I listened to the Trane stuff.
Yet, this particular period of Trane, where he began to flirt with the
demands of pop music, didn't satisfy me quite as much as "Ascension"
which I listen to on a daily basis. It's unfortunate that he succumbed
to pressure to mimic the evolving "smooth jazz" and "safe sax" scene.
I sort of wish he had had the courage to take it "out" and really
stretch out beyond the boundaries of pop culture. Other than that, of
course, I enjoyed it. It just lacked a little in the edginess and
exploratory freedom I had hoped for.
Concerning the other links, I put in my order for the Twelve Tone Hits right away!