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Everything posted by GA Russell
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Are there any box bargains currently available?
GA Russell replied to GA Russell's topic in Mosaic and other box sets...
Complete Them 1964-1967 - $17.77 prime https://www.amazon.com/Complete-Them-1964-1967/dp/B015K0NA0Q -
The Troubadours (Nick Drake / Tim Buckley / Sandy Denny) - $20.01 https://www.oldies.com/product-view/50560R.html ***** Two sets of this year's World Series... $50.54 https://www.oldies.com/product-view/50379R.html $16.75 https://www.oldies.com/product-view/50380R.html
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Joe Lovano Trio Tapestry Joe Lovano: tenor saxophone, tarogato, gongs Marilyn Crispell: piano Carmen Castaldi: drums, percussion Joe Lovano on tour 2019 Jan. 27th Buffalo, NY **Albright-Knox Gallery Feb. 16th St. Catharines, ON Oscar Peterson Jazz Festival Feb. 19th – 23rd New York, NY Birdland (saxophone summit) Mar. 1st Tucson, AZ Crowder Hall, U of Arizona Mar. 8th Aliso Viejo, CA Soka University Mar. 10th Albuquerque, NM ** Outpost Performance Space Mar. 11th Santa Cruz, CA Kuumbwa Jazz Center Mar. 12th – 13th Seattle, WA ** Dimitriou’s Jazz Alley Mar. 14th – 17th San Francisco, CA ** SFJAZZ Miner Auditorium Apr. 13th Austin, TX Bates Recital Hall ** indicate Trio Tapestry performances
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Joe Lovano Trio Tapestry Joe Lovano: tenor saxophone, tarogato, gongs Marilyn Crispell: piano Carmen Castaldi: drums, percussion Release date: January 25, 2019 ECM 2615 B0029590-02 CD UPC: 6025 6796426 1 LP UPC: 6025 7736190 6 Joe Lovano on tour 2019 Jan. 27th Buffalo, NY **Albright-Knox Gallery Feb. 16th St. Catharines, ON Oscar Peterson Jazz Festival Feb. 19th – 23rd New York, NY Birdland (saxophone summit) Mar. 1st Tucson, AZ Crowder Hall, U of Arizona Mar. 8th Aliso Viejo, CA Soka University Mar. 10th Albuquerque, NM ** Outpost Performance Space Mar. 11th Santa Cruz, CA Kuumbwa Jazz Center Mar. 12th – 13th Seattle, WA ** Dimitriou’s Jazz Alley Mar. 14th – 17th San Francisco, CA ** SFJAZZ Miner Auditorium Apr. 13th Austin, TX Bates Recital Hall ** indicate Trio Tapestry performances Joe Lovano, widely acknowledged as one of the great tenor saxophonists of our time, has been a presence on ECM since 1981, appearing on key recordings with Paul Motian, Steve Kuhn, John Abercrombie and Marc Johnson. Trio Tapestry, introducing a new group with pianist Marilyn Crispell and drummer Carmen Castaldi is his first as a leader for the label. An album of focused intensity and expressive beauty, it features a program of eleven new compositions that Joe calls “some of the most intimate and personal music I’ve recorded so far.” The album, produced by Manfred Eicher at New York’s Sear Sound studio, draws upon Lovano’s history and development as a player who has addressed both jazz tradition and exploratory improvisation. “For me this recording is a statement of where I am, where I’ve been and where I may be headed.” In a performer’s note in the CD booklet he says of the recording, “The divine timing of interplay and interaction is magical. Trio Tapestry is a melodic, harmonic, rhythmic musical tapestry throughout, sustaining moods and atmospheres.” Each of the pieces here flowers from a melodic core informed by twelve-tone processes, a methodology Lovano came to appreciate through his long association with composer Gunter Schuller. “And working with Marilyn Crispell who also had lived in that world, having played a lot of contemporary composition and played extensively with Anthony Braxton and so on, we had a beautiful communication in that sound.” If the colors and textures of the music invoke a chamber music ambience, the players themselves “are deeply rooted in jazz, sounding out each other’s feelings in the improvising, and making music within the music. I brought in the