which essentially means that he was getting gigs again. Those "lost years" or whatever you want to call them, late 60-early 70s, when he didn't have a band because he didn't have gigs becuase he didn't have a band etc, he still had that flame but he didn't have a band or the gigs. He'd be calling cats up to make a hit here and a hi there, and if he was lucky, he'd get some known (enough) quantities. But apparently he wasn't always luck.
It was the overalls band where he started working again, although how or why that started happening, I don't know. Some agent or backer or somebody got busy getting Art Blakey busy. But even that band...I'll definitely give "you" all of James Williams and some of Bobby Watson, but the only real function they all had was to be ready willing and able to play Messengers Music, wear the clothes of whatever band it was, and to be on time. In other words, don't fuck up the Art Blakey gig.
I think it was Keystone 3, the one with that Toussaint guy on tenor where I thought that maybe this was going somewhere new, but it didn't, not really.
Again, if Blakey had died in 1975 or so, his "legend" might have been even more solid than it now is. But living into and in the age of hype, he benefited from that, and I'm so glad that he did.