and development is not part of this music...
Caught this Full Blast Trio ten days ago, at the CMU San Juan Evangelista.
IMHO it was disgustingly noisy, boring & uncouth, to say the least. Wertmüller sounded like a German metal drummer, absolutely repetitive and without any idea or sublety (maybe this is his role in this trio). As for Brötmann, without being any expert at all, I have heard several other projects and this is the worst I've heard from him ever. He played four tunes here (tarogato, tenor, metal B flat clarinet and alto) and one encore (alto). He sounded like the same noise the whole 75 minutes. I gotta recognize, though, that I have NEVER heard THAT huge stream of sound coming from a tenor saxophone. It was absolutely impressive (I was at the second row and almost could "touch" that sound... and feel the entrails coming out of the horn).
Just my two cents.