material and had an idea of what I wanted to happen, but in terms of how we play together, there is a very equal weight of contribution. We harmonise in this music in a really special way.” Crispell and Lovano first crossed paths in the mid-1980s when the pianist was a member of Anthony Braxton’s quartet, with Gerry Hemingway and John Lindberg. “They happened to be recording in a studio next door to my loft in New York. We met then and stayed in touch.” Around 2006 Joe sat in with Marilyn’s trio with Mark Helias and Paul Motian for a night at the Village Vanguard, which led to a concert as a quartet at New York’s Miller Theater, playing compositions by all four musicians. “That was the first time I’d played a full concert with Marilyn.” The potential for further musical exploration was evident, fulfilled now by Trio Tapestry. Carmen Castaldi and Joe Lovano have played together since their teenage years in Cleveland, and moved to Boston together to attend Berklee in 1971. In the mid-70s when Joe relocated to New York, Carmen headed to the West Coast where he was based for the next couple of decades. Since his return to Ohio, cooperation between the two friends has intensified. Castaldi played on Joe’s Viva Caruso album on Blue Note and toured widely with Lovano’s Street Band, “playing a more ‘folk’ kind of music, with a different energy”, in a line-up including Judy Silvano, Gil Goldstein, Ed Schuller and Erik Friedlander. “Carmen is a wonderful free spirit on the drums, a total improviser, inspired by Paul Motian his whole life. I was really happy to have him on this recording, which is more than ‘a session’ for me. It incorporates a way of playing and interacting that Carmen and I have developed together over very many years.” Castaldi’s subtle drumming engages with the dialogues between saxophone and piano, detailing and adding commentary. A further textural element, augmenting the music’s sense of mystery, comes from Lovano’s use of gongs. “I started to develop that concept back in the 1980s, playing tenor saxophone and accompanying myself on gongs, having a mallet in my right hand to create different tonalities and different key centers from which to improvise.” Over the last fifteen years, the soulful cry of the Hungarian tarogato has also found a place in Lovano’s music. It seems to lend itself to solemn or yearning meditations. Joe played tarogato on “The Spiritual” on Steve Kuhn’s Mostly Coltrane, for example. On Trio Tapestry it is featured on “Mystic”, declaiming over rumbling percussion. Cecil Taylor once praised Marilyn Crispell for “spearheading a new lyricism” in creative music, and Lovano who hails the pianist for her “amazing sound, touch and vocabulary” is pleased to provide a context for her expressive voice here. Crispell, of course, has recorded for ECM for more than twenty years to date, with a discography that includes trio albums with Paul Motian and Gary Peacock (Nothing Ever Was, Anyway and Amaryllis), a duo album with Peacock (Azure), the solo piano album Vignettes, and more. Lovano’s ECM leader debut with Trio Tapestry follows more than two decades as a Blue Note recording artist, with numerous releases in formats from duo (with Hank Jones, for instance) to large ensemble (the Grammy-winning 52nd Street Themes). Franz Schubert Die Nacht Anja Lechner: violoncello Pablo Márquez: guitar Since 2003 this duo has been exploring the most diverse repertoire and modes of expression in their concerts. For their first album, a conceptual context is provided by the music of Franz Schubert, many of whose songs were published in alternative versions with guitar during the composer’s lifetime. Interspersed on the recording, as an echo and commentary to his spirit and language, are the graceful Trois Nocturnes originally written for cello and guitar by Friedrich Burgmüller (1806-1874). Till Fellner In Concert Beethoven and Liszt Till Fellner: piano Speaking to