Late

How one defines "progressive" or "out" is always a relative thing, of course. That said, all the sessions (led and co-led) by Eric Dolphy are worthwhile, as are the two sessions by Ornette Coleman. I'd particularly single out these three sessions: Most here, I'm guessing, have this one. Great to hear Taylor with vibes. I always find something new in this record when I return to it. Four-and-a-half stars (sometimes five) in my book. Simmons, in particular, rips it up, and you can hear what Mingus must have heard (as he hired Simmons for a brief period) in his playing, most notably in the feature "Bojangles." Scott Yanow gives a surprisingly harsh to this one, but I find it to be one of the "missing links" in West Coast Out. (I'll let everyone decipher that term for themselves.) Very subtle at times, but consistently worthy of repeated listenings.

Seconded! Sound Samples.

... branching off, but somewhat related: got an e-mail from Rudresh Mahanthappa last week. He just gigged recently with McPhee somewhere in NYC. Anyone hear any of the shows?

I'm guessing the topic's been touched on somewhere above, but I'm interested in hearing Daunik Lazro solo. Any recommendations? I haven't heard anything by Lazro, but have read that Joe McPhee lists Lazro's solo work as influential/inspiring.

Here's the reply I got this evening: Yes we are thinking about the Mulligan sextet (Verve and Emaracy). Currently working on a Select of Mulligan's December 57 PJ sessions (annie Ross, Reunion, Songbook in stereo! and string date). MC Sounds like good news ...

Great to have you here Anatol! I've enjoyed your liners through the years. The Chronological Classics Jazz Series is a fine series indeed, and having your input on this board will be most welcome. (Really digging the Red Norvo CCs ... )

Out of curiosity, I tried burning that Gillespie disc onto a standard (79:59) CD-R. It gave me one extra second (80:00), and then cut the last tune short ... :rsly:

The Ken Burns' Dizzy Gillespie disc is 83 minutes. Has the great early track "Pickin' the Cabbage" on it ...

I suppose the same logic could be applied to Hank Mobley, Cannonball Adderley, Donald Byrd, Red Garland, Doug Watkins ... But I do think that Taylor's soloing has a distinctive signature to it. Yes, he's of the Philly Joe mold, but his touch seems lighter, and there also seems to be less bass drum "bombs" in his playing. While I might personally like Philly Joe's solos "better," Art Taylor's solos and ensemble work often have a subtlety to them that can go unnoticed.

!droW

A lot of OJCs have been going through my player lately, and, as a result, I've been listening to a lot of Art Taylor. In 1957 alone — he must have lived at Rudy Van Gelder's studio! To my ears, Taylor combines the hard drive of Philly Joe with the finesse of Roy Haynes: an impeccable sense of swing, unobtrusive support behind soloists, and crackling solos of his own when called upon. Does it ever seem to you, though, that Taylor's name is not mentioned in the same sentences with Roach, Blakey, and Jones (both Philly and Elvin)? I wouldn't say that Taylor is "overlooked," but it does seem, for whatever reason, his star hasn't been as bright in jazz history. I guess it doesn't really matter — the guy can play. What are your favorite Taylor appearances on record? And, if possible to list, are there any Taylor solos that especially stand out to you?

I asked about Fuller's Prestige work. (And I like trying to find pertinent "old" threads rather than creating a new one. B-) )

Another for this one: Charlie Rouse Quintet: Takin' Care of Business Sound Samples

Last day for the current 25% off jazz sale. This fine session (out-of-print?) is in stock.

Interesting thread — I'm curious to follow along on what label the session was made for. Now I'm going to have to spin The Ear of the Behearer, probably my favorite Redman session (from those I've heard).

The Bards have some. They're listing them at $18.99 a pop. (I'm going the Hiroshi route.)

Check out this search. Also try Two Trumpets on Prestige, featuring Art Farmer and Donald Byrd. Jackie's on that one, too.

Any love for Fuller's Prestige work? (Guy mentioned New Trombone above.) I'm just about to pull the trigger on With Red Garland.

Who's on this one? Seems strange that the Japanese haven't re-reissued some of these since their first appearance around 1997. I only have two, but they're nice indeed.

Thanks Chuck. Interesting that Jackie closed the day with a burner.

Might you be a contender? I've changed mine a few times but I've always gone back to my original avatar. OK, you caught me. My avatar's never changed from Newk recording The Bridge. Still, I'm wondering if anyone else, from Day One, has kept their same avatar? My avatar of Sonny Rollins stopped loading (at least on my screen) for some reason. First avatar change since I joined ...

I think you're going to like the Prestige stuff. I've been listening to it again recently, and am really appreciating it more than before. Here's a question for Jackie discographers: On February 15, 1957, Jackie recorded at least 11 tracks (totalling over 66 minutes of music) with Mal Waldron, Arthur Phipps, and Art Taylor, which were then spread across four Prestige albums. Does anyone know the original recording order from this day's work? I'm interested in putting together a "complete" February 15, 1957 disc. Also make sure to check out Jackie on Gene Ammons' jam sessions. He's in sharp form there.

The VICJ of Dig is nice — it reunites the two tracks from Conception to their original recording session. The sound is improved over the OJC, but the original recording itself seems to have some inherent flaws. The music, however, is .

Very cool — glad you dig! I just received a big OJC order on Thursday, and had a chance last night to devote around four hours to some serious listening — courtesy of new Grado headphones! Here are a few mini-reviews, after my first go-round with these discs: What have I been thinking all these years? I've had Henry on Brilliant Corners now for about 17 years ... and for some reason have never purchased a Henry-led session — until now. Wow. What sweet-and-sour alto playing; I really like his phrasing. Many thumbs-up for this one. Will have to check out the other Henry sessions ... Ahh ... Buck Clayton with Buddy Tate. This one just makes you feel good. Nothing that will make you sit up in your chair and holler ... just elegant, blues-drenched chorus after chorus. Good with a little whiskey. Another one — what the hell was I thinking? I have a fair amount of Mal on record, but, for some reason, this one just kept slipping under the radar. A big mistake! An intriguing record, and not just for the presence of Coltrane — one to return to with more concentration. The Jackie collection (on OJC) is now complete (well, except for the side with John Jenkins — d'oh!). What a nice one to save for last! The more I return to Jackie's work on Prestige, the more I value it. I play just about all the Prestige stuff more than, say, Swing Swang Swingin' or Capuchin Swing. Those two are both fine records, but the Prestige work just grips me more. McLean really is one of the consummate "blues" players in jazz.

That's a nice one — just spun it last week. Good choice! I also really dig Bennie Moten on Classics. And mid-30's Red Norvo!