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I've been listening to his new CD, Tricycles, with Mark Egan and Paul Wertico, and it is excellent. He sounds as good or better than ever.

Big mistake, that's a terrific Kirk recording.

You are going to be extremely glad to have Roland Kirk In London. Unadulterated live Roland Kirk, and other than a few short piano solos, it's all Kirk.

I use media mail. I placed an order on Saturday, and the order arrived on Monday. It's usually not quite so fast, but it's fast enough for me.

Now you've done it--I've ordered this one, plus the Roland Kirk in London, plus the Stan Getz...

I saw Horizon in the early 1990s. The first set was okay; the second set was great; Mr. Watson was breathing fire. A few years later, I saw him at Sweet Basil, in a bit more commercial style, with Rachel Z, but by the end of the first set he was playing great again.

I really like this one also. This may be my favorite Bobby Watson recording.

Here's a link to a discography of the recordings of the Mingus 1964 European tour. http://webusers.siba.fi/~eonttone//mingus/1964.html

If I recall correctly, there are two discs on France Concert which are the April 17 concert, the same one as released on Revenge, not the one released on The Great Concert, which is the succeeding performance.

David Newman's early 1970s Atlantic album Newmanism has fantastic Roy Ayers on it (in additional to sublime David Newman).

Those two from 1970 are great recordings--mostly Mingus classics (was Mingus not composing at this time?)--Reincarnation of a Lovebird, Pithecanthropus Erectus, Peggy's Blue Skylight... The only CD reissue I've ever seen is terrible. And those Dolphy and Mingus solos from Fables of Faubus on The Great Concert could qualify as my favorites of them all.

That's a nice handfull. Are they in good shape? Oh yeh, look for the ear in the dead wax. What does the ear mean? I found the ear in three of them (Braith, Mobley and Gordon). All four monos have Van Gelder in the wax. The stereo says RVG. The vinyl is in good shape on all of them, it appears, but the covers are damaged on two. I even remember where I bought these LPs. Three used from Collector's Records in Dallas 20 or more years ago for a grand total of $19.50. The Big John Patton I believe I acquired new sometime back in the 1970s as a cutout in some discount store for a couple of bucks. The Duke Pearson I bought in Austin for a few bucks new; not sure how it survived sealed and unsold until the early 1980s, unless it's because the back cover is upside down.

This thread piqued my interest in terms of how many pre-Liberty Blue Note LPs I had. Alas, I have discovered only five, all with New York, USA labels. I immediately noticed that the vinyl appears to be heavier and the cardboard sleeve as well appears make of heavier cardboard stock than the varied reissue LPs in my collection. I've got copies of: Big John Patton, Got a Good Thing Goin (mono) Duke Pearson, Wahoo (mono) Dexter Gordon, A Swinging Affair (mono) Hank Mobley, Workout (stereo) George Braith, Two Souls in One (mono). Now I'm going to have to listen to these again.

I just wish I was going to be there. What I didn't understand was why the club booked a double bill. No offense to the other group, but reforming the John Handy Quintet from 1965 is a rare event, so why force them to play shortened sets to accomodate a second group?

He (Orin Keepnews) used to post on the AOL jazz bulletin board. He was a bit gruff but had many interesting things to say.

Ditto. And thanks for starting this thread. I don't think Riverside gets its due because it put out some outstanding releases. Most of what I know about it comes from Keepnews' book, which sounds like it should be taken with a large grain of salt. A great label, even if the only artists it had recorded were Monk and Wes Montgomery. As for getting its due, what a relief that there is not a large cadre of Riverside obsessives/exaggerators as in the case of Blue Note.

Have enjoyed the Mingus Candids for years. I have the mono originals. Like most of the first generation Candids, the sessions were engineered by the great Bob d'Orleans. The music speaks for itself. The sound is superb in all its analog glory. No print-through echo on those Candid LPs. Thanks. Those are probably pretty hard to get one's hands one, but I'm going to try.

Has anyone ever come across a version of the Mingus Candids that do not have the annoying print-through echo? I gather this is from poorly stored tapes. Are original pressings free of this defect?

I saw him at Jazz Standard last fall, leading a Wes Montgomery Tribute band (Gary Bartz, Larry Willis, Peter Bernstein).

He's rather slight of physique; it's his musical mind that's gigantic.

His live performances have been pretty rare since the 1960s. New recordings have become rather scarce as well. You are lucky, as I haven't seen him since 1986.

Bobby Previte's Counterclockwise is one of the most outstanding recent releases I've heard.

That one is tempting me also. In addition, does anyone know the quality of the recording on this one? Lee Morgan -- Unforgettable Lee Live At Birdland . . . CD . . . $18.99 (Item: 351999) Fresh Sound (Spain), 1960 (2CD) Condition: New Copy View Cart A fitting title for this scorching set tracks led by the incomparable Lee Morgan -- captured over several dates throughout 1960 at the legendary Birdland club -- and backed up by Art Blakey and his Jazz Messengers! Nothing but legends on the stage here -- with Morgan's trumpet out front of Blakey on the kit, Bobby Timmons on piano, Wayne Shorter on tenor, and Jymie Merrit on bass. The tracks on the first disc were recorded on three dates in the spring and summer of '60, and they include "The Chess Players", "This Here", "The Midget", "Nlly Bly", "Dat Dere", "Justice", Night In Tunisia" and more. Disc two features numbers recorded in the summer and fall of the same year, and it includes "Lester Left Town" with Lester Young sitting in on piano, "It's Only A Paper Moon", "This Here", Sakeena's Vision", "Koko's Waltz" and more.

The only time I recollect running across Lou Blackburn is on Mingus at Monterey.

That's one of my favorite jazz records. Actually, Wonderland is another (and I wish the record company had preserved the rest of the concert). Handy also makes a dynamic appearance on Mingus' live Right Now, on a sidelong Fables of Faubus, where he and Cliford Jordan play at an incredible level of inspiration. And Handy plays on Mingus at Carnegie Hall.