the New York Times in 2007, Alfred Brendel said of fellow pianist Till Fellner: “It has impressed me how ambitiously he has developed his repertory, being equally at home in solo and concerto repertoire, chamber music and lieder… “ Fellner’s insightful playing of Liszt is paired here with a concert recording of Beethoven’s Sonata No 32, recorded in 2010, the year in which ECM released Fellner’s interpretation of Beethoven’s Piano Concertos Nos 4 and 5 to a chorus of critical acclaim. Kim Kashkashian J.S. Bach Six Suites for Viola Solo BWV 1007-1012 Kim Kashkashian: viola The poetry and radiance of Bach’s cello suites are transfigured in these remarkable interpretations by Kim Kashkashian on viola, offering “a different kind of somberness, a different kind of dazzlement” as annotator Paul Griffiths observes. One of the most compelling performers of classical and new music, Grammy-winning Kashkashian is hailed as "an artist who combines a probing, restless musical intellect with enormous beauty of tone”, and she brings to Bach revelatory commitment and intensity. Danish String Quartet Prism 1: Beethoven, Shostakovich, Bach Rune Tonsgaard Sørensen: violin; Frederik Øland: violin; Asbjørn Nørgaard: viola; Fredrik Schøyen Sjölin: violoncello The prize-winning quartet – “one of the best quartets before the public today” (Washington Post) – inaugurates a series of five albums with the overarching title of Prism, in which the group will present one of Beethoven’s late string quartets in the context of a related fugue by J.S. Bach as well as a linked masterwork from the modern quartet literature. “We hope the listener will join us in the wonder of these beams of music that travel all the way from Bach through Beethoven to our own times.” © *2018 ECM Records US, A Division of Verve Music Group. All rights reserved.
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Guys, here's what I know. A poster who provides a link to another site, and gets a small piece of the sales price, is called an "affiliate." I have never been an affiliate for anyone, and I don't know why anyone thinks I might be. Amazon's price does not increase because an affiliate's link is used. I subscribe to daily emails from a number of Amazon affiliates. I am happy to use their links because they have told me something I would not have known - that something I might be interested in is on sale. For this thread, I have used two affiliates - camelcamelcamel.com and wirecutter.com. Amazon's SKU is that combination of letters and numbers which immediately follows ""dp/". The SKU is followed by a question mark or an equals sign. This morning, The Camels sent me an email telling me that the Marantz CD player in question is now going for $349.45, which is the item's lowest price ever, $49.55 less than usual. They provided me with this link: https://www.amazon.com/Marantz-CD5005-CD-Player/dp/B00L1HMZ40?SubscriptionId=AKIAJ7T5BOVUVRD2EFYQ&tag=camel3palerts-20&linkCode=xm2&camp=2025&creative=165953&creativeASIN=B00L1HMZ40 When I posted above, I eliminated the question mark and everything following it: https://www.amazon.com/Marantz-CD5005-CD-Player/dp/B00L1HMZ40 And lo and behold! It is now going for $347.60. One final point about the links I post. It's easy to separate the chaff from an Amazon URL. But often the links to a news item are long, and I will have no idea what to eliminate. Everyone is welcome to contribute to this thread when he sees a bargain!
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Thanks, Scott! I agree that a 7% discount is usually unremarkable. However, The Camels say that this is the item's lowest price since Sept. 8, 2014! Chuck, if you say the item is overpriced, I believe you 100% But tell us of a comparable item sold for less, and a superior item sold at that price. We trust your judgment, and that's what the thread is for! sonnymax, it's Christmastime! 'Tis the season to be jolly!
