I'm pretty sure that however good the Miles movie is it will be the final straw that brings about the jazz-internet-osphere apocalypse.
Probably an accurate speculation. As a friend of mine who's both a musician and a music-school professor, and who loved Whiplash (as did I), said, "The jazz community always complains that it's never represented in popular culture, and then whenever it is, proceeds to heap critical scorn on that representation."