Niko

you didn't ask about the Azar Lawrence Volume, I guess... good to know, that they knew what they did (although we probably have to admit that Legends of Acid Jazz Paul Bryant and Legnds of Acid Jazz Azar Lawrence wouldn't have stopped the Concord thing)

what is an online "profile assessment" test for? sounds strange...

as a child i had a book where the main character's job was to perform calculations like these... from time to time his boss came by to check that he wasn't using a calculator - back then i didn't believe that jobs in the "real" grown up world were like that... (i've known for some time that i was at least partially wrong but) i hope very much that your job isn't like this

There are 30 songs on this CD, and those two are not among them. Now, can somebody tell me about one Dolores Brown> She appears on one cut, as well as in a photo on the back. She would appear to be quite...desireable. if allmusic is not too simple for you (it's Chadbourne)

a little late Aztec Camera - We could send letters The Cure - One hundred years Fehlfarben - Angst (four and five would be Shipbuilding and Style Council - My ever changing moods)

Yes. Oh, and I got that album FOR Bryant, not Griffin. I really like Paul Bryant's playing, though his PJ and Riverside appearances don't quite do him justice. You have to find his two Fantasy LPs to get him at his best. (And you also get some superb Plas Johnson on those.) This is a superb set. I had all of it except "Groovin' blue" on LP before I bought it, and "Katanga on CD as well, but wasn't deterred from getting the Mosaic. Decades of wonderful entertainment in this stuff. MG thank you! seems like they forgot another volume in the Legends of Acid Jazz Series...

a Dupree Bolton release? what will be on it? wow!!

that's what i tell myself, too... doesn't seem like i will get my order of Song of Songs from them either

great news, thank you!

http://de.wikipedia.org/wiki/Erdberg_%28Wien%29 seems like it's his neighborhood if my English were better i'd try to translate Erdberger in a way that makes clear why this is an extremely funny word - but maybe it's just because i'm drunk

has anybody checked out this CD? Tenors Hadley Caliman and Gary Hammon plus an organ trio I know nothing about... http://cdbaby.com/cd/fangs the samples sound nice, not like they want to change life on this planet, but after all they wouldn't have succeeded anyway I guess (in a way Caliman and Hammon are both successors for Sonny Simmons, Caliman with Prince Lasha's Firebirds, Hammon on Barbara Donald's 80s albums, neither of which I know, but i guess this doesn't have to do too much with this record )

Dually noted. That seems to be the consnsus. you're now ready to inform us about the contents of this thread, it seems

as do so many people who live in Asylums... on a vaguey related note, just listening to Yusef Lateef's Live At Pep's and he announces his composition "Listen to the wind" as "a contemporary piece of jazz..." not "auto... music" in sight

just the record i am listening to at the moment (and all the time) but Prince Lasha / Sonny Simmons "The Cry" sounds like a success to me and and it is a collection of songs which are all very explicitly about someone or something (does that count as program music)... from the liner notes: "Green and Gold" was conceived as a musical blend of these colors, the first half of the work is gold and the second half, green. They represent the colors of the African landscape to Lasha, "based on the great names in the past, Bird, Chu Berry, Clifford Brown, Richie Powell, Charlie Christian - all the outstanding musicians who passed before we were even present." Simmons adds, "We're communicating with them as we play." "Red's Mood", "a free mood based on the blues", is named for a tenor sax virtuoso, Red Connor of Fort Worth, who died several years ago etc. (i love these liner notes)

watched the 1940-1942 issue of Ken Burns Jazz on television yesterday, where they claimed that American democracy was such a great and free climate that Black people and Jews (Benny Goodman and Artie Shaw they mentioned) could fully develope their creativity in it... creativity was not really the issue in other parts of the world either, i would say...

posts 38 and 39, but actually i've listened to it another time since and i definitely don't regret having it...

is the organ stuff like Johnny Griffin's Grab This with Bryant (which i really really like and recommend, it's a limited ojc so...)?

you can edit your first post and change the thread-title (also this is in the wrong forum anyway...) ah, (had just tried a quick edit, but to change the subject a full edit is necessary...) but i can't move it, can i? (guess you mean it belongs into the artists thread... i had just looked where the Hazlewood thread was and added it there...) edit: that spelling mistake also explains why i couldn't find the previous discussion of Turbinton I remembered http://www.organissimo.org/forum/index.php...mp;hl=turbinton (thread about Reuben Wilson's Groovy Situation album)

don't know how to change the forums title, but, of course, his second name is spelled "Turbinton"... sorry, wherever you are...

... http://blog.nola.com/times-picayune/2007/0...neer_turbi.html

chewy started a thread about this some time ago, back then someone said, the session would be on the Onzy Matthews Select, but it seems they have a session featuring Bolton and Earl Anderza instead...

as it took me some clicking to find out - maybe i should put this in another thread - the same type of interview exists for 10 other artists as well, such as Clora Bryant, Cecil McNeely, Jackie Kelso and Lee Young... guess this is the right place to mention Steven Isoardis fine books (of which i know only the collette biography and the dark tree) http://content.cdlib.org/search?keyword=is...p;style=oac-tei another tremendously interesting item on this site is the list of 216 unreleased Horace Tapscott recordings http://content.cdlib.org/view?docId=kt1870...t&brand=oac they have items like this one: [ Box 16 ] [ Item 3 ] Marty's on the Hill . 1960 Personnel: Horace Tapscott, piano; Jimmy Woods, alto saxophone; Arnold Palmer, drums; Al Hines, bass; Lawrence "Tricky" Lofton, trombone; Joe Gordon, trumpet; Juanita Cruz, vocalist. Compositions: Green Dolphin Street, Take me back where I belong (Max Roach & Abby Lincoln), Summertime, Moanin'.

no one has mentioned yet that on one of these sessions we have one of trumpeter Don Joseph's few appearances on record (btw the Don Joseph discography also mentions that "According to session log, Tony Scott participated only from 15:45-17:00." )

Happy Birthday (to the first person who ever responded to my posts iirc)

actually this is the third time I posted this but always in the wrong threads