Since you asked ...
Let My Children Hear Music - Classic, Perfect, etc. The CD has a totally unnecessary "bonus" cut and lacks the priceless essay that the early LPs came with. But get this puppy any way you can. It IS that good. Perhaps Mingus' most "fully realized" vision.
Mingus Moves - Not my favorite, sounds a little disspirited overall to me. Certainly not a BAD record, just not a great one.
Live At Carnegie Hall - more of a jam session than a "Mingus Record", but a good'un, no doubt. Plus, you get to hear the "lesson" that Rahsaan gave Adams that Red alluded to earlier (and I really do think that Adams grew up musically after that, coincidence or not).
Changes One, Changes Two - Definitive, simple as that. I much prefer One to Two, but you goota have both.
Cumbia Jazz & Fusion - Nice. VERY nice. Ambitious, and successfully so.
Three Or Four Shades Of Blues - Three or four shades of ambivalence. Mingus accedes to record company suggetions and makes a record with "contemporary stars" added, also uses pickup on bass for first time (maybe due in part to his devveloping illness), has the best selling record of his career. Just goes to show you...
Me, Myself & Eye, Something Like A Bird - a precursor to the Mingus Big Band, I suppose. Mingus is present but does not play. Not essential, but I've always found "Carolyn (Kiki) Mingus" a minor classic, what with Lee Konitz' superb reading of the melody and bittersweet improvisation.
Two more from the 70s - MINGUS AND FRIENDS AT CARNEGIE HALL (Columbia). Plenty of good playing on this one, but sloppy recording and editing. Hopefully somebody will make it right (or as right as is possible) someday. The blues duet between Mingus and Gene Ammons alone is worth the cost of admission.
And, whatever that Lionel Hampton-sponsored album was, it's pretty good, better to my ears than the last 3 Atlantics, and as far as I can gather, Mingus' last recorded session as a player.