(CD Sunnyside SSC-1036D) …. Jerry Gonzalez (tp/perc) + Carter Jefferson (ts) + Larry Willis (p) + Andy Gonzalez (b) + Steve Berrios (dr, bata, timbales, claves) …. recorded @ New Yoork in October 1988
Motivated by an earlier (still ongoing ....) discussion about the problems to categorize music with afro-cuban influences I`ve decided to go forward with this recording as my (first) „Album Of The Week“ on Organissimo.
At the time of its release I was alread quite a dedicated follower of Jerry Gonzalez via his participation on the famous „Conjunto Libre“ Band led by Manny Oquendo, his stunning debut als leader on Kip Hanrahan`s American Clave label titled „Ya Yo Me Cure“ and two recordings for the german Enja Label, both of them already labeled as „Fort Apache Band“.
Jerry Gonzalez obviously had some affinity to the Music of Thelonious Monk, as all of the previously mentioned albums feature at least one track by the master. This Sunnyside release goes now several steps further and is completely dedicated to the Thelonious Monk Songbook. This looks like not to have happened by coincidence as there seems to be quite a cross connection between some of Monk`s compository ideas and Afro-Cuban aspects – for instance "Bye-Ya" (aka "Vaya!" i.e spanish "Go!") distinguishably represents a perfect vehicle as even Monk`s own original recording has an Afro-Cuban "clave pattern" foundation ....
It is Larry Willis and his very much un-Monk-like playing which proves (unexpectedly) being a near perfect way to look with a clear view at the Master`s Songbook - from a different perspective as pianist. Another unsung hero (of mine) Carter Jefferson is throughout outstanding on tenor saxophone and I tend to believe this could be - beneath „Stepping Stones“ with Woody Shaw – his best hour on wax/tape. Andy Gonzalez is the bass player you would wish for a project like this and both Jerry Gonzalez (beneath his poignant trumpet voice) and Steve Berios supply a myriad of rhythms via Bata, Timbales, Claves, Shekere, Bells, Guiro and drums.
This release from Jerry Gonzalez &“Fort Apache Band“ IMO turned out to be the mountain top of their recording career and after a couple of further recordings – including a sort of surprise comeback in 2005 with „Rumba Buhaina - The Music Of Art Blakey And The Jazz Messengers“ featuring a worthy hommage to another jazz master - the band dissolved.