Big Beat Steve

Now that you describe it, I do remember that scene. So I pulled out my VHS cassette and watched that sequence. Somewhere through that sequence piano and bass come in too but the drummer is very much in the foreground throughout. The music is effective as background to that film scene but on its own? Not so sure. A criticism that had been levied at the soundtrack in period reviews, BTW. Personally I tend to disagree in the case of the other tracks but here it indeed is so that the music on its own doesnt do much overall IMO. In short, a track for completists only.

Indeed. I bought the 26-track CD (single CD, including everything from the item above except 'L'Interrogatoire de Julien") from a rack of budget-priced CDs in a shopping center in France last year. Same cover pic as on the set under the Discogs link above. I cannot make detailed comments about the sound quality (whcih basically is OK to me). The only other reissue of this I have is on an LP I bought new in 1983 (Italian Philips) - the 10 soundtrack tunes on one side and the soundtrack of "Des Femmes Disparaissent" on the other. I haven't listened to other reissues so do not feel qualified to judge.

I doubt that they sent me your tracking number. My item is still listed as being in transit. My point is that to the best of my knowledge Swiss Post does not do parcel deliveries on German territory. So even if Swiss Post in turn has some sort of cooperation agreement with DHL for cross-border shippings, involving them in this case where they have no point being involved at all because Switzerland is no transit country for US-German shippings can only mean detours and delays. Senseless ....

Weeelll .... I was half tempted to add a post in the Savory box set thread about eagerly waiting for the shipping to arrive, but seeing this post by neveronfriday (hey, never knew you live in this neck of the woods, more or less ... ), I just had to chime in with another status report re-Mosaic shippings: Ordered the Savory set on 31 May, received an order confirmation from Mosaic on 1 June, an order forwarding (shipping) confirmation from Mosaic on 7 June, communication with Scott Wenzel was good and prompt , no complaints at all. Spot on. Then on 7 June a shipping notification from this William B Meyer company arrived, including a tracking number which initially did not show up any details of the actual status of the parcel. So far, so good - was to be expected that this would take its time. Then, on checking 2 days ago, the tracking details (handled by "Asendia" - who??) said that after receiving the shipping information on 12 June (what hapened to the parcel between 7 and 12 June, but never mind ...) the shipment seems to have left the "origin border point" (read, the US of A, innit?) on 14 June. But then ... while no more status info has been added to the page since then and though the destination country "Germany" is clearly indicated, the info under the "Postal tracking #" now reads: " Asendia has partnered with Swiss Post for final mile delivery of your parcel ", and when clicking on the POSTAL tracking number a page comes up with the logo of SWISS POST at the top (i.e I am on a website in Switzerland now) WTF?? I am of course keeping my fingers crossed about the parcel showing up eventually and safely but I am more than a little surpised by this turn of things. Do those who handle shipping "stateside" realize that these are two different countries? What's the business of SWISS Post with delivering a parcel coming from the US for delivery to Germany? What kind of order processing is this? In about 18 years of ordering regularly from the US I have never seen such bizarreries. DHL (operating internationaly) - yes, but Swiss Post for an item that does not even go though Switzerland? As for having to go to the customs office showing an actual invoice and pay the fee, no big surprise, this can happen and I am more than half expecting this here with an item of this bulk. It just is anybody's guess which parcels slip through under the customs radar (including if the value ahs been declared low or not at all). I've been lucky a number of times so the overall ratio is bearable but the delay this will inevitably cause (King Ubu is right about the 2 weeks' span - same here) is annoying indeed.

Must have been a lot of Bluebirds. The reissues on French RCA (Black & White series) ran to two 5-LP boxes plus a full 23 individual LPs. Just checked these Bluebird twofers out on Discogs. I cannot consciously recall having ever seen them in shops over here at the time, contrary to those on many other swing bandleaders. Maybe the existence of the monumental series of the French RCA Black & White reissues left no place for them?

So I suppose you do not have any other plans for the weekend than to bury yourself next to your CD player, right? Enjoy!

I wonder how many airshots released for the first time in this set also figure in the listings in this chronicle of listening to swing on the radio: https://www.amazon.com/Swing-Era-Scrapbook-Teenage-1936-1938/dp/0810854163/ref=sr_1_1?ie=UTF8&qid=1529479502&sr=8-1&keywords=swing+era+scrapbook

If I got Larry Kart right I understand this to mean there was too much talk about HOW great the music is instead of analyzing WHY it is so great. Like Larry said - those who read the liner notes already HAVE the set so do not need to be sold on it - contrary to what the average sales blurb on the back of many LPs was intended for. Anyway ... one more reason to look eagerly forward to receiving the set. Lots of explorations to be done, including in the notes. That aside, I guess there can be times when liner notes just aren't quite what they usually are with a given collector's label that has set high standards. Compared to the explorations of every bit of historical details not easily accessible or not documented at all before that Uptown often managed to come up with in the booklets of many other releases, I for one find the notes to the Illinois Jacquet/Leo Parker rather a superficial hack job, for example. Those who buy such a specialist relase on this specialist label no doubt are aware of the key biographical details of the featured artists.

For a moment I was considering asking everybody who's going overboard in their praises here to PLEEEEZE have mercy on us overseas buyers who yet have to wait for a couple weeks more for the set to show up at our doorsteps, given overseas shipping lead times. BUT - your comment on the liner notes (coming from a pro in the field) has me wondering ... What happened in your opinion? Someone ran out of superlatives before writing the actual notes to THIS set? Newly discovered recordings too difficult to work into a reevaluated assessment of the featured artists' bodies of work of this period? Didn't the download instalments inculde "liner" notes too? Do they differ markedly form what's included here? In what direction? If so, I wonder why ... But coming to think of it, all this AGAIN raises the curiosity and anticipation to be be able to check for yourself. So nothing gained - and one MORE reason in fact to itch for the set to arrive ... oh well ...

