Teasing the Korean

Uncut Gems - The Safdie Brothers

The Beach Boys Today (Capitol, mono) I get rid of "Bull Session with the Big Daddy" and start side 2 with "Guess I'm Dumb" by Glen Campbell. It is now a perfect album, by 1965 teen pop standards.

Oh, I prefer mono right up until the end. I almost always buy a mono copy of an album over a stereo, all other factors being equal. When you say "true mono," Keep in mind that an album could have been recorded in mono or mixed for mono, but still have stereo groove configurations. This was the case with mono LPs dating from the mono/stereo era, roughly 1958-68 (in the US). But mono LPs pre-1958 have different groove configurations. So, if you have Sinatra's Wee Small Hours LP with dark grey labels, it is likely cut with mono grooves. But if you have a mono copy of the same LP with the Capitol rainbow label, it is pressed with stereo-compatible grooves.

The Seductive Voice of Wanda de Sah - Softly (Capitol, stereo)

A mono cartridge is no different from having a mono button on your amp. If you don't have a mono button on your amp, you can get an inexpensive Y converter for playing mono LPs. If you have a true mono stylus, it is good only for mono LPs from the pre-stereo era, as later mono LPs used a stereo groove configuration.

Angelo Lavagnino - Requiem for a Gringo Johnny Mandel - Point Blank Jerry Fielding - The Outfit

👍 Also watching The Curse (Benny Safdie).

Albert Ayler - New Grass

Has this happened to you? It happened to me at least twice, in two different cities, a few years before the pandemic. 1. Dusty Groove (Chicago) - I walked in, and I had a feeling that I would find Paul Horn's Cleopatra album on Columbia. I go to the Paul Horn section, and...it's not there. I continue browsing through the store, and at the very end, I look through the new arrivals, and lo and behold, there is a pristine mono copy of Cleopatra. 2. Philadelphia Record Exchange - I walked in, and was sure that I would find a copy of Erroll Garner's Other Voices. The Erroll Garner section was particularly fat, and I had several copies to choose from. I grabbed the mono 6-eye original. The funny thing about both of these situations was that I was not specifically looking for either of these LPs.

Sorry, I meant Babs Gonzales.

So, did anyone else pick this up? I am spinning again now, and totally digging it. The two scores are very different from one another, but I really like both.

Yeah, either make it an event, or don't bother!

Well, the Centenary album is out. Seven tracks, collectively clocking in at 27 minutes. Download only. I'll stick with the original LPs. https://www.qobuz.com/us-en/album/the-henry-mancini-100th-sessions-henry-has-company-henry-mancini/wn3s8tk38ov9b

Wow, so Dave is 90! Was never into his jazz records, but I love his 60s & 70s film & TV stuff.

Ugh!

So I've had Covid for a week and am still testing positive. I feel mildly better than I did, but it's still touch and go. What are peoples' experiences with paxlovid or remdesivir? Are they even effective after someone has had Covid for a while?

Still testing positive, one week later. I'm on the mend, but still weak.

I have this version: 01.World'sApproaching(Stereo) 10:08 02.ThunderoftheGods(Mono,PreviouslyUnreleased) 13:23 03.CosmosMiraculous(Mono,PreviouslyUnreleased) 11.10 04.MoonshotsAcrosstheSky(Mono,PreviouslyUnreleased) 5:41 05. Strange Strings (Mono) 12:25 06. Strange Strange (Mono) 20:02

Leith Stevens - War of the Worlds, When Worlds Collide (La-La Land)

Klute did a really good job of capturing the aesthetics of Italian giallos. Michael Small's score channels both Morricone and Nicolai.

Or Day of the Locust.

Let's not forget cereal box records!

$50 for five vintage jazz albums seems steep to me. If it were, say, $19.99 for five coasters and five albums, that may be worthwhile. Obviously, the audience for this product probably does not frequent message boards like this.

That would be my guess, also. I'm trying to figure out how/when/where this originated.

It seems that by the 1950s, this had become a thing on mixed orchestral/vocal albums. The group singers may sing only a couple of lines of the song, including the title, but otherwise sing wordless vocals. I wonder when this began. Les Baxter was doing it at least as early as 1954. I've wondered also about Paul Weston, who is considered to be the father of mood music, but his early albums are mostly orchestral.