Lazaro Vega

I'm looking at my LP of "Early Bird" and the only "Lady Be Good" is the Wichita transcription. There was an additional LBG on the CD?

Loren Schoenberg writes in the Charlie Christian "Genius of Electric guitar" box from Columbia that Young and Goodman "only made a few sessions together -- a Teddy Wilson date with Billie Holiday, a jam session at Goodman's Carnegie Hall Concert, and a WNEW broadcast with Roy Eldridge and Teddy Wilson..." I think there were some studio sides with Young on tenor in the Goodman big band, too.

I'm in Alyn Shipton's Jimmy McHugh bio right now. The Fats book, on first glance, appears comprehensive: many transcribed solos; discography and annotation out the door.

Picked up my copy yesterday.

Amen to that bro aloc. Saturday morning around 9 a.m. hour we're going to broadcast an Iverson inspired hour of variations on "Lady Be Good."

Ah, criminie! I have the Spotlight lp version of that at home. Was looking all over the Stash "Early Bird" and was at a loss. Thanks for clearing that up.

Great on-line audience last night, thank you. The Bird show is going to be intense -- from '42 to '45 will take up the first hour and a half (at least) of the program. Tonight after 10 edt.

I was, curious, too, about where he found the Basie/Goodman/Young version of Lady Be Good (which is different from the Spirituals to Swing jam?) as well as Bird with McShann at a dance in '46? playing Lady Be Good, and the Basie version from the Famous Door (not included in the America's #1 Band set from Columbia, which has a big chunk of stuff from the Famous Door).

Kirk Lightsey came to Spring Lake, Michigan, on Wayne Shorter's birthday, to visit with friends who threw him a dinner party. The hosts were flailing around trying to find a neighbors piano for him to play an informal bit on. I stepped in and had the whole dinner party come over to my daughter's Montessori school where they have a 1914 (?) era Steinway which Kirk worked out on for an hour. Will write more about this incredible evening when I have some time to sit and write.

Yeah, that's good. Konitz and Marsh playing "Pound Cake" as a head came out on a Storyville LP, though I don't know if that version was from the Jazz Showcase.....

Pres tonight on Jazz From Blue Lake, 10 p.m. to 3 a.m. Bird on Friday. LV

From Greg Murphy: MEMORIAL SERVICE FOR JAZZ DRUMMER RASHIED ALI WILL BE HELD SATURDAY SEPTEMBER 5TH - 11am AT RIVERSIDE CHURCH 490 Riverside Drive New York City 212-870-6700 http://www.theriversidechurchny.org/ http://rashiedali.org

-Transformations- : Vernice "Bunky" Green (as) Al Dailey (p) Billy Butler, Carl Lynch (g) Wilbur Bascomb (b) Jimmy Johnson (d) Al Chalk (perc) Jeff Bova (ARP STRING ENSEMBLE AND ARP 2600) + guest: Clark Terry (tp-Interlude figure of "Feelings") New York, November 1976

In the liner notes to Joachim Kuhn's album "Piano Works I / Allegro Vivace" on ACT records he claims to know "a substaintial repertoire of 'over 150 pieces' by the alto saxophonist, many of which haven't appeared on CD releases." On that album Kuhn records "She and he Is Who Fenn Love" and "Allotropes, Elements Different Forms or Same" by Coleman. Additionally, Kuhn taught one of those unrecorded Coleman melodies to Bobo Stenson who recorded it on the recent trio album "Cantando" (ECM). It's called "A Fixed Goal." Interesting that previously unrecorded, or undocumented, Coleman compositions are entering the world as piano repertoire.

http://freejazz-stef.blogspot.com/2009/06/...dejohnette.html

http://www.allaboutjazz.com/php/article.php?id=32820

So "Visions" comes between "Transformations" and "Places We've Never Been." In Love Again (Mark mjs 57623) June 27, 28 1987 Mark Studios with Vince Morette, Fred Betschen and Mike Nally recording engineers. Bunky Green, alto saxophone Willie Thomas, trumpet Bobby Jones, piano Bill Staebell, bass Lou Marino, drums You Stepped Out of a Dream (Gus Kahn/Nacio Herb Brown) In Love Again (Bunky Green/Willie Thomas) Yo Hablow (Willie Thomas) Dancing in the Wind (Bunky Green) Green's Blues (Bunky Green)

Visions was released in 1978 and the album notes "Recorded at Vanguard 23rd St. Studio" Engineered by Mark Berry; Produced by Ed Bland. Bunky Green, alto saxophone Wilbur Bascomb, bass Angel Allende, percussion Mark Gray, electric and acoustic piano and synthesizers Jeff Bova, synthesizer Hiram Bullock, guitar Steve Jordan, drums Michael Carvin, drums (Visions only) Bob Cranshaw, bass (Visions ony) Alone Again, Naturally (Raymond O'Sullivan) What I Do For Love (Hamlisch-Kleban) The Greatest Love of All (Masser-Creed) Never Can Say Goodbye (Clifton Davis) (arr. by Ed Bland) Ali Theme/I Write the Songs (Michael Masser/B.Johnson) The Entertainer (Scott Joplin) (adapted by Bunky Green and Ed Bland) Visions (Stevie Wonder)

Nonaah was one of the great re-issues of 2008. I added it as a write-in in the historical catagory; as well as Organissimo as favorite band! They wrap it up today. http://www.downbeat.com/

http://www.downbeat.com/default.asp?sect=n...il&nid=1426

9/27/09 Digital Primitives :Cooper Moore, Chad Taylor and Assif Tsahar 10/16/09 Percussion and Electronics with Matt Weston All shows all ages 10$ at 8 PM Mexicains Sans Frontieres 120 Southh Division Ave#226 Grand Rapids MI 49503 e-mail tlaquachito@hotmail.com 616-706-7963

Ramsey Lewis responds: http://online.wsj.com/article/SB1000142405...0291383166.html

I want that picture of Roscoe Mitchell as a screen saver!

Shearing quoted in his All Music Guide bio: "Why should a man work when he has the health and strength to lie in bed? I believe his last recording was "Like Fine Wine" for Mack Avenue in 2004 (?)

Man, that is sad! Have been enjoying that quintet he's led for the past few years as recorded in Survival Records.