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Joe

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  1. Joe
    I also see there's a grey market collection of the complete Konitz / Mulligan / Baker Haig recordings from 1953, but I know little else about it. https://www.discogs.com/Lee-Konitz-Chet-Baker-Gerry-Mulligan-Complete-1953-The-Haig-Performances/release/10231100
  2. Joe
    Thanks; I'd forgotten half of it was live. And agree. Some of the best early Konitz out there.
  3. Joe
    Also, the Lee Konitz / Gerry Mulligan / Chet Baker Pacific Jazz date... maybe I'm just clueless, but I don't see much discussion of this one. A key document, and still very fine listening.
  4. Joe
    The Ted Brown / Warne Marsh recordings (FREEWHEELIN' etc.). Also, the Art Pepper / Marsh session for Contemporary. You can get a taste via THE WAY IT WAS, but the complete sessions are out there too, though maybe only ever released in Japan [?].
  5. Joe
    Hearing Herbie's voice is proving to be a very emotional experience for me.
  6. Joe
  7. Joe
    Thanks for confirming. Not that I really doubted it was real... it's just that it's so out of the blue. But what a treasure.
  8. Joe
    This has been authenticated?
  9. Joe
    Whoa! Thanks!
  10. Joe
    Very much enjoyed relistening to this program. Thanks again for helping to document the work Kimbrough and co. did to preserve — heck, enhance — Herbie Nichols' legacy.
  11. Joe
  12. Joe
    Have you seen LAWRENCE OF BELGRAVIA? Keep meaning to check it out. https://thequietus.com/articles/24054-lawrence-felt-denim-go-kart-mozart-interview
  13. Joe
    What a songwriter he was.
  14. Joe
  15. Joe
    Damn it. Far too young.
  16. Joe
    I heard those passages in a similar way, but my ear landed on Laraaji. But I chalked it up to the filmmakers needing Joe Gardner to go to a place "beyond category" (and somewhat unbeknownst to himself).
  17. Joe
    Excellent date, with Bailey sounding especially inspired. But a date which also raises a question. The title track is here credited to Bill Barron, but, on Yusef Lateef's THE CENTAUR AND THE PHOENIX, it is credited to Kenny Barron. What's the real story here?
  18. Joe
    We thought SOUL was lovely. I do understand some of the criticism leveled at it. Lots of nice Easter eggs in it for jazz aficionados, though, as noted. Herbie Hancock and Terri Lynne Carrington, among others, consulted on the film.
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  23. Joe
    More info is now available at the New World Records website. (In their PDF catalog.) Link
  24. Joe
    Let us now praise Tommy Turrentine and Dave Burns.
  25. Joe
    A wonderful performance by all involved! Now:
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