ghost of miles

I just realized that the International Phonograph reissue of this came out *15* years ago. Damn, time doesn't fly, it's more like now you see it, now you don't.

Hear, hear! Five days till pitchers and catchers report.

My guess is that they've distilled Tiberi's original 86-CD-R transfer stash to something in the neighborhood of 4-8 CDs for general release? And I'd also imagine that modern audio clean-up technology has made whatever they're going to put out more listenable, as opposed to what was available in 2000 when the transfers were originally made. This is a really big deal--the Tiberi tapes have been akin to Dean Benedetti's Charlie Parker recordings for Coltrane fans.

Scene from "The Pine Barrens," now with laugh track:

The V-eagle has landed! Love hearing a disc's worth of Woody right out of the gate. If Mosaic goofed on disc 5, I assume they'll send out replacement copies, as they have in the past when similar mistakes or omissions were made.

I have a copy of the massive History of European Jazz book on the way and am eager to look for further discussion of the artists featured on SJ 18 (which has superb annotations in and of itself). Thinking about brewing up a Night Lights episode devoted to this release. Current listening--this early-1960s end-of-a-love-affair concept album, the last of Nat King Cole's four collaborations with arranger Gordon Jenkins:

So glad that set made it into existence. Right now—such a great entry in a great series:

Free admission this Saturday! NYC mayor kicks off Black History Month at Armstrong house and museum

From Ben Ratliff's Coltrane: the Story of a Sound. Many of the recordings were made at Philadelphia's Showboat in the early 1960s. It's all live performances of the classic quartet, although I think some have Roy Haynes on drums instead of Elvin (presumably from the stretch of 1963 when Elvin was out of commission). I have a couple of CD-Rs that someone sent me many years ago that includes Coltrane playing "After The Rain" on piano iirc. Guessing that audio technology 25 years on is more capable of improving the sound quality than it was when digital transfers were made in 2000. Tiberi noticed a big difference in Coltrane in 1960… Not wanting to let this pass undocumented, Tiberi started bringing a portable reel-to-reel tape recorder into clubs to tape Coltrane’s sets… His tapes are important evidence of what Coltrane was up to at the beginning of his bandleading… When Verve records made a digital transfer of Tiberi’s tapes, in 2000, they amounted to eighty-six CDs. The sound quality, however, was deemed (by Tiberi as well as Verve) not to be good enough for release. And so an important part of Coltrane’s story remains locked up, for now. - Ben Ratliff, Coltrane: the Story of a Sound

Surprise live performance from Springsteen last night at First Avenue in Minneapolis (the club where many of the performances in Prince's Purple Rain were performed):

Free the Tiberi tapes!!! I know much of that music has circulated over the years, but I would love to have most or all of it pulled together, cleaned up, annotated, and put out in box-set form. That's my Coltrane holy grail. I'd also be happily on board for any expanded release of the Half Note recordings. Hear hear! Seconded! Etc!

Brand-new song from the Boss: https://youtu.be/wWKSoxG1K7w

Iirc Cab Calloway’s memoir Of Minnie the Moocher and M included a vintage glossary of slang that was based on the books he used to sell at shows in the swing era.

Here’s an article about the 1944 Burley handbook of jive. I have a paperback reprint that includes it and Burley’s 1959 book Diggeth Thou?: Dan Burley’s Jive I have a friend here in town, also a Burley fan, who happened upon one of the original Calloway jive volumes that were sold at Cab’s shows in the 1940s. It was a flea-market score iirc.

From The Athletic. Today's Dodgers make the George Steinbrenner-era Yankees seem like penny-pinchers: "Nobody spends money quite like the Dodgers. Their latest luxury spend: outfielder Kyle Tucker, who signed a four-year, $240 million deal, with opt-outs after Years 2 and 3. With deferrals ($30 million over the final three years), his “luxury tax” salary for 2026 is $57.1 million. At roughly $90 million over the highest luxury tax bracket threshold, L.A. will be paying a 110 percent tax on Tucker’s contract. I did the math … That’s $119.91 million out of pocket just in 2026. According to FanGraphs’ projected 2026 payrolls, that’s more than 11 teams will pay their entire roster. L.A. will also forfeit four of its top six draft picks. It seems it's stopped worrying about any coming “cliff.” Since November 2023, per Spotrac, there have been 29 nine-digit contracts/extensions in baseball — about one per team. Tucker is the Dodgers’ sixth after Shohei Ohtani, Yoshinobu Yamamoto, Blake Snell and the Tyler Glasnow and Will Smith extensions. Sixteen teams have not handed out any such contract over that time. The Dodgers currently have eight players projected to make more than $20 million per year in 2026. That’s (obviously) the most, with the Yankees, Mets and Phillies at six each. Eight teams (Pirates, Cardinals, Reds, Nationals, Marlins, White Sox, Twins, Rays) have zero such players. Five teams (Rockies, A’s, Mariners, Guardians, Orioles) have one." Of course the Dodgers have the right, under current rules, to spend like this if they're willing to pay the luxury taxes cited above. And I'm no fan of a salary cap--that's not about reducing fiscal inequality among teams (fiscal inequality as a general value, last time I checked, is something tycoon owners have no problem with at all), it's about controlling player salaries. And yes, the Dodgers have done other things to create their present prowess in addition to exorbitant spending. But if you want to hate a team that goes out and buys any player it wants, hard to beat L.A. in that category these days.

I repeat: Dodgers are the new Evil Empire. Yankees were never in on Tucker, but I share Dan's relief that he won't be playing for Toronto this year.

Was just listening to the first disc of this last night. Right now:

We'll be re-airing Proving Herself: Melba Liston, First Lady of Trombone in March, but I'm upping it now in honor of her centennial today.

We recently re-aired Jazz a la Sauter, and it remains archived for online listening. I wasn't aware of this when I scheduled the broadcast, but Loren Schoenberg has released a new CD of previously unrecorded Sauter charts written for the Red Norvo-Mildred Bailey band: So Many Memories

Perhaps the best best-of by any 1980s indie band.

Such a great series!

Ah! That would certainly explain the varying release dates that we've seen. I've got it pre-ordered, whenever it comes out! Thanks for this and all of the other jazz-history work that you've done, James. Anybody wishing to study West Coast jazz now or in the future will need to delve into it.

Disc 2 of this treasure trove, which includes the set with Chet Baker and Miles Davis (which has been issued before, iirc, but most of the music on this L.A. Jazz Institute collection has not) A classic! Gotta revisit that one soon.

Pretty sure mine was a June 2026 date when I pre-ordered, but that was quite awhile ago at this point.