Milestones

Here are responses to the early tracks: 1. Nice boppish piece. It sounds like these guys have listened to plenty of Blue Note records; maybe they are on Blue Note. It is an unusually short piece. No guesses. 2. Some nice tenor and piano, but no idea. 3. This is a pretty unusual piece. The rhythm is funky in a modern, almost smooth jazz way; the sax sounds pretty “out” with the screeching. The pianist seems to have something of Herbie Hancock’s style. 4. Fun track. Would this be in the “jump blues” vein? Elements of Louis Jordan, though also different in many respects—and certainly more modern. Some nice wailing on the baritone sax. 5. And now for something completely different! Seems like something along the lines of Kronos Quartet, though with expanded personnel. Nice driving rhythm, and a pretty out there guitar solo. Maybe James Blood Ulmer? Cool drum solo. I find this to be the most intriguing track so far. 6. Wow, the alto sure has Ornette qualities, though he/she really favors the upper register. The rhythm is Ornette-like too. I don’t think it’s Ornette, but this group is trying to approximate the sound of his early quartets on Atlantic. 7. This is starting as a complete oasis of peace after the previous track. Now adopting something of an African feel. It’s well-played, but it could use more intensity. There is some good stuff here, and plenty of diversity. Also seems like a pretty tough BFT.

I own Lester Bowie, Duke, Tyner, and Carla Bley. I got all of them, though in some cases it took some work to get specific. Love that Ed Palermo album cover.

I've tried this and it's still coming out the same. Maybe I missed something. I'm thinking the intent is to get back to the original setting.

I use Windows and Word is through Microsoft 365 Pro Plus.

I'm sure many of us here use Microsoft Word. I've used it for decades and had no issues on how it checked spelling and grammar. Yet now I find it somehow changed from "spelling and grammar" to "editor" (when one goes to "review"). I find that it now fails to recognize sentence fragments, and it seems to mostly fail at flagging improperly placed commas. I've messaged a few people about this, and they don't seem to know what I'm talking about. But I have seen people complain on a Microsoft forum. Has anyone else dealt with this? Is there a solution?

I just realized that Walton and Higgins were on A Tribute to Lee Morgan, a pretty decent record with Joe Lovano, Eddie Henderson, and Grover Washington.

Walton and Higgins are brilliant on this, Jackie's last recording. Jackie's playing is great too.

Today I'll say "Passion Dance" and for that matter the rest of the tracks on this classic. It's hard to imagine more powerful statements from key Blue Note players McCoy Tyner, Joe Henderson, and Elvin Jones.

Can we do a "Top 10" at least?

I'm very partial to this record, especially their rendition of "Lover Man."

Listening to Sound of Surprise, with John Abercrombie (also passed) on most tracks. One of my favorite Lee Konitz records.

R.I.P. Mr. Konitz I don' know how many sax players of his stature and even close to his age are still left.

R.I.P. Jymie Merritt I believe Curtis Fuller, still alive, was on some of the those records from when Merritt was in the Messengers.

A month ago we lost one of modern jazz's greatest players. In my opinion, he was also among the greatest composers. Below is just the cream of the crop: Passion Dance Search for Peace Sunset African Village Vision Smitty's Place Contemplation Blues on the Corner The Greeting The High Priest Walk Spirit, Talk Spirit Fly With the Wind Sama Layuca Celestial Chant Beyond the Sun Espanola You Taught My Heart to Sing Three Flowers Effendi Flying High New Orleans Stomp

This was when? About 1962-64?

I'm most impressed by the Jim Hall records--a very diverse set, all of them rather interesting, most of them highly successful. Among Tyner's records, I like the last one best: Illuminations. This is an all-star group that is really in-sync. I like how it breaks down to smaller groups on several tracks, including a piano/bass duet on "West Philly Tone Poem."

Seems to me that Duke owed a lot of his piano style (or at least one of his styles) to Johnson.

#12 is "Theme for Nana" by Tyner with Joe Ford on flute. The album is Focal Point. I have this record. I've been listening to a ton of Tyner's music lately, but had not gotten around to this one. It looks like it's underrated. Good stuff, and thanks for including the great McCoy Tyner.

Duke with New Orleans Suite....I have not heard that one in ages. I do recall it having some prominent flute, which is the only record of his for which that is true (as far as I know). On #11 Ahmed Abdul-Malik makes perfect sense.

1) “Siesta for the Fiesta”—Lester Bowie Brass Fantasy 2) That sure sounds like the Ellington orchestra—early stuff, I’d say mid-30s or earlier. But the wrinkle is the presence of organ. Duke meets Fats Waller? 3) Not bad, pretty laid back. The sound reminds me a bit of John Lewis writing for a larger ensemble. That could even be Milt Jackson. It picks up and get punchier during the trumpet solo. It seems to be a full big band, plus some strings. 4) This must be Duke again. This is familiar, and it sounds like something off Far East Suite—except it isn’t (unless it’s a bonus track). Cool stuff...I like hearing flute in jazz. 5) This reminds me of Tyner’s Fly With the Wind album, although it certainly is not that. Maybe James Newton on flute, though it doesn’t sound much like him. Not bad. Bass is rather prominent. Maybe the bassist’s record? 6) Very mellow, but it sounds like low-end Third Stream or soundtrack music. 7) More modern (I’m guessing ) big band. Some interesting writing, and a nice sudden shift into a funky section just past the 5-miute mark. But I have no idea who this might be. 8) I see you favor the big band sound. Pretty good track. I’m not much up on big band stuff from the last 2-3 decades, just Carla Bley, Gerald Wilson, occasional forays by Dave Holland and McCoy Tyner. Nothing suggests it’s any of them. 9) This could be Barbieri, or perhaps it’s Brecker (whom I know better for his more mainstream work). Whatever it may be, this is what decent “fusion” sounds like. 10) Fun stuff, but I would certainly have a hard time identifying a boogie woogie pianist. 11) Flute seems to be another thread running through this BFT. I have heard many versions of “Delilah,” but not this one. Stephane Grappelli on violin? Ray Nance? Then we have some…oud? I like this! 12) Imagine, more flute! I’m thinking James Spaulding. I’ve heard plenty of his fine playing on Blue Note, where unfortunately he was never a leader. Perhaps later Spaulding. Oh man, on piano that has to be the one and only McCoy Tyner. I don’t recall Spaulding and Tyner meeting up post-1960s. I would have to think it is the flute player’s date. In any case, this is sterling stuff. 13) "Útviklingssang” by Carla Bley. This might be the version from Social Studies, or possibly a different one. I’m a big fan of her music, and this is one of my favorite pieces by her. Overall, this is a great BFT—lots of wonderful music. 1

Of course not. Nor John Fogerty, Neil Young, Loretta Lynn, Bruce Springsteen, Pete Towshend, Carly Simon, Brian Wilson, etc. Nor Dylan, but then he has a Nobel. I guess it's not really an award for songwriting, but rather for contributions (In whatever way that is conceived) to popular music.

Sorry if I offend anyone who enjoys his music, but WTF with Garth Brooks getting this award? He didn't even write his most famous tune, "Friends in Low Places," which in any case hits every lyrical and musical cliche in Country. My one favorite by Brooks is "Make You Feel My Love," composed by some guy named Dylan. Near as I can tell, he contributes to about 50% (or less) of the songs on his records, and I do mean "contribute"--he almost always has co-writers. And the records are 33-38 minutes in running time.

That must have been just a few months before Coltrane passed away.

Expansions is a great album, and so is the big band album The Turning Point (more than 20 years later).

Supertrios was also a double. Of course, all the doubles later wound up as single CDs.