Who "guys"?

Just to underline the appeal of Jimmy Smith at the time, if the record reviews in early 60s copies of the Bulletin du Hot Club de France are anything to go by, Jimmy Smith was one of those jazzmen commonly ranked under "modern jazz" that even inveterate anti-bop moldy fig Hugues Panassié really approved of (Erroll Garner was another one, BTW).

You have the entire series? I only grabbed Vol. 5 (The Rich-R-Tone Story) when the batch was available at a really affordable price here at a record fair long ago and regret not having picked up the others. Though I must admit I wouldn't pay big money for these (not that they wouldn't be worth it to aficionados, but to me they are more of a "nice to have" side line).

Cannot say that I am a fan and don't follow it closely (within the limits of what you can AVOID reading and seeing about it here in the media at all) but I must say it is highly interesting to see how this (Association) Football World Championship is being commented on here from all around the globe. Fascinating and entertaining, so keep it up, everybody ...

Exactly. Which is why I find it rather annoying when record stall holders (happens rarely with shop employees these days, admittedly) ask me what I am looking for and give me an irritated (and at any rate dissatisfied) stare when I (politely and quietly) tell them "I can tell you when I see it". (Sometimes when I am in the mood I explain that I have widespread interests and might even be tempted by something that I just hapen upon unexpectedly or is in the back of my mind but not ready to be named offhand, and then at least one or the other understands and admits this is a sound approach).

Schmeichel, perhaps?

An endless subject ... Was he more evil than many other "celebs" who were not all that pleasant in their day-to-day dealings - in stark contrast to their artist image? Artists aren't per se better human beings in the way they act in their private lives. Hasn't it often been said that in the end you cannot really avoid separating the artist (and his work) from the person? Otherwise, where would things end up if we all were to stage posthumous "Weinstein revisited" campaigns on whomever for whatever reason? Would we discard our Dizzy Gillespie records, for example, because Valerie Wilmer must have found him rather evil too after certain things that happened?

What makes you think so? She was on Kenton reecording sessions on Feb. 11, 1953 April 8, 1953 May 25, 1953 Reissued often ... https://jazzdiscography.com/Artists/Connor/Connor_preBeth.php

Oh you know, bumping the thread to keep it at the top of the list isn't the worst of things after all ...

Seems like there's a huge outburst of "no sex please we're British" going on here

But note where this forum is based. Would "journals" suit you better 'cross the Channel?

I doubt that your copy has THAT logo in the upper right corner of the cover.

I have the following jazz magazines and periodicals for sale. Shipping from Germany is extra (at cost). Please contact me via PM if interested so we can work out the details. I would be wiling to ship worldwide at cost but due to the fairly steep overseas shipping rates I guess these offers will be mostly of interest to European collectors. JAZZ MAGAZINE (France) - 5 EUR each 1956 - no. 17 (April), 18 (June), 19 (July-August), 20 (September), 21 (November) 1961 - no. 68 (March) , 70 (May), 71 (June), 74 (September), 76 (November), 77 (December) METRONOME Yearbooks : 1954, 1955, 1956,1957, 1958 - 22 EUR each DOWN BEAT RECORD REVIEWS: Vol. III (all reviews of 1958), (final 2 pages and back cover missing but photocopies of pages supplied) - given the recent discussion of those Reviews yearbooks elsewhere on this forum, $35 including international shipping takes it DOWN BEAT magazine: June 30, 1948 - 7 EUR ESQUIRE'S JAZZ BOOK 1944: Hardcover (dust jacket tatty round the edges, otherwise clean copy) - 12 EUR BULLETIN DU HOT CLUB DE FRANCE: Complete years 1965, 1966, 1967, 1968 - 15 EUR per year (10 issues per year) JAZZER - DIE DEUTSCHE JAZZ-ZEITUNG: No. 8/August 1962 (short-lived obscure German jazz newspaper-type publication): 2.50 EUR ESTRAD (Sweden): April 1941, Sept/Oct/Dec. 1943, Feb. 1949, July 1950, October 1954, May 1956 - 3 EUR each ORKESTER JOURNALEN (Sweden) - 3 EUR each: 1946 - Jan., Feb. 1948 - December 1949 - September 1951 - October 1955 - June, July, Oct., Nov., December 1958 - Jan., March, April, May. June-July, Sept., Oct., December 1959 - Feb., March, April, May, June, July-August 1960 - full year 1961 - Jan., Sept., Oct., Nov., December 1962 - Jan., Feb., March, June, Sept, Oct., Nov., Dec. (back cover missing on these issues - photocopies can be provided - but otherwise in VG condition - copes with missing back cover 2.50 EUR each) 1964 - September (back cover missing) 1965 - June And some related stuff: CATALYST - The SUN Records Story (Colin Escott, Martin Hawkins, Aquarius Books 1975) - 8 EUR Thanks!

Actually I found my shipping confirmation from that WIlliam B. Meyer company (that Jazzbo mentioned above) in my inbox this morning., so it was mailed late on 6 June. Complet with tracking number (though a search under that no. does not give any details yet - probably too early). Anyway ... this is about as fast as one could reasonably expect from here.

Well, whaddaya know ... After having ordered last Friday (June 1), today (only three working days later) I received an initial shipping notice stating that my order has been forwarded to the warehouse and that they expect to get the item out within 2 to 4 working days. Very pleased! No matter where they may have been slow in the past, they certainly don't seem to lose time in processing the Savory orders ... So let's just keep our fingers crossed that the warehouse staff will be up to snuff too.