Late

What albums should one turn to in order to hear Don Joseph?

I see that I started this thread back in 2004 with the dangerous proposition of wanting to hear this music ... on a recordable compact disc, that is. I have the Fresh Sound disc now — actually listening to it as I type — and the music is fine. I actually like both ABC albums quite a bit. I'd enthusiastically recommend the music here to anyone with an interest, say, in Mulligan's Concert Jazz Band.

The very first (compact disc) edition of the Coral album has the bonus track. The Keepnews edition then nixed it. I've never heard the first edition (c. late 80's), and am not even sure who reissued it. --------------------- On another note (back to Xanadu) ~ Cohn's recording of "America" is strangely, almost ironically (for these times), breathtaking. It's played as a sort of bossa, but Cohn handles the melody so respectfully and so straightly, you feel as though he really cares about, and subscribes to, the lyrics.

It really is an emotionally beautiful and technically beautiful solo. Some of the ghosted grace notes that he slips in there ... what a trumpet player. It's nice that the film quality is fine as well.

Oops. Totally slept on the fact that there was a box set. I have a friend that goes "clubbing," and she loves the Nina remixed set. She'd never even heard of Nina until that package was released.

They were recorded about 3 months apart. Did you get the version of the Coral Cohn/Sims with a bonus track? The track "Gone with the Wind"? I missed that edition.

Love the stories here. My earliest live jazz experience was in 1984 (Art Blakey & The Jazz Messengers -- I was 14), so you can see I missed out on a lot. (I've only seen my idol Sonny Rollins once! 1991.) I wish I could have been there for that Romano set! Sounds amazing.

Was Motoring Along reissued on compact disc? (Anyone know where it might be purchased?) I know Body and Soul came out both domestically and in Japan on CD. That album has two beautiful ballads, the title track and "Emily." Both Cohn's and Sim's tones are unusually dark on these tracks. Absolutely gorgeous. Has anyone mentioned Al Cohn's effort with Spike Robinson? I'm about to pull the trigger on that one. I'm a little surprised it's still available on CD. I've listened to sound samples of Cohn's Overtones with his son on guitar, but didn't get too excited. The Cohn/Brookmeyer Coral date that Larry mentions was recorded within days of the Cohn/Sims Coral date I think — I'll have to check. I like the session with Brookmeyer, but love the session with Sims. The track "Two Funky People" knocks me out. Both Cohn and Sims are on clarinet on that one.

I'm sure this has been posted here before, but just in case it slipped through the cracks or you haven't seen it: I Remember Clifford

That 1964 clip is insane. Most impressive of the bunch might be the trombone solos. I couldn't catch their names as Woody said them. Who are they again? Then again, the bassist is playing his ass off. I thought for sure there'd be a drum break, but — nope! Romano, Nistico, and Bill Hunt ... nice. (Did Hunt ever play with George Russell, or am I thinking of someone else?)

Jack Montrose: tenor saxophone Dolo Coker: piano Monty Budwidg: bass Frank Butler: drums That's an enticing line up! Now I really need to hear this album ...

Guy — is it Sunday morning there? You're enjoying a cafe au lait while listening to Sam Noto? Nice!

You guys are making me laugh! I just had a Chewbaca moment over in the XANADU RECORDS thread.

Those are the kind of stories I like to hear.

Oh -- no. Can't -- stop -- the -- finger -- on -- the -- caps lock. Must -- resist -- must -- refr... XANADU IS THE BEST!!!! ONE TIME I WAS JUST CHILLING IN MY DORM ROOM AND ALL OF A SUDDEN MY FRIEND RUDY COMES IN AND SAYS OK WHAT IS THE BEST LABEL THAT WAS ACTIVE IN THE 70'S AND I'M LIKE ALL OVER IT SO I SAY DUDE YOU READ MY MIND IT'S XAN-A-DOOOOOO! Ahem. Note to self: log out soon.

I don't tend to support Starbucks, but their coffee ice cream makes my synapses go . Al Cohn on Xanadu, coffee ice cream, the whiskey buzz slowly wearing down: sometimes life is good. Is there a "better" coffee ice cream out there?

On "Night and Day" from Al Cohn's America, Cohn sounds like Von Freeman! It's freaking me out. (In a good way.)

Port Townsend is a beautiful city. I'm guessing he does Centrum up there with Bud Shank? My parents actually saw Bill Perkins play there before he passed.

I've been afraid to open that thread.

Thank you, Pete! Good reading there.

What do you guys think of the Silver? I was pleasantly surprised. Not an abundance of "fire," but certainly not sedate either.

Wow. Bob Zieff. I freakin' love his composing/arranging for that Twardzik/Baker set. I didn't even know he was still with us. Garth (or anyone else) — do you know Zieff's story of the last few decades?

Yes, and Susan Hayward liked Bill Chase as well:

Hi All, I just had the fine privilege of having my book reviewed in the most recent Notre Dame Review. The author of the review, Bob Archambeau, is a professor at Wake Forrest. I don't know if anyone here reads NDR, but the recent issue just came out this week. Since this thread was initially started, Leaving won the Stafford-Hall Oregon Book Award. Mark Doty judged.

Nice insight — I'd agree. Man, who wouldn't want to be in a band that plays "23 Red." I never get bored of that track. Bill Chase (I assume that's Chase with the first solo) — all a guy can say is either or :bwallace2: . That is some bad ass Cheese-its. A couple of years ago, on this board, I think I said something like: You haven't lived if you haven't heard Bill Chase on "23 Red." It's true. You haven't lived if you haven't heard this track. Don't you want to live?