Hank

Yup.

As best as I can gather, the 3 bonus tracks are two additional takes of "Chelsea Bridge," and one more take of "Dalarna," of which there are already two takes.

Thanks for the cover shot, Chas!

Thanks Dave. Think I'll probably get both Murphy titles from emusic, but I'm going to keep looking for "Gone" on CD as well. And yes, I really like Rod Levitt--"Dynamic Sound Patterns" is a classic. I also have Levitt's RCA titles on vinyl. Now there would be a nice collection for Mosaic to put together!

Hi, I got a copy of Olio (Thanks, Weizen!). Now I'm looking for the OJC CD reissue of Gone With The Woodwinds! by Lyle Murphy. I have a trade list below. Will also consider buying it for $20-25. Please PM if interested. Trade list (all CDs in excellent shape): Ben Webster Meets Don Byas (MPS/Polygram) Van Morrison -- Veedon Fleece (Polydor) Romane -- Acoustic Spirit (Iris Music, Sealed) Jack Wilson -- Easterly Winds (JRVG: TOCJ-9151) Ray Bryant Trio (Japanese Epic/SONY: 25-8P-5108) Art Pepper -- I'll Remember April (Storyville) Bad Company -- Bad Company (Audio Fidelity, Gold CD, AFZ 024) Amy Winehouse -- Back to Black (2CD "Deluxe" Edition, 9 bonus tracks) Thanks!

Up. Have added Van Morrison's Veedon Fleece CD to my trade-list.

Thanks, Shawn. The search begins.

That was great. I'd never heard Burrell play "Jeannine." Did he ever record it?

Hi, I'm looking for the OJC CD reissue of Olio by Thad Jones and Frank Wess. I have a trade list below. Will also consider buying it for around $20-25. Please PM if interested. Trade list (all CDs in excellent shape): Lucky Thompson -- Tricotism (Impulse/GRP) Ben Webster Meets Don Byas (MPS/Polygram) Romane -- Acoustic Spirit (Iris Music, Sealed) Jack Wilson -- Easterly Winds (JRVG: TOCJ-9151) Ray Bryant Trio (Japanese Epic/SONY: 25-8P-5108) Van Morrison -- Veedon Fleece (Polydor) Thanks!

The copy of the new reissue I saw doesn't have bonus tracks listed on the back, just the original 10.

Price drop. PM and post, if interested. Paypal or check. Thanks! Herbie Mann Just Wailin' OJC 900-2 (ZYX release, same as US release) 6 tracks, 1958 Light marks on disc $15, including domestic shipping Count Basie Basie at Birdland Japanese/Toshiba reissue, "mini-lp" jacket TOCJ-9635 9 tracks Disc, jacket, insert: spotless $8. including domestic shipping SOLD Teddy Edwards Nothin' But The Truth OJC 813-2 6 tracks, 1966 Sealed $12, including domestic shipping SOLD Phil Woods Quartet Warm Woods 80s-era Japanese reissue (w/obi fastened to case) Epic/Sony 25-8P-5107 8 tracks, 1957 Disc, booklet, insert: spotless $20, including domestic shipping

Impossible to pick only one. Today it's "Pannonica."

I think the sound's pretty good too. The horns are clear and upfront. It's Bley's piano that suffers--ironic given that it's his date. I only have one of the LPs, so I was happy to get the extra tunes on the CD.

Ohhhh, THAAAT Stuff....

Anyone have any ideas what the Stuff Smith stuff might be?

I have this as a two-fer (a gold one, no less) that was issued in 1992 in France by Vogue/Chess. Very nice sound, as I remember. Groove Hut, being another of those questionable labels from Spain, may have lifted it from this issue?

Just ordered one, too. I've always been amazed by the very little of his playing I've heard.

The clips sound great. I'm getting it.

Thanks for the tip, Trane. I've placed an order. Will see how it goes.

Herbie Mann Just Wailin' Can't seem to find this CD. Anyone have one they'd like to part with? Willing to pay $20. Thanks

Here's the link: Hendrix/James auctions Thanks

Yes, they are available on vinyl. I meant digitally available.

A mixed blessing, I guess. It's great that Burns' two Vanguard albums are up for download at iTunes, but it makes it more likely that they will never see a legitimate CD release. That said, I'm real glad to have "Warm Up" available. Please correct me, if this has been mentioned elsewhere.

Judgment, Andrew!!!, Dialogue (a Bobby H album) He appeared on Dialogue, Hank Mobley's No Room for Squares, and Joe Henderson's Our Thing. Guy Andrew also recorded with Hutch for Eternal Spirit (for the reformed BN--that one is OOP, though...). And also on Rahsaan Roland Kirk's Domino, Jimmy Woods, Conflict, Russel Baba, Earth Prayer, Reggie Workman, Summit Conference and Johnny Hartman, Sittin In At Jorgie's Jazz Club. All worth mentioning IMO. Hill's also on Walt Dickerson's To My Queen.

I know Ornette really liked Bob Wills' music, but was unaware they played together. I can't find any exact dates, but there are a number of passing references to it, including this by Ornette himself in a 2004 interview: AC: How did growing up in Fort Worth affect your musical development? OC: When I grew up in Fort Worth, there was segregation, so if that's what you mean, I'd start with that. It didn't affect my brain, it just affected the fact that there were rules that you couldn't participate with other human beings, because of their race. And I'm not talking about segregation as a racial issue. I'm talking about it as an intellectual issue. Back then, Fort Worth's main enterprise was the packing industry. Two very large packing houses in Fort Worth distributed all of the meat sources that the country devours. So most of the music in Fort Worth was hillbilly music, or country & western music. ... The way it affected me was not finding people I could play with. That's the only effect I felt. When I was working/playing by myself, it didn't bother me, but when I tried to go out and play with other people ... although I played with Bob Wills & the Texas Playboys. I mean, I never really thought about segregation, I just went and played with whoever I could play with. I let them play with me. The styles were what were so rare. Bebop wasn't a big style in Texas when I was coming up. Rhythm & blues, rock & roll, and country & western were. AC: Were those idioms interesting to you as a young musician? OC: I think they still are, because they're just ideas, and if you're allowed to express an idea in any environment that inspires you, you can bring more to that particular melody line than just repeating the revolution of the chords. AC: You played with Bob Wills! OC: Yeah, long ago. I also played with Stan Kenton's big band in Fort Worth. I think that was in the Fifties. Most of the country & western guys used to come to a place called the Jim Hotel where they had jam sessions. Most all the rhythm & blues and jazz guys would go there. AC: What do you remember about playing with Bob Wills? OC: You won't believe this, but they were playing more bebop than they were playing country & western! The full published interview is here from the Austin Chronicle: Coleman Chronicle Interview