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Case Logic CDP-200 200 Disc Capacity CD ProSleeve Pages (White) - $6.50 https://www.amazon.com/Case-Logic-CDP-200-Capacity-ProSleeve/dp/B000KMR2YK
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Marantz CD5005 CD Player - $370.46 https://www.amazon.com/Marantz-CD5005-CD-Player/dp/B00L1HMZ40
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Altec Lansing IMW457 Jacket H2O Lightweight, Great Sound Compact Hands-Free Waterproof Indoor/Outdoor Bluetooth Speaker, Ultimate Audio Bluetooth Wireless 30FT Range Mint Green - $29.88 https://www.amazon.com/Altec-Lansing-Lightweight-Hands-Free-Waterproof/dp/B01LYOTR6V
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ECM Joe Lovano - Trio Tapestry release date: January 25, 2018 Joe Lovano: tenor saxophone, tarogato, gongs; Marilyn Crispell: piano; Carmen Castaldi: drums, percussion The great saxophonist Joe Lovano has appeared on a number of ECM recordings over the last four decades, including much-loved albums with Paul Motian, Steve Kuhn and John Abercrombie. Trio Tapestry is his first as a leader for the label, introducing a wonderful new group and music of flowing lyricism, delicate texture, and inspired interplay. Lovano and pianist Marilyn Crispell are in accord at an advanced level inside its structures. "Marilyn has such a beautiful sound and touch and vocabulary," Joe enthuses. Drummer Carmen Castaldi, a Lovano associate of long-standing, also responds to the trio environment with sensitivity, subtly embellishing and detailing the pieces. Lovano: "We play together like an orchestra, creating an amazing tapestry. I brought in the material, but there's an equal weight of contribution, creating music within the music, and harmonizing it in a really special way." Trio Tapestry was recorded at New York's Sear Sound studio in March 2018 and produced by Manfred Eicher.
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Bobby Broom and the Organi-sation - Soul Fingers
GA Russell replied to GA Russell's topic in New Releases
I am very pleased to report that Broom's tone is much more rich and full here than on some past recordings. Definitely one of my favorites of his. -
Highly recommended! My only nit to pick is that nearly every song is taken at the same (quite upbeat) tempo. One of my contenders for Album of the Year.
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Brittany Anjou Introduces Sweeping, Original Vision On "Enamiĝo Reciprokataj," Set for Feb. 15 Release by Origin Records Pianist-Composer's Debut Features Epic Five-Part Suite, Five Other Originals In a Trio with Bassist Greg Chudzik & Nicholas Anderson, Special Guests Ari Folman-Cohen & Ben Perowsky CD Release Shows at Royal Room, Seattle, 12/29; Le Poisson Rouge, NYC, 2/25 November 29, 2018 Pianist-composer Brittany Anjou blends the influences of a wide range of jazz and classical piano, and a fascination with the Esperanto language, on her stunning debut Enamiĝo Reciprokataj, set for a February 15 release on Origin Records. A trio album featuring bassist Greg Chudzik and drummer Nicholas Anderson (as well as two tracks with special guests, bassist Ari Folman-Cohen and drummer Ben Perowsky), it also includes 10 original compositions, highlighted by an eponymous five-part suite that showcases both Anjou's ambition and her originality. Enamiĝo Reciprokataj (pronounced En-ah-mee-joh Reh-sih-pro-kah-tye) translates into English as Reciprocal Love -- or, alternately, as Mutual Breakdown. "[It's] a double entendre about improvisation and the push/pull of relationships," Anjou writes. She also refers to multiple levels of relationships: "It represents the enigma improvisers face to spontaneously fall in love with their instrument/the sound/the situation/each other," she says. "And additionally, to convince an audience to fall in love with their love." If the concept sounds somewhat esoteric, the music itself is anything but. The album's bookend tracks, "Starlight" and its reprise "Reciproka Elektra," alternate instantly compelling, electronically processed washes with warm and confidently swinging piano-trio melodies. Each of the suite's five parts comprises an expressive, hook-filled tune and improvisation set to a joyful dance of a rhythm, from the whirlwind "Reciprokataj I: Cyrene (Flight of the Butterfly)" to the 5/4 bounce of "Reciprokataj IV: Olive You." Even the grim determination Anjou presents on "Reciprokataj V: Flowery Distress" is offset by Folman-Cohen and Perowsky's irrepressibility. The album also honors Anjou's most important pianistic influences. Her phrasing and chord voicings channel the respective spirits of Oscar Peterson and Red Garland; in addition, she separates the parts of the suite with songs that directly pay tribute to favorites Ahmad Jamal ("Snuffaluffagas") and McCoy Tyner ("Hard Boiled Soup"). "All