Moss, as his collegues car and bike drivers, belong to a time where racing was really a ride with the death. When I was a child they were heroes likewise the ones I had to study in school books. RIP
I used a liquid too, but when Hattori Hanzo shipped my cartridge retipped back from Japan, he in person add a handwritten note not to use any fluid on the stylus.
(not really HH but I had the handwritten note for real)
Hey, I don't know them so I can't judge, BUT for sure you don't want a cleaning fluid for stylus, this is the most harmful route, you don't want an unspecified fluid on you cantilever and stylus, the most effective way to keep the cartridge clean is ONZOW, IMO.
https://www.amazon.it/Onzow-Zero-Dust-Stylus-Cleaner/dp/B0075KTY3M
In my experience a fully automatic cleaning machine isn’t the most effective way to clean records I use brushes to clean by hands and the cleaning machine as support and for vacuuming, plenty of demineralized water for rinse. Never experienced the ultrasonic machines praised nowadays.
edit: my routine
Put the record on the rcm, rubbing back and forth with specific soap on this brush, vacuum, rinse back and forth with another brush with plenty of demineralized water directly on record, vacuum. Turn the record, repeat. It works for me.
I have a fully automatic VPI, if I'd buy a machine now I'd buy the simple and cheapest rcm with vacuum on the market. Vacuum and a safe and firm place to hold the record made the cleaning process much easier and quick IMHO.
Thanks, I am not familiar with Geza Anda as I am with others pianist like Kempff, Brendel, Ashkenazy, Curzon, Gilels, Benedetti Michelangeli, Baremboim, Pollini or Schnabel, just to name the fews that comes in mind now.