I don't consider chess players athletes, but GM Levon Aronian seems to be a major jazz fan.
There's a lengthy interview at this Russian site but I'll quote:
- Comparing your chess style with jazz, who would you be? I guess Magnus Carlsen is somewhat like Thelonius Monk – simple but yet very complex! (CiT)
I’ll respond using too many words, but please bear in mind the mitigating circumstance that I’ve got a maniacal affection for jazz.
Given that Thelonius had fame and recognition only among his colleagues, while the critics had difficulty understanding his ideas, he’s probably better reflected in the chess world by Michael Adams, while Magnus himself is more likely Tony Williams – a prodigy and trendsetter.
It’s a difficult task for me to compare myself to anyone. My natural modesty means it’s hard for me to name Joe Henderson or Booker Little. So as not to disappoint you, I’ll give a short list of other comparisons. Let’s start with one close to my heart. Vassily Ivanchuk, in my opinion, is Ornette Coleman – that same universality and great influence on other players. Bent Larsen is somehow similar to Roland Kirk. A great melodist (positional player), whose play was extravagant. Vasily Smyslov could very well be represented by Grant Green. A harmonious manner of play and wonderful technique. I associate Tigran Petrosian with Warne Marsh. A unique style of play which, it seemed, was too calm and dull, while in reality it was deep and cunning.
- Have you ever played a game as smooth as Kind of Blue? (CiT)
To be honest, I’ve never particularly liked “Kind of Blue”. Due to the fact that I heard it for the first time only after listening to many of the great albums of a later period it didn’t make the proper impression on me. Of course I do, however, recognise its enormous significance for the following era. So let’s designate the “perfectly smooth” album as “The Next Step” by Kurt Rosenwinkel