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Pete C

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  1. Pete C

    Jeanne Lee

    I always liked Lee, but was only familiar with her out stuff, e.g. with Hampel & Shepp. Then, in 2000 I saw her with Waldron, Workman & Cyrille at the North Sea Festival, only a few months before she died, doing standards and Waldron compositions, and was mesmerized. Easily one of my top 10 concert experiences in 40 years of jazz listening. After that I picked up everything I could find. I found that Stockholm CD at a used shop in Strasbourg. After Hours is probably my favorite.
  2. Golden Circle 1 for sure. It's even a contender for my favorite Ornette album, period. Amazing rhythm section, infectious tunes. Moffett completely underrated. For me this is the sax trio that gave birth to the funky-free sounds of Rivers-Holland-Altschul, Surman-Phillips-Martin and Romano-Sclavis-Texier.
  3. Horace Rumpole John Mortimer Mortimer Snerd
  4. Barnet Newman Gary Oldman Henny Youngman
  5. Rusty Hamer Busty Russell Gypsy Rose Lee
  6. Wild Man Fischer David Wild Gene Wilder
  7. A.M. Homes Homer Jethro
  8. Jim Gentile Jodie Christian Johnny Whitaker
  9. The Three Wise Men The Three Stooges Five Guys Named Moe
  10. Gary Husband The Wife of Bath Geoffrey Chaucer
  11. Fred Gwynne Gwyneth Paltrow Pal Joey
  12. Donald M. Frame Michel de Montaigne Renee Montagne
  13. Murph the Surf Papa Smurf Papa Jo Jones
  14. Three Men on a Horse Frank McHugh Jimmy McHugh
  15. Apparently Shock was so popular it had to procreate.
  16. Gilbert Grape Professor Plum Violette Leduc
  17. Richard Manuel Rick Danko Levon Helm
  18. Millie Small Millie Jackson Gjon Mili
  19. Penny Marshall Curt Schilling Dollar Brand
  20. Wavy Gravy Ben Jerry
  21. Michael Caine Sonny Rollins Oliver Nelson
  22. Kate Moss Moss Hart Hart Crane
  23. Dario Argento Rod Argent Colin Blunstone
  24. Grant Green Sonny Red Blue Mitchell
  25. "Product Description This is the first part of our in-depth look at the Mainstream label. Bob Shad's label is legendary for its high-quality recordings and had artists in the soul, jazz and psychedelic rock fields. Big Beat Records will handle the psychedelic recordings and BGP will take on the rest, starting with a look at the incredible jazz recordings made in the early part of the 70s. Jazz in the 70s was in the depths of an economic recession, with clubs and record labels closing. Yet in lofts and in the few remaining live venues some incredible music was being made. Jazz musicians were influenced by the spirit of the age, be that radical politics, spiritual philosophies or pan-Africanism. Bob Shad was one of the few people still recording these sounds on a front-line record label and the recordings on this CD consequently offer a rare insight into an under-documented period of jazz music's history. The title track, Frank Foster's The Loud Minority, sets the tone with forward-thinking jazz sounds and a political message. We also have similar lines of musicianship from Harold Land - two tracks from his legendary group with Bobby Hutcherson - and Roy Haynes. There is fantastic playing from Hadley Caliman, Buddy Terry and Charles McPherson and a rare date as a leader from the excellent Johnny Coles. Legends of soul jazz Blue Mitchell and Mike Longo appear, the latter with a previously unreleased version of Matrix. All the Mainstream releases will have booklets with an incredible array of photographs from the original recording sessions and the photographic sessions for the cover. These have on the whole never been seen before and make the whole package a must have for fans of the jazz of the era." http://www.amazon.com/Loud-Minority-Spiritual-Mainstream-1970-1973/dp/B003GE69N4 I haven't any idea what they mean by "deep spiritual jazz." Even if one believes in such a concept, where does this track list leave Ayler, Sanders and Coltrane?
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