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Everything posted by Rabshakeh
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His Paul Horn flute record did eat a lot of jazz column inches, and he is headlining jazz festivals these days, so it does affect the likes of Iverson a bit, I guess. Probably more Kamasi Washington than Iverson, but that record has had a big impact on the kids. Probably not Shipp, so much, as you say, but then Shipp has strong ideas, particularly about piano, which don't stop at the merely musical, and I guess he finds Andre 3000 acting the piano dilettante to be offensive.
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Fair dos. I have always had severe space issues and tend to panic if I have more than one record by the same artist, so I'm always interested in others' collecting habits.
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Out of interest, why own this on five versions if you are comfortable with one particular version? Do the others have special bonus tracks or something?
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One thing that is interesting about these records is that they form such a strong cross-genre continuum. It isn't always easy to tell what's jazz rock and what's prog.
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I haven't actually heard that one. It's on my to stream list.
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That's right.
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Please don't tell anyone. I have a reputation to keep up.
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Andre 3000 is coming out with a piano record now. Matthew Shipp wrote a review on Facebook: "so a friend called me up and mentioned that Andre 3000 has a piano album out--i was like what. I checked it out on youtube -- my impression of it. I think it is complete and utter crap -horrific-god awful insipidly wretched nothing. oh my fucking god this is some atrocious shite --- is he some type of fucking asshole ? is he a complete and utter dilletante ? I could go into detail about why each cut is stillborn --but why bother --it does not even deserve the attention of a critique it is so dreadful. the guy is not a pianist -that is the beginning and the end of it ---what an ugly piano sound -- lets not even talk about telling a story with harmony ---sounds like he listens to a bunch of music gets a couple of gestures in his head sits down in a stream of consciousness and gets at some gesture for a few bars of something that he has not internalized -and barely knows on the most superficial level and then he loses the thread--of course there is zero composition going on in the improvisations --no language to speak of just a few cliches in his head that he can't actually play the cliche but he hits and tries at it until he peters out quickly --- wow -- he is so horrible at playing harmony --so many horn players that piano is not their instrument play so much better --- this sounds to me like pure fraud what a lack of respect for the discipline by someone who in my opinion is a complete asshole for doing this -- it is depressing that this garbage will get any attention because he has a name and fame --- there is nothing refreshing about the naivety of it --it is just downright dreadful and awful--true fucking crap insipidly wretched nothing -" It's a shame that he didn't say what he really thought of it. Hard to tell whether he liked it or not.
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Derek And The Ruins (Derek Bailey, Masuda Ryuichi and Yoshida Tatsuya) – Saisoro A long time since I revisited this one (thanks to Tzadik now being on streaming services). Great record. One of Bailey's most successful of the later pairings.
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That's an interesting combo of musicians.
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Roscoe Mitchell - Old / Quartet I had this on the clear out pile, but I lost heart. It's just such a good record.
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So where is Hazel Scott?
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I can't find it. I've tried Google. What's the record?
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There's the Borca connection again. I'm still meaning to check those records out. Is that her hooting away? What a great sounding recording.
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Inherited that one from my late father in law.
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What is this one? Looks fun. Why is Zappa I American?
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This one is good. As I said above, I do like Joel Ross. What I really don't like is that feeling that I am going to a jazz gig to learn and improve myself: Straight faced and studious players, opening with a speech about the importance of the music, and total silence solemn from the audience. That last factor has become a particular bugbear for me. I went to an Evan Parker show recently at OTO and accidentally fell over someone on my way to the loo. I tried to apologise (quietly) and the person I'd squashed actually shushed me. Fingers on the lips, like I was a schoolchild. I think it is a great thing for a musician to play the music that he or she loves, and hard bop and post bop is music that I love to hear. The tradition to which these musicians have decided to dedicate themselves is a raucous one where the music was played to be enjoyed. Quality wise I think that these modern Blue Note records can be hit and miss, but I do make sure to check them out, because they're rarely rubbish and some are good. I think that the hit rate is probably higher than the likes of International Anthem or Clean Feed. That doesn't mean that they're all great but current output is pretty good.