of the music celebrates my love affair with great jazz pianists," she says. Anjou's use of Esperanto is not incidental: With Enamiĝo Reciprokataj, she begins a planned trilogy of albums based on the concepts and structures of world languages. (The next two installments will center on Dagara and Arabic, respectively.) "To me, Esperanto is a romance," she says. "The language mirrors jazz improvisation . . . . Jazz and Esperanto are both contemporary languages of the last century, and both promote intercultural dialogue, democracy, and self-expression." Brittany Anjou was born in 1984 in Minot, North Dakota, moving to Seattle as a very young child. Her mother was a pianist, flutist, and music teacher, and Brittany began playing piano herself at age five. Her mother also played a lot of jazz recordings around the house, and at 12, hearing a solo by the Panamanian pianist Danilo Perez, Brittany was inspired to begin studying jazz. As a high school student, she joined and toured with Seattle's Roosevelt High School Jazz Band, meeting and performing with Wynton Marsalis in New York. Attending the Stanford Jazz Workshop at 16, she worked with Clark Terry, who became her idol. It was around that same time that Anjou began composing -- including much of the material that eventually became Enamiĝo Reciprokataj. Arriving in New York to study music at NYU, Anjou studied with Stefon Harris, Tony Moreno, and Sherrie Maricle, as well as with Jason Moran and Vijay Iyer at School for Improvised Music. She also studied classical music in Prague with composer Milan Slavický, and West African gyil music in Ghana with master player Bernard Woma and his protegees. She has since performed in 13 countries on three continents with a number of ensembles including the New York Arabic Orchestra, the Shaggs, Bi TYRANT, and the LARCENY Chamber Orchestra (founding and leading the latter two). Anjou began performing selections from Enamiĝo Reciprokataj while living in Prague in 2005 and continued honing it thereafter, including in a well-received performance with Bi TYRANT at New York's Zinc Bar during the 2018 Winter Jazz Festival. In the fall of 2018, she returned to Kuwait to teach piano and jazz ensembles as part of a nine-month residency at the Sheikh Jaber Al-Ahmad Cultural Center opera house, in an experimental music program, the first of its kind in the country. Brittany Anjou will perform CD release concerts at the Royal Room, 5000 Rainier Ave S, Seattle, on Sat. 12/29, with Evan Flory-Barnes, b, and Matt Jorgensen, d, plus special guests Rose Rutledge, ss/fl, and Johnny Butler, ts, among others; at Threes Brewing, 333 Douglass Street, Brooklyn, on Mon. 1/7, with Greg Chudzik, b. and Shirazette Tinnin, d.; and at Le Poisson Rouge, 158 Bleecker Street, NYC, on Mon. 2/25, with Chudzik and Tinnin. Anjou will also be playing with the Women in Jazz Organization collective at Jazzahead (Schwankhalle), Bremen, Germany on Sat. 4/27. Photography: Jeff Chase Brittany Anjou - Enamiĝo Reciprokataj (Origin Records) - album video EPK Web Site: brittanyanjou.com
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outdoor speakers Dual Electronics LU43PB 4 inch 3-Way High Performance Indoor, Outdoor & Bookshelf Studio Monitor Speakers with Swivel Brackets & 100 Watts Peak Power - $32.99 https://www.amazon.com/Dual-Electronics-LU43PB-Performance-Bookshelf/dp/B00081NX5U/
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Kevin, it's interesting that you say that. I think of the cue as protecting the needle, not the record!
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Ultimate Ears BOOM 2 LE Limited Edition Wireless Speaker Phantom - $95.57 https://www.amazon.com/Ultimate-Ears-Limited-Wireless-Speaker/dp/B07J31M7PW
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Mackie Studio Monitor, Black w/Green Trim, 3-inch (CR3) - $79.00 https://www.amazon.com/Mackie-Studio-Monitor-3-inch-CR3/dp/B00KVEIY4E
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Art Ensemble of Chicago: Nice Guys (1978), Full Force, (1980), Urban Bushmen (2 CD, 1980), The Third Decade (1984) Leo Smith: Divine Love (1978) Lester Bowie: The Great Pretender (1981), All The Magic (2 CD, 1982), I Only Have Eyes for You (1985), Avant Pop (1986), Tribute to Lester (2001), Roscoe Mitchell & The Note Factory: Nine To Get Ready (1997), Transatlantic Art Ensemble/Mitchell: Composition/Improvisation 1, 2 and 3 (2004), Transatlantic Art Ensemble/Parker: Boustrophedon (2004), Roscoe Mitchell & The Note Factory: Far Side (2007), Roscoe Mitchell: Bells for the South Side (2 CD, 2015) Jack DeJohnette’s New Directions (w Lester Bowie) (1978), Jack DeJohnette’s New Directions: In Europe (w Lester Bowie) (1979), Jack DeJohnette: Made In Chicago (w Mitchell, Abrams, Threadgill) (2013) LISTEN / BUY © *2018 ECM Records US, A Division of Verve Music Group. All rights reserved.
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I think I saw that that Browns losing streak was the second longest in league history.
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Yamaha RX-V685 7.2-Channel AV Receiver with MusicCast - $499.95 https://www.amazon.com/dp/B07BZZCHGN
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Thanks Joe. I see these two. https://www.amazon.com/Cambridge-Audio-Topaz-Premium-Player/dp/B003VSDK1E/ https://www.amazon.com/Cambridge-Audio-BLK-Transport-Black/dp/B00X689AFY/
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Calgary 27....Ottawa 16 So the winner is the person who picked the closest to Calgary - 43, and that is BClugston with Calgary - 45!!! Congratulations Brendan! Please PM me your address, and I'll order your gift card immediately. Brendan, if you prefer, I will purchase for you an Amazon Canada gift card for the amount equivalent to $17 plus international postage. Let me know!
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Last call! The deadline to play is 6:00 pm eastern. I'm going across the street now to a sports bar where I have a table and TV screen reserved. Everyone is welcome to post comments during the game. Good luck everyone!
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Joe, would you therefore recommend against buying a new Cambridge CD player?
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last Grey Cup picks http://3downnation.com/2018/11/25/grey-cup-picks-who-authors-the-next-chapter-of-their-legacy/ http://3downnation.com/2018/11/25/slam-dunk-picks-grey-cup-bonus-money/ https://cflpowerrankings.wordpress.com/2018/11/25/preview-grey-cup-ott-vs-cgy/ https://thegruelingtruth.net/football/cfl/106th-grey-cup-preview-and-prediction/ ***** Grey Cup game notes https://www.cfl.ca/2018/11/24/cfl-ca-game-notes-look-106th-grey-cup/ ***** Grey Cup previews http://3downnation.com/2018/11/25/position-position-look-grey-cup-game/ https://globalnews.ca/news/4695630/football-mexican-sportscaster-spanish-broadcast-grey-cup/ http://3downnation.com/2018/11/25/a-riders-fan-guide-to-grey-cup-106/ https://www.cfl.ca/games/2551/ottawa-redblacks-vs-calgary-stampeders/#/preview https://www.cfl.ca/2018/11/24/gc106-analysis-keys-to-the-game/ https://www.cbc.ca/sports/football/cfl/cfl-grey-cup-stampeders-redblacks-preview-1.4919760 http://3downnation.com/2018/11/23/calgarys-swarming-defence-seeking-contain-ottawa-air-attack-grey-cup/ http://3downnation.com/2018/11/24/battle-lines-drawn-stampeders-redblacks-grey-cup-showdown/ ***** Ottawa http://3downnation.com/2018/11/24/at-this-years-grey-cup-eskimos-fans-are-cheering-anybody-but-calgary/ ***** Calgary http://3downnation.com/2018/11/24/calgary-stampeders-touchdown-horse-to-make-grey-cup-debut-in-edmonton/ https://www.cfl.ca/2018/11/24/gc106-stampeders-juggle-receiving-corps-one-more-time/ https://globalnews.ca/news/4696795/rob-cote-stampeders-grey-cup-2018/ https://3downnation.com/2018/11/24/injuries-stampeders-receiving-corps-ahead-grey-cup/ http://3downnation.com/2018/11/25/first-career-carry-stampeders-guard-brad-erdos-demands-bigger-role-offence